Romantic Vases

A beautiful vintage Imari white porcelain and turquoise blue and gold urn ginger jar vase or vessel, circa mid-20th century, 1960s, Japan. Japan is known for its fine porcelain; vase is white porcelain, hand painted in turquoise blue, royal blue, green, gold and touches of black. Beautiful details all around as shown in images. With marker's mark and marked "hand painted" on bottom as show in image #13. Very good condition as shown in images. No chips noted. Dimensions: 3.88" Diameter x 4.88" Height. For wicker table shown in images search...

A fine antique Dresden urn or vase. With alternating pink panel with strewn flowers and panels with depictions of gallant lovers in garden settings. High...

A beautiful pair of Chinese Porcelain Qianlong vases, lidded ginger jars with the Qing Pottery markings. Hand painted designs are intricate and plentiful...

Val Saint Lambert, sculpted crystal vase with amethyst core, Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional favorit...

Pair of fine antique ginger jars, circa 1699-1714) with pierced and cased cartouches and hand painted figural landscapes. Each with a different scene yet maintaining the mountain, la...

3 antique Chinese (Late 19th century) similar ceramic ginger jars with blue floral designs surrounding bold, centered characters and geometric patterned bands leading to brown rustic...

This beautiful, colorful hand painted Majolica antique set was sculpted in Montigny sur Loing, France, circa 1870. Each ceramic vase including the mat...

Ornate cloisonné lidded vase on wooden stand with a red background! China, 1970s. This charming jar has a floral design with one bird. Vintage ginger jar In nice shape as shown...

Large vase of pliers worked crystal. Design: Antonio Bon for Val Saint Lambert. Belgium, Liège c. 1950.

Sarreguemines mark to jardinière.

Pair of French porcelain cornucopia vases, circa 1880.

This elegant colorful hand painted Majolica planter was sculpted in Montigny sur Loing, France, circa 1860. The ceramic jardinière with root shape handles features high relief soft pink, blue and beige rose flowers with pale green leaves, and brown and grey background. The ceramic vase is in good condition commensurate with age and use (minor chips on few petals). Impressionist ceramics term generally applies to "paint the slip" or "batch gouache". At the turn of the nineteenth and twentieth centuries, the towns of Montigny-sur-Loing and Marlotte are many artists living places like Jean-Baptiste Corot, Eugène Thirion (1839-1910), Adrien Schulz (1851-1931), Numa Gillet (1868-1940) and Lucien Cahen-Michel (1888-1980), all attracted by the quality of the landscape and the light. When Eugene Schopin founded in 1872 a ceramics factory, he worked with the painters to create a range of designs inspired by Impressionism and decorated according to new public demands. Several ceramic factories will develop around this Impressionist movement. The most famous, such as Georges Delvaux (1834-1909), Albert Boué (1862-1918) and Charles Alphonse Petit (1862-1927), will produce until 1922. Other manufacturers, such as Theodore Lefront...