Ceramic Ceramics

This is a very pretty Spode porcelain Coffee Can, elaborately hand decorated with an oriental theme, smothered with gilding and with touches of mazarine blue and iron red, all in ke...

Berndt Friberg (1899-1981) for Gustavsberg Studio. Miniature bowl in glazed ceramic. Glaze in blue tones. Mid-20th century. In perfect condition. Signed. With "Studio hand" mark. Dim...

Exquisite set of six Japanese contemporary gilded hand-painted porcelain cups and saucers in vivid red, blue and green generously decorated with gold. The pattern of this stunning set, scalloped around the rim of the cup and saucer, is inspired by a beloved pattern by Meissen in Germany. Imari-Arita region of Japan has a history of more than 400 years of exporting the finest porcelain produced in that region. There was a fascination for Arita ware...

Handcrafted from wild clay collected and processed by the artist in the Santa Monica Mountains, this ceramic burner is designed to hold palo santo, incense, or your own ritual elemen...

This is a lovely piece of English memorabilia and will make a great addition to your collection or just a nice memento of when the world was more united. The mug was made by Wedgewoo...

Handsome Art Nouveau Flemish earthenware three handled vase with applied L.M.V mark and decorated with figures in landscape. It is in good vintage condition. One handle has been restored and there are several glaze flakes and small chips; however, it still presents very nicely. It is priced accordingly. Please see photos, circa 1890s-1910s. I fell in love with this pot immediately so snatched it up quickly. Then fell in love further after learning about its rich Flemish history. This three-handled Art Nouveau jug style vase is decorated with interesting figures and landscapes in the most beautiful blue, yellow, green, and brown polychrome glaze. It is signed by the artist, Leo Maes...

Small glazed ceramic vase signed by Gilbert Méténier (1876-?) in France in the 1920s. Son of Louis Méténier, Gilbert Méténier took over the family factory located in Gannat (in centr...

Georges Jouve (1910–1964) was a renowned French ceramicist celebrated for his innovative and expressive contributions to mid-20th-century ceramics. He trained at the École des Beaux-Arts in Paris and later developed a distinctive style characterized by bold forms, sculptural elegance, and modernist aesthetics. Jouve’s work often bridged the gap between functional design and art, creating pieces that were both practical and visually striking. The Banana Bowl...

The piece is in excellent condition and a real beauty! A real treasure for the ceramics' collector. There was a lot of craftsmanship and time necessary to make these vases. ...

White earthenware ceramic plate with black engobe and white glaze. Stamped 'Madoura Plein Feu/Empreinte Originale de Picasso' (underneath). (A.R. 380)

Blue & White plate 8.5” Staffordshire Transferware

Majolica pitcher Antonio Maria Coppellotti Manufacture Lodi, circa 1735 Majolica decorated in cobalt blue monochrome It measures 7.36 in hight x 8.07 x 4.52 (h 18.7 cm x 20.5 x 11.5...

This charming yellow glazed earthenware serving platter, crafted by Poteries de Haute Provence in the village of Dieulefit circa 1950s, features a beautiful scalloped edge trimmed in...

Stoneware pitcher by Georges Martin with glazes decoration. Artist monogram on the base. Unique piece. Circa 1970-1980. H : 18.1 x 12.9 x 14.2 inches.

Georges Jouve (1910-1964) Decorative Ceramic plate "Snail form or free form " 1950's Signed JOUVE on back (engraved) New Oak frame Ceramic Measures : 25 cm x 25 cm. (Framed 41 x 41 cm)

Enameled earthenware vase. Handcrafted in France, in the potters' region of Puisaye. Dripping glaze and complex texture on its pot-belly. In the style of Jean Carries...

Stunning Swedish ceramic bowl from Rörstrand by artist Drejar Gruppen, circa 1972. Dark Robin's egg blue and chocolate are the dramatic colors on the inside while the outside is a si...

Exceptional umbrella stand Pucci Umbertide ceramic, 1950, Italy.

This exceptional hand-built ceramic vessel presents a boldly expressive human face rendered in a distinctive folk or outsider art style. The form is rounded and sculptural, with deep...

Crafted entirely by hand from natural clay, this ceramic burner is designed for palo santo sticks, incense, or your own ritual elements. Each piece is sculpted individually, embracin...

Crafted entirely by hand from natural clay, this ceramic burner is designed for palo santo sticks, incense, or your own ritual elements. Each piece is sculpted individually, embracin...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Set of six Chinese porcelain plates from the 18th to the 19th century. From an Imari plate, a plate of the India Company or a plate "Blanc Bleu", travel through the centuries and sty...

Painted ceramic sculpture depicting a Dalmatian dog. England circa 1950.

Ceramic owl by Jules Agard (1905 - 1986). A French painter and highly respected ceramic technician best known for his work in Vallauris with the Madoura workshop. Agard was the prin...

An incredible coffee service designed and made by Richard Ginori in the 1930s in white ceramic with gold spots. The set consists of 8 Cups & Saucers, A Coffee Pot and milk jug. A...

Glazed ceramics with lustre-painted decoration This is glazed ware, i.e. it is glazed with a white enamel bath, very pure in the best examples, which is f...

A large scale ceramic sculpture by Eugene Friley, 1970's. Eugene Friley (1921 - 2019) began his ceramic journey in 1939 at Ohio State University, at the time a pioneering school in...

Beautiful midcentury handcrafted bowl by Gustave Reynaud for Atelier Le Murier. Earthenware decorated with scarifications on gray enamel and red copper. Wood firing. Hand written ...

This is a good quality coffee can that we attribute to the Coalport porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805-1810....

A ceramic vase with blue glazes decoration by Lucien Arnaud. Perfect original conditions. Signed under the base "Lucien Arnaud", circa 1920.

beautiful and decorative tiles in red, black and white glazed ceramic with fish subject and still life. Very good condition.

Flight Barr & Barr Porcelain Cabinet Cup & Saucer Attr: Thomas Baxter, circa 1815 One side decorated with a scene of Mettingham Castle - The home of the late Sir John de Norwich in ...

Exceptional Japanese contemporary porcelain dessert/fruit/bread plate in an elegant square shape, hand-painted in blue underglaze in cobalt and light blue to showcase a graceful arab...

The Glam Clam is a functional sculpture designed by Betony Vernon in 2021 and entirely handcrafted in Italy in ceramic from Faenza with the renowned mother-of-pearl glaze by Gatti. T...

WILHELM KÅGE. Large bowl, "Argenta", model 1107 II, Gustavsberg, stoneware with silver decoration. Marked Argenta 1107 11 Made in Sweden, inside with fish, height approx. 10, diamete...

Large hand-sculpted ceramic vase or sculpture "Idole" stylized profile face, stoneware with shiny red enamel. One of a kind handmade piece signed by the French ceramicists Dalo, 202...

A lovely vase of model Argenta A15 designed by Wilhelm Kåge at Gustavsberg in 1954 (marked Y), this vase is 28.5 cm (11.4.") tall and about 10 cm (4") in diameter. It has a lovely si...

A ceramic sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Rare Fluted Earthenware Vase by Vicke Lindstrand for Upsala Ekeby. Sweden, 1930s. A rarely seen white earthenware vase designed by Vicke Lindstrand and produced by Upsala Ekeby in S...

Discover the timeless elegance of the "Tamnel" vessel by Claude Conover, a notable American ceramist (1907-1994), renowned for his intricate craftsmanship. This large ceramic piece, ...

A studio ceramic vase with a unique shape and beautiful glaze pattern. The vase has a cork stopper so could also double as a decanter. Warm hues of gold transition to a white base ...

Very large and heavy, 18th Century or earlier hand-painted Italian majolica glazed pottery charger plate depicting Mary. Central polychrome painted scene of Mary, with geometric bord...

Sarreguemines pottery is a faience pottery that was made in the town of Sarreguemines, France, from the 18th century to the early 20th century. The pottery was known for its brightly...

Michael Simon (1947 – 29 August 2021) was an American ceramic artist. He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natu...

A George Jones Majolica Candlestick Stand on a rustic brown ground, the stand with a comb design and raised candle snuffer receptacle, with relief molded g...

Life size Shepherd in very good vintage condition made in Italy 1950s.

Clyde Burt vase, striped graduated tones vase. "Signed underside CB".

Beautiful complete ceramic set of plates and table/floor lamps by Jeppe Hagendorn, Denmark 1960s. This stunning ceramic collection by Jeppe Hagedorn consists of exquisitely crafted ...

French Majolica asparagus plate , circa 1890.   

The unique Solar collection conjures the spirit of the mystical universe. Natale’s solar candles encompass mysticism and pairs it with clean architectural lines in an evocative and e...

A Japanese hand-painted porcelain plate from the 19th century, with blue and white tree, foliage and butterfly décor. Created in Japan during the 19th century, this porcelain plate features a delicate blue and white décor...

Lovely pair of antique Japanese imari plates having a quality pair of antique Japanese imari plates decorated with trees, flowers, birds and scrolls hand painted in stunning red, whi...

Tim Keenan Ceramic vase.

Celadon glazed ceramic vase with a bronze neck, China, early 20th century.

A large French Art Nouveau bronze mounted glazed ceramic planter or cachepot from Longchamp, Burgundy. Vibrant hand painted colorful flowers with bright green foliage and metallic go...

French Ceramic Anthropomorphic Figure by Marcel Giraud (circa 1990s). A wonderfully characterful and humorous sculptural vessel from Marcel Giraud — the work of a potter entirely at ...

Made in Italy, 1950s. This is a glazed ceramic plate depicting two clown with two contrasting behaviors, which gives the scene a poetic narrative full of s...

Rare and iconic budded vase by Danish master of stoneware Axel Salto in terra-cotta and celadon green glaze. Made at the terracotta manufacturer "P.Ibsens Enke" in the 1930s. Signed ...

Ceramic vase, hand-painted in color and partially glazed, from the Picasso Edition within the collection of Mexican artist Rodo Padilla. The piece features a harmonious globular silh...