Peruvian Vases

Contemporary Danish tall textured white ceramic vase with two round spouts on a base of two round spheres. Very sculptural in design. Smaller version available S5602

A terracotta earthenware pot from the Southwest of France with mottled green glaze. Minor chips and some rough unglazed patches. These ordinary earthenware vessels were once used dai...

A refined contemporary studio pottery weed pot vase made in Puerto Rico in 2012 by David C.. The form draws from classic mid-century modern silhouettes, with a softly bulbous body, e...

We are delighted to offer for sale this lovely Antique Westerwald pottery vase with Neoclassical figure heads A very decorative stoneware vase in...

Large ceramic baluster vase. Moustiers, France c.1900’s Decorated with two mythological scenes on either side, snake handles with mascarons and horns.

Dingyao porcelain, often called Ding ware, is famous for its creamy-white coloring, refined forms, and low-relief surface patterning. Ding ware was produced ...

Large hand-cast vessel for indoor and outdoor use. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and acc...

An earthenware confit pot from the Southwest of France with traditional yellow glaze. Minor losses to glaze. These ordinary earthenware vessels were once used daily in the French cou...

Studio pottery weed pot with bulbous body, flared neck, and smooth blue-gray glaze with iron-oxide rim.

Pre-Columbian Earthenware Dog Vessel, Colima, Western Mexico A lively pre-Columbian Colima dog vessel sitting back on its haunches, with one foot slightly lifted off the ground as i...

Large vessel for indoor and outdoor use. Can be made with drainage holes. At the intersection of art, craft, and design, Concrete Poetics' debut collecti...

We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our objects. These stunning vases display clear Art Deco influences, evident in the geometric lines and squared, decorative handles adorned with elegant gilding. The tapered, symmetrical shape is typical of the 1920s and 1930s when Art Deco was at its peak. The predominant color is a deep cobalt blue, characteristic of high-quality ceramic production from that era, associated with a refined decorative style. The gilded handles create a striking and luxurious visual contrast with the rest of the design. The geometric gilded handles, distinctive in their elegance, reflect neoclassical influences reinterpreted through the lens of Art Deco. The decorative details on the handles were applied by hand, a hallmark of fine ceramic craftsmanship. The ceramic used is glazed earthenware. The glossy finish suggests the use of vitreous glazes, applied to achieve a shiny, even surface. The gilding on the handles may have been done using the ceramic lustre technique, where gold is applied at a low temperature after an initial firing, resulting in a durable, shiny finish. The vases date to the period between 1925 and 1930, as indicated by the stamps on the bottom. The Orchies pottery factory was one of the leading French manufacturers specializing in ceramics, located in Orchies, in the Nord-Pas-de-Calais region. Founded in 1886 by Désiré Leroy, the company quickly gained a reputation for the quality of its products and its distinctive trademark, often featuring the silhouette of a windmill, a typical symbol of that region of France. Initially focused on decorative ceramics and household items, the factory later expanded by merging with other local manufacturers, broadening its range of products. A key figure in the company's growth was Jules Auguste Hamin, who helped drive its expansion and brand development. Orchies products were renowned for their craftsmanship and the high quality of materials used. The ceramics were produced using a variety of techniques, including terracotta and glazed stoneware. Orchies excelled in the creation of decorative vases, tableware, pitchers, and other ornamental objects. Bright colors and glossy finishes were characteristic of many of their works, which blended elements of local tradition with Art Nouveau influences. During its golden age, Orchies not only dominated the French market but also exported its ceramics to several European countries and beyond. Its quality craftsmanship and refined design made its products highly valued by both the general public and collectors of art ceramics. The Orchies factory played a major role in the French ceramic industry from the late 19th to the early 20th century, contributing significantly to the development of the Nord-Pas-de-Calais ceramic tradition. However, like many factories of the time, Orchies faced increasing industrial competition and the economic crises of the 20th century, ultimately ceasing operations in the mid-1900s. Today, Orchies ceramics are highly sought after by collectors for their beauty and rarity. The windmill silhouette, imprinted on many of their pieces, remains a distinctive mark of quality and elegance. This pair of vases is a beautiful example of French Art Deco ceramics...