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Baroque Decorative Objects

BAROQUE STYLE

The decadence of the Baroque style, in which ornate furnishings were layered against paneled walls, painted ceilings, stately chandeliers and, above all, gilding, expressed the power of the church and monarchy through design that celebrated excess. And its influence was omnipresent — antique Baroque furniture was created in the first design style that truly had a global impact.

Theatrical and lavish, Baroque was prevalent across Europe from the 17th to mid-18th century and spread around the world through colonialism, including in Asia, Africa and the Americas. While Baroque originated in Italy and achieved some of its most fantastic forms in the late-period Roman Baroque, it was adapted to meet the tastes and materials in each region. French Baroque furniture informed Louis XIV style and added drama to Versailles. In Spain, the Baroque movement influenced the elaborate Churrigueresque style in which architecture was dripping with ornamental details. In South German Baroque, furniture was made with bold geometric patterns.

Compared to Renaissance furniture, which was more subdued in its proportions, Baroque furniture was extravagant in all aspects, from its shape to its materials.

Allegorical and mythical figures were often sculpted in the wood, along with motifs like scrolling floral forms and acanthus leaves that gave the impression of tangles of dense foliage. Novel techniques and materials such as marquetry, gesso and lacquer — which were used with exotic woods and were employed by cabinetmakers such as André-Charles Boulle, Gerrit Jensen and James Moore — reflected the growth of international trade. Baroque furniture characteristics include a range of decorative elements — a single furnishing could feature everything from carved gilded wood to gilt bronze, lending chairs, mirrors, console tables and other pieces a sense of motion.

Find a collection of authentic antique Baroque tables, lighting, decorative objects and other furniture on 1stDibs.

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Style: Baroque
French 19th Century Patinated Bronze Group "The Abduction of the Sabine Women"
By Pierre Loison 1
Located in Los Angeles, CA
A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...
Category

19th Century French Antique Baroque Decorative Objects

Materials

Bronze

German 18th Century Silver And Hardwood Snuff Box
Located in Copenhagen, K
Wonderful carved German or Austrian snuff box hunting motive and silver mounting. Carved to fit "hand in glove." Provenance: Exhibited at the Dome M...
Category

Mid-18th Century German Antique Baroque Decorative Objects

Materials

Silver

Vintage Dutch Country French Baroque Style Silver Plated Figural Jewelry Box
Located in Philadelphia, PA
Vintage Dutch Country French Baroque Style Silver Plated Figural Jewelry Box. Circa Early 1900s. Measurements: 1.5" H x 8" W x 6" D.
Category

Early 1900s Antique Baroque Decorative Objects

Materials

Silver Plate

JESUS CHIELD German Sculpture, from the 17th century
Located in Madrid, ES
JESUS CHIELD German Sculpture, from the 17th century in silver metal. Set on a wooden base. Height. (sculpture) 52 cm. Height: (total) 60 cm. good conditions
Category

17th Century German Antique Baroque Decorative Objects

Materials

Metal

Pair of 3-lights Solid Silver Italian candelabras in Baroque style
Located in VALENZA, IT
Pair of 3-lights candelabra in Baroque style. The candlesticks were made with the technique of casting, engraving and chisel completely made by hand. The oblong-shaped base rests on ...
Category

21st Century and Contemporary Italian Baroque Decorative Objects

Materials

Silver

19th Century Giltwood Baroque Church Altar Vase
Located in Hastings, GB
A deep carved large giltwood altar vase, probably German, in the baroque style, but dating to the latter half of the 19th century. The vase is carved with a...
Category

1890s German Antique Baroque Decorative Objects

Materials

Wood

Baroque sculpture The Miracle of Saint Sebastien
Located in PARIS, FR
This 17th-century Southern European Baroque sculpture powerfully embodies the martyrdom and miraculous endurance of Saint Sebastian, a Roman soldier condemned for his Christian faith...
Category

17th Century Italian Antique Baroque Decorative Objects

Materials

Wood

18th Century Italian Fragment with Chalcopyrite, Calcite Crystals, and Kyanite
Located in Dublin, Dalkey
Sculptural 18th century Italian fragment with chalcopyrite on a druzy crystal matrix with calcite crystals and gold-plate kyanite. Th...
Category

18th Century Italian Antique Baroque Decorative Objects

Materials

Rock Crystal

Apollo Di Piombino Del Louvre, Bust in Terracotta, Early 20th Century
Located in Madrid, ES
Apollo Di Piombino Del Louvre, bust in Terracotta - Kouros Di Piombino early 20th century Measures: height 46 cm width 20 cm depth 15 cm Weight 3 kg Artist / designer / architect an...
Category

Early 20th Century Italian Baroque Decorative Objects

Materials

Terracotta

Antique French Bronze Baroque Photo Frame (Stamped)
Located in Lincoln, GB
Exquisite Antique French Bronze Baroque Photo Frame is a stunning example of craftsmanship from a bygone era, designed to elevate any cherished pho...
Category

19th Century French Antique Baroque Decorative Objects

Materials

Bronze

Pair of Italian Baroque Carved Giltwood Candlesticks Torchères Ivory Table Lamps
Located in Coimbra, PT
Pair of elegant Italian baroque carved giltwood candlesticks torchères turned into table lamps with ivory silk lampshades Measures: Height 24 in /60 cm Diameter 14 in /36 cm Weig...
Category

Early 20th Century Italian Baroque Decorative Objects

Materials

Silk, Wood, Giltwood

Rare 18th Century Alpine Iron Spiral Candle Holder
Located in Hamburg, DE
Discover the charm and historical significance of this rare 18th-century Iron Spiral Candle Holder, a unique artifact from the Alpine region. This...
Category

Early 18th Century French Antique Baroque Decorative Objects

Materials

Iron

18th Century Marble Bust
Located in Allerum, SE
Impressive early 18th century hand carved life-size marble bust of a Roman man, circa 1700 Italy, possibly older. Condition is good with minor chips and nicks consistent with age...
Category

Early 18th Century Italian Antique Baroque Decorative Objects

Materials

Marble

17th Century Italian 'Florence Fragment' Vase with a Mica Cluster & Garnets
Located in Dublin, Dalkey
17th century Italian fragment mounted with mica cluster with garnets on a petrified wood base. This fragment is from a church in Florence. It wa...
Category

17th Century Italian Antique Baroque Decorative Objects

Materials

Rock Crystal

Hand Carved Italian Santo
Located in Houston, TX
Hand carved Italian Santo: figure of Franciscan abbot or saint, circa 1780-1800. Note: Regional differences in humidity and climate during shipping may...
Category

Late 18th Century Italian Antique Baroque Decorative Objects

Materials

Wood

Italian Murano Blue and White Glass Paperweight
Located in Queens, NY
Italian Venetian Murano-style (Mid-20th Century) crystal bulbous shaped paperweight with blue and white swirl design.
Category

20th Century Italian Baroque Decorative Objects

Materials

Crystal

Ancient Italian Maiolica Faenza, Ferniani Factory, Circa 1700
Located in Milano, IT
Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...
Category

Early 1700s Italian Antique Baroque Decorative Objects

Materials

Maiolica

Italian Early 18th Century Giltwood Torchère or Floor Lamp, 1720
Located in Rome, IT
A fine Italian early 18th century giltwood torchère on triform base carved on the front side, with seven scrolled gilt-metal candle arms. Measures: 215 x 45 cm.
Category

Early 17th Century Italian Antique Baroque Decorative Objects

Materials

Giltwood

Candlestick with Triangular Base, Bronze, Spain, 18th Century
Located in Madrid, ES
Candlestick with triangular base. Bronze. Spain, 18th century. Bronze candlestick with a triangular base raised on three legs and enhanced with moldi...
Category

18th Century European Antique Baroque Decorative Objects

Materials

Bronze

19th Century Italian Faience Floral Decorated Apothecary Jars
Located in Chapel Hill, NC
19th Century Italian Faience Floral Decorated Apothecary Jars. Each with applied floral finials. both with latin inscription depicting the type of medicine contained in each jar. One...
Category

Mid-19th Century Italian Antique Baroque Decorative Objects

Materials

Ceramic

17th Century Brass Candlestick, France, circa 1690
Located in Boven Leeuwen, NL
17th century candlestick from France made of brass. The candlestick has traces of use as you can expect after more than 300 years of use.
Category

17th Century French Antique Baroque Decorative Objects

Materials

Brass

Early 17th Century Italian Red Silk Casket or Box on Stand
Located in Milford, NH
A fine example of an early 17th century Italian wooden casket or box, possibly pine, with slightly vaulted lid covered with red silk and adorned with appliqued foliate velvet with em...
Category

Early 17th Century Italian Antique Baroque Decorative Objects

Materials

Wrought Iron

Bronze Sculpture of Diana After Pierre Roche (French 1855 - 1922)
Located in North Palm Beach, FL
A bronze cast of Diana, Goddess of the Hunt, after Pierre Roche (French 1955 - 1922). The sculpture stands on a square green marble base. Dimensions: Base: 8" x 8" Overall: 10.5" ...
Category

1980s Vintage Baroque Decorative Objects

Materials

Marble, Bronze

Beautiful Early 1800's Medallion of Tsar Alexander II
Located in Madrid, ES
BEAUTIFUL EARLY 1800'S MEDALLION OF TSAR ALEXANDER II. IN GOOD GEMERAL CONDITION. PRESENT SLIGHT FAULTS ON THE EDGES- SEE PHOTOS. MEASURES: 10 CM DIAMET...
Category

18th Century Italian Antique Baroque Decorative Objects

Materials

Bronze

RARE IBERIAN SAFE from the first half of the 17th Century
Located in Madrid, ES
RARE IBERIAN SAFE from the first half of the 17th Century in painted and gilded carved wood decorated with plant motifs. Small defects. Dim.: 34 x 43 x 35 cm
Category

17th Century Portuguese Antique Baroque Decorative Objects

Materials

Wood

Pair of shell-shaped holy water fonts in red Verona marble
Located in Ternay, Auvergne-Rhône-Alpes
Pair of shell-shaped holy water fonts made entirely of red Verona marble. In excellent vintage condition with a superb patina of age (see photos).
Category

20th Century French Baroque Decorative Objects

Materials

Marble

Large Italian 18th Century Gilt-wood Jardinière or Planter
Located in Rome, IT
With rectangular form frame and finely carved acanthus leaf. Original liner is tin. Provenience from Aristocratic family of Tuscany.
Category

Early 18th Century Italian Antique Baroque Decorative Objects

Materials

Giltwood

Candlesticks Pair Brass
Located in BUNGAY, SUFFOLK
FINE, PAIR OF LATE 17TH CENTURY, FLEMISH, BRASS CANDLESTICKS WITH PRICKETS - Cast with a variety of turnings and shapes to create a striking aesthetic and enhance the reflection of...
Category

17th Century Belgian Antique Baroque Decorative Objects

Materials

Brass

Grand Father Case Clock with Chinese Figures 19th Century
Located in Madrid, ES
Grand father case clock with Chinese figures xixth English clock from the 19th century decorated with Asian landscapes. The clock works perfectly and is ...
Category

19th Century English Antique Baroque Decorative Objects

Materials

Wood

Rare 16th Century Nuremberg Box
Located in Madrid, ES
Rare 16th century Nuremberg box In iron, measurements: 13 x 18 x 12 cm Good condition.
Category

16th Century German Antique Baroque Decorative Objects

Materials

Iron

Baroque Style Putti Letter Rack with 2 Inkwells This is a very grand desk top i
Located in Godshill, Isle of Wight
Baroque Style Putti Letter Rack with 2 Inkwells This is a very grand desk top inkwell, the letter sections are decorated with Putti and Cherubs th...
Category

Early 1900s Antique Baroque Decorative Objects

Materials

Brass

Vintage Bronze and Marble French Baroque Style Lidded Urn Centerpiece Cassolette
Located in Philadelphia, PA
Vintage Bronze and Marble French Baroque Style Lidded Urn Centerpiece Cassolette. Item features Heavy marble and bronze construction, scrolling leafy arms, removable lid, very nice c...
Category

Late 20th Century Baroque Decorative Objects

Materials

Marble, Bronze

Late 19th Century Bronze Desk Accessories Inkwell with lid Bronze Brass Glass
Located in Sacile, PN
Bronze inkwell dated circa 1880, angels subject supported by feline paws. Ink bowl in glass with bronze profile and "alla ruota" engraved base.
Category

Late 18th Century Antique Baroque Decorative Objects

Materials

Brass, Bronze

TABLE CLOCK Dutch, around 1740 18th Cent.Machine marked" J.P. Kroese" Amsterdam
Located in Madrid, ES
TABLE CLOCK Dutch, around 1740 with mahogany wood case with bronze applications, satinwood inlaid representing vegetal and geometric motifs. Enamelled dial with Roman and Arabic num...
Category

Mid-18th Century Dutch Antique Baroque Decorative Objects

Materials

Wood

A Large & Striking Pair of Italian Baroque Style Giltwood Tripod Pricket Sticks
Located in San Francisco, CA
A large and striking pair of Italian baroque style giltwood tripod pricket sticks; each tall stick with graduated shaft adorned with foliate carving raised ...
Category

19th Century Italian Antique Baroque Decorative Objects

18th Century Dutch Delft Tile Panel with decoration of a liquor seller
Located in AMSTERDAM, NH
The Netherlands Rotterdam Circa 1725 – 1775 A manganese tile panel of two tiles, probably the base of a pillar, with the decoration of a liquor seller, and by the look on his face h...
Category

Mid-18th Century Dutch Antique Baroque Decorative Objects

Materials

Ceramic, Faience, Majolica

OUR LADY OF ASCENSION Portuguese sculpture, 17th Century H: 125cm
Located in Madrid, ES
OUR LADY OF ASCENSION Portuguese sculpture, 17th Century in polychrome wood. Small defects and traces of treated xylophages. Dim. Height: (total) 125 cm
Category

17th Century Portuguese Antique Baroque Decorative Objects

Materials

Wood

Important Pair of Louis XVI Style Ormolu-Mounted Green Marble Vases
Located in New York, NY
A Fine Pair of Antique green marble and gilt-bronze mounted vases in Louis XVI Style . Date: circa 1880 Dimension: 22 in x 11 in.
Category

19th Century French Antique Baroque Decorative Objects

Materials

Ormolu

French Baroque Louis XV Gold Gilt Bronze Cherub & Glass 2 Tier Candy Dish Stand
Located in Philadelphia, PA
Antique French Baroque Louis XV Style Gold Gilt Bronze Cherub & Glass 2 Tier Compote Candy Dish Stand. Circa Early 20th Century. Measurements: 24" H x 10" W x 10" D.
Category

Early 20th Century Unknown Baroque Decorative Objects

Materials

Bronze

18th Century Italian Carved Santo Boy Sculpture Icon
Located in Rio Vista, CA
Large 18th century Italian carved Santo figural icon sculpture depicting a boy with arms raised dressed in a blue parcel-gilt outfit with boots. Heavily aged and distressed polychrom...
Category

18th Century Italian Antique Baroque Decorative Objects

Materials

Glass, Lacquer, Giltwood, Wood

Terracotta Fountain Masqueron, 20th Century
Located in Madrid, ES
TERRACOTTA FOUNTAIN MASQUERON DECORATIVE TERRACOTTA OR SIMILAR MASCARON FROM THE BEGINNING OF THE 20TH CENTURY. MEASURES: 40X37 CM good condition.
Category

20th Century Italian Baroque Decorative Objects

Materials

Terracotta

Scandinavian Late 17th Century Baroque Angel Candleholder
Located in Copenhagen, K
Late 17th Century Baroque Angel Candlestick, Scandinavian Amazing carved wood and polychrome candleholder.
Category

Late 17th Century Scandinavian Antique Baroque Decorative Objects

Materials

Wood

Meissen Porcelain Bear, Johann Gottlieb Kirchner, Johan Joachim Kaendler, 1735
Located in Milano, IT
Hard porcelain bear modeled and painted in gray-brown and black Manufacture of Meissen, by Johann Gottlieb Kirchner and Johan Joachim Kaendler, 1735 It...
Category

1730s German Antique Baroque Decorative Objects

Materials

Porcelain

Pair of 1920s William Suckling Ltd English Silver Plate Candelabras/Candlesticks
Located in North Palm Beach, FL
A pair of antique silver-plated candelabras/candlesticks crafted by the renowned English company William Suckling Ltd, dating back to the 1920s. For versatility, the arm of the cande...
Category

1920s Vintage Baroque Decorative Objects

Materials

Silver Plate

Pair of Early Baroque Northern Italian Giltwood Cornucopia Figures
Located in Victoria, BC
This exceptional pair of carved wood figures reflects the early Baroque aesthetic of Northern Italy during the late 16th to early 17th century. Executed with expressive dynamism, eac...
Category

Early 17th Century Italian Antique Baroque Decorative Objects

Materials

Wood

Huge Pair of Italian Armchairs Tuscany, 17th c.
Located in PARIS, FR
Exceptional and huge pair of armchairs, in carved wood, decorated with acanthus leaves and volutes, the armrests ending in lions' heads, the footrests in dolphins' heads. Traces of ...
Category

Early 17th Century Italian Antique Baroque Decorative Objects

Materials

Giltwood

Candlesticks English Spiral Oak Brass Brown 19th Century England
Located in New York, NY
Ljusstakar spiral English early 19th century oak. Brass candleholder.
Category

Mid-18th Century Swedish Antique Baroque Decorative Objects

Materials

Oak

Cross-Shaped Chest Clock, Silver, 17th Century, it Presents Restorations
Located in Madrid, ES
Cross-shaped chest clock. Silver. 17th century. It presents restorations. Portable clock in the shape of a cross with an openwork exterior showing Christian figurative scenes and the movement inside, a dial with a golden band with Roman numerals for the hours, a single needle and an engraved decoration around it, also with a religious theme; on the back, the back of the movement can be seen, with a delicate decoration, also openwork and based on plant motifs reminiscent of classicism, and a band on the case of the piece with simplified plant elements. Outside, we find ourselves on one side with Christ crucified, flanked by the Virgin Mary and Saint John, and the figures are surrounded by a delicate composition based on vegetable scrolls, with an angel's head at the foot of the piece. The other side shows the Resurrection of Jesus, with Christ emerging from the empty tomb...
Category

17th Century European Antique Baroque Decorative Objects

Materials

Metal, Silver, Other

Capodimonte Traveling Couple Figurine, 1771-1834
Located in Lisbon, PT
This late 18th-century Capodimonte figurine, depicting a traveling couple with suitcases, crafted from fine translucent soft-paste porcelain. The man and woman are elegantly dresse...
Category

18th Century Italian Antique Baroque Decorative Objects

Materials

Porcelain

Sandstone Sculpture, Southern Germany, 18th Century
Located in Greding, DE
Sandstone sculpture of a saint in a garment rich in folds. Arms and attributes missing. Weathered patina condition.   
Category

18th Century German Antique Baroque Decorative Objects

Materials

Sandstone

Wood base or pedestal. Spanish school, 17th century.
Located in Madrid, ES
Base. Carved and gilded wood. Spanish school, 17th century. Base for sculpture made of carved and gilded wood with a rectangular and flat shape, slightly raised on circular legs and...
Category

17th Century Spanish Antique Baroque Decorative Objects

Materials

Other

Antique Belgian, Cast Silver Louis XVI Candlesticks
Located in Torino, IT
An elegant pair of French silver candlesticks. They both feature Belgian silver hallmarks. Mons 1783. Weight: 846 grams.
Category

18th Century and Earlier Belgian Antique Baroque Decorative Objects

Continental Gilt and Mahogany Easel
Located in Essex, MA
Interesting continental hand-carved painting easel with gilt decoration. Lovely gilded carved- rosette decoration and graceful legs. small dowels adjust t hold different sizes of art...
Category

Early 19th Century French Antique Baroque Decorative Objects

Materials

Wood

Circa 1710-20 French Baroque Cast Brass Chamber Candlesticks
Located in Skien, NO
**Pair of Early 18th Century French Cast Brass Chamber Candlesticks, Circa 1710-1720** A superb matched pair of Louis XV chamber candlesticks, masterfully cast in brass with exqui...
Category

Early 18th Century European Antique Baroque Decorative Objects

Materials

Brass, Bronze

Pair of Early Giltwood Book Stands Carved as Doves
Located in Houston, TX
Pair of early giltwood book stands carved as doves mounted upon orbs, from the late 17th or early 18th century. Nice large scale. Books are laid open across the backs of the doves' w...
Category

Early 18th Century Italian Antique Baroque Decorative Objects

Materials

Oak, Giltwood

Set of Italian 18th century Oil and Vinegar Flacons
Located in Vosselaar, BE
A set of handblown early 18th century Oil and Vinegar Flacons. Following the French Court etiquette rules and a taste for luxury spreaded around Europe in the 18th century. Eating be...
Category

Early 18th Century Italian Antique Baroque Decorative Objects

Materials

Glass

Lamps Table Pair Candlesticks Silver Gilt 17th Century Baroque Italian 29" high
Located in BUNGAY, SUFFOLK
Fine pair of late 17th century, Italian, carved & gilded pricket candlesticks upcycled into table lamps, 29” high Finely carved with classical turnings and ornamentation of the Baro...
Category

1690s Italian Antique Baroque Decorative Objects

Materials

Beech

After Pietro Tacca Il Porcellino Bronze Sculpture
By Pietro Tacca
Located in Astoria, NY
After Pietro Tacca (Italian, 1577-1640) "Il Porcellino" [The Little Pig] Patinated Bronze Sculpture, 20th century, mounted on wood base. Overall: 8.25" H x 8.25" W x 4.25" D. Provena...
Category

20th Century Baroque Decorative Objects

Materials

Bronze

Flemish Brass Alms Plate
Located in Essex, MA
With shield in center surrounded by gadrooned and hammered decoration.
Category

17th Century European Antique Baroque Decorative Objects

Materials

Brass

Logbin Brass Copper Rivets Planter
Located in BUNGAY, SUFFOLK
Unusual with the copper band which is highly decorative elevating the calibre of this log bin. Holds a large quantity of large logs or coal. Suitable for everyday use. Could be re-purposed as a jardiniere or wine cooler for a party. An upper band of copper attached to the brass body with copper rivets...
Category

18th Century Dutch Antique Baroque Decorative Objects

Materials

Brass, Copper

Baroque decorative objects for sale on 1stDibs.

Find a broad range of unique Baroque decorative objects for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage decorative objects created in this style to your space, the works available on 1stDibs include decorative objects, serveware, ceramics, silver and glass, more furniture and collectibles and other home furnishings, frequently crafted with wood, metal and other materials. If you’re shopping for used Baroque decorative objects made in a specific country, there are Europe, Italy, and France pieces for sale on 1stDibs. While there are many designers and brands associated with original decorative objects, popular names associated with this style include Europa Antiques, Meissen Porcelain, Franco Salimbeni, and Interi. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for decorative objects differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $61 and tops out at $195,000 while the average work can sell for $3,204.

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