Soapstone Jars

The Baré Side Table is part of family of objects designed around the act of indoor horticulture. Named after Jeanne Baré, the first woman to circumnavi...

"Hsing" vase designed by Ettore Sottsass for Alessio Sarri, Sesto Fiorentino. Red glazed ceramic. Marked: E. Sottsass, A. SARRI.

"Hanahana" is an iconic flower Stand, designed by Kazuyo Sejima and manufactured by Driade, featuring a mirror polished stainless steel structure and bas...

For the La Terra collection, Lemon collaborated with renowned artist Jade Paton. Jade creates contemporary sculptures out of clay. Her main source of inspir...

This stunning Murano glass vase was designed by the renowned Dino Martens (1894-1970). With a white base adorned with deep red dots, this vase showcases Martens' exceptional creativ...

Vase designed by Tapio Wirkkala, Sweden, 1957. Sterling silver. Dimensions: H: 24 cm/ 9 3/8" W: 9 cm/ 3 1/2" D: 4 cm/ 1 1/2" Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Tapio Wirkkala felt a deep relationship with nature and his absolute favourite spot was located in Finland's deepest forests. From the beautiful landscape, Tapio Wirkkala could find inspiration for his works, often characterised by organic shapes. Leaves, birds, ice and water are recurring themes in his design. Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s but abandoned the traditional sculpture in the post-war years – in the early 1950s, alongside with other works, he started to develop an entirely new relationship with sculpture and a new technique to be used. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractism and gave Finnish sculpture...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2) This anthropomorphic vase is made entirely by hand and painted in a green matte monochro...

"Hsing" vase designed by Ettore Sottsass for Alessio Sarri, Sesto Fiorentino. Green glazed ceramic.

191980s Exquisited handcrafted polychrome vase in ceramic by Bizzirri. It's in excellent condition. Dimension: diam 5,51 x 11,81 H inches diam cm 14 x cm 30 H

An exceptionally hand-carved antique Chinese soapstone spill vase - spill holder (see below), profusely decorated and intricately detailed naturalistic sc...

"Hsing" vase designed by Ettore Sottsass for Alessio Sarri, Sesto Fiorentino. Black glazed ceramic. Marked: E. Sottsass, A. SARRI.

"Giova" is a refined table lamp and flower pot hybrid piece of design, designed by Gae Aulenti and manufactured by FontanaArte, featuring a chromed metal base, a middle globe in transparent blown glass, an inner globe in polished white opaline glass, an upper half-sphere in pink blown glass with decorative bubbles, black power cable, plug and switch. Its lighting source is 1 x 100W 230V E27 (HA, FL, LED). DIMENSIONS: Ø 19.7", H. 23.2" "Giova" marks the debut of Gae Aulenti in the field of lighting design. Available in two sizes, it is both a lamp and a luminous sculpture. Placed on a metal base, a transparent bowl containing a sphere of white opal glass, which in turn houses the light source. Placed above there's a smaller bowl in blown "pulegoso" glass, meaning "with irregular bubbles", which serves as a flower vase. Now also available with gray "pulegoso" glass and a gold finished base. GAE AULENTI graduated from Milan Polytechnic in 1953 and since 1956 has been working there designing for architecture, interior and industrial design and theatre scenery. In the early eighties she was the artistic director at FontanaArte, creating timeless lamps and furnishing elements for the company that are still in the catalogue. In particular: Giova lamp...