Fruitwood Natural Specimens
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Material: Fruitwood
A Victorian pair of shell and coral floral arrangements, circa 1880.
Located in Milan, IT
A Victorian pair of shell and coral floral arrangements on carved and gilded wooden base. Each of the two compositions features a base in sculpted and carved fruit wood, gilded which...
Category
Late 19th Century Italian Antique Fruitwood Natural Specimens
Materials
Coral
A glass ampulla with Pulvis eructanea, France 1870.
Located in Milan, IT
Specimen from wunderkammer, a glass ampoule with turned fruitwood lid painted black and label on the front. The paper label reads: Pulvis eructanea. France circa 1870.
Category
Late 19th Century French Antique Fruitwood Natural Specimens
Materials
Glass, Fruitwood, Paper
A glass ampulla with corallium sidere, France 1870.
Located in Milan, IT
Specimen from wunderkammer, a glass ampoule with turned fruitwood lid painted black and label on the front. The paper label reads: Corallium Sidere and the number XXI. France circa 1870
Category
Late 19th Century French Antique Fruitwood Natural Specimens
Materials
Coral
A Marine Specimen a big Stingray Fish, Italy 1880
Located in Milan, IT
Taxidermy marine natural Wunderkammer specimen, embalmed Stingray (Raja Clavata). The Specimen is stuffed and mounted over a base that rotates 360 degrees on its own axis and tilts a...
Category
1870s Italian Antique Fruitwood Natural Specimens
Materials
Brass
Marine Specimen a Sickle Pomfret Fish, Italy, 1870
Located in Milan, IT
Taxidermy marine natural Wunderkammer specimen, embalmed sickle pomfret (Familia: Bramidae. Genus: Taractichthys. Species: Steindachneri). The Specimen is stuffed and mounted over a ...
Category
1870s Italian Antique Fruitwood Natural Specimens
Materials
Brass, Bronze
Marine Specimen a Puffer Fish, Italy, 1870
Located in Milan, IT
Taxidermy marine natural Wunderkammer specimen, the common Puffer fish Tetradontidae. The Specimen is stuffed and mounted over a base that rotates 360 degr...
Category
1870s Italian Antique Fruitwood Natural Specimens
Materials
Brass
Natural Specimen a Pair of Druzes with Crystals, Italy, 1880
Located in Milan, IT
A natural mineral specimen for Wunderkammer. A pair of Apophyllite and white quartz druzes, mounted over carved wooden base, vase shape with l...
Category
1870s Italian Antique Fruitwood Natural Specimens
Materials
Crystal, Quartz, Rock Crystal
Botanic Model of Different Type of Inflorescences, Italy, 1930
By Paravia
Located in Milan, IT
A rare botanic didactical model of the different types of inflorescences specimen made out of hand painted plaster red buds, copper metal green branches and rubber central component ...
Category
Early 20th Century Italian Fruitwood Natural Specimens
Materials
Metal, Copper
Natural Specimen Amethyst and Calcite Flowers Crystals, Italy, 1880
Located in Milan, IT
A Naturalia mineral specimen. A druze of Amethyst, colacite stones and calcite flowers crystals, mounted over a guild-plated wooden base on a vase shape. Italy 1880 ca.
Category
1870s Italian Antique Fruitwood Natural Specimens
Materials
Stone, Amethyst
Antique Rare Pulley for Well in Olive Wood as Sculpture
Located in Alessandria, Piemonte
It's an exceptional item ! I propose it as a sculpture. I found it in the desert. You find the ideal location,
O/6219.
Category
Early 18th Century Sahrawi Primitive Antique Fruitwood Natural Specimens
Materials
Fruitwood
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“Standing Setter” French Animaliers Bronze by Jules Moigniez, circa 1870
Located in London, GB
Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez.
Additional information:
Height: 19 cm
Width: 34 cm
Condition: excellent original condition
Circa: 1870
Materials: bronze
Book reference: Les Animaliers by Jane Horswell
Page no. 237
About
Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...
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Natural Rock Crystal Specimen Piece
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Mushroom Model, Italy 1880
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A model for pharmacy of a big mushroom specimen, shelf or lignicolous mushrooms of trees, (Ganoderma Carnosum) made of paper mache painted in watercolor o...
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Mushroom Model, Italy, 1900
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Mushroom Model, Italy, 1900
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A mushroom model, Italy 1900.
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A model for pharmacy of mushroom specimen, Boletus Edulis (Porino-Pore mushroom), made out of plaster watercolored. Square wooden black base with moss and hay. It shows on the front...
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Early 20th Century Italian Fruitwood Natural Specimens
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Mushroom Model, Italy 1900
Located in Milan, IT
A model for pharmacy of mushroom specimen, Boletus Edulis (Porino-Pore mushroom), made out of plaster watercolored. Square wooden black base with moss and hay. It shows on the front ...
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Mushroom Model, Italy 1900
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Natural Specimen, a Crystals of Colecite and Pyrite, Italy 1880
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