Modern Decanter

Enjoy Decanter from Orrefors, holding 34 oz, has a bowl-shape with a tapered neck, making it ideal for serving wine, as well as water. With its generous size and large diameter at th...

In 1991, Gunnar Cyrén designed the Nobel decanter for the 90th anniversary of the Nobel Prize. The decanter, which holds 40 oz, is made of crystal, and the glass stopper at the top is hand-painted with golden details. To this day, Nobel Prize-winners and royalty use the decanter from the Orrefors Nobel...

City Decanter from Orrefors holds 32 oz and is ideal for serving spirits. The cuts that criss-cross the surface of the glass create an asymmetric look, which contributes to the distinct identity of the collection. Designed by Martti Rytkönen.

French Victorian silver deposit scroll design decanter with handle and stopper.

Stunning French wine or water decanter with spigot. Wonderful Neptune subject matter. Beautifully glaze ceramic with deep detail figures. Curbside to NYC/Philly $250

Elegant hand-blown glass decanter, made in Portugal in the 1950s-60s. This beautiful piece features a vibrant floral design, delicately hand-painted with colorful enamel. Its origina...

Beautiful St-Hubert decanter by the Lalique Maison. Stopper with decorations of oak tree leaf. Signed Lalique France. In very good condition. Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His Stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, Horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

The Decanter of slim tapered form with bulbous body, splayed circular foot with pinched stem and shaped opening. The Decanter extensively decorated throughout the body with two large fern leaves stemming from a central tied ribbon in the form of a bow. The decanter features a rounded handle fitted to the upper half of the decanter with a hinged shaped lid opening with gravity. To the base of the decanter an engraving reading “Jesse Collings. from I. Chamberlain.” Hallmarked to the neck AM (Alexander Macrae), Lion passant (sterling silver), Leopard Head town mark for London, Date letter R (1872) and the sovereign head duty mark. The Decanter is complete with its original latched fitted box lined in purple velvet with gold stringing to the exterior and the retailers mark to the inside doors “Widdowson & Veale, Goldsmith & Jewellery, to the Court of Spain, 73 Strand London.” Widdowson & Veale George Widdowson (b. 1804 Lincoln – Died 1872 Dulwich Village) was a celebrated silversmith and goldsmith although he took the route of retailer rather than a craftsman and by the age of 28 he had taken over his uncle’s London shop on the Strand, London. His uncle John Salter had been a close friend of Lord Nelson’s daughter, Horatia, and was godfather to one of her children. The shop was very successful and John Salter had supplied Nelson with many pieces of jewellery, including mourning rings. Widdowson developed the shop into Widdowson & Veale located at No. 73 Strand on the corner of Adam Street and opposite the Adelphi. Widdowson had a real eye for marketing. He once had a detailed newspaper article dedicated to his proposal to make a copy of Aeneas’ shield, as described in Virgil’s Aeneid. There is no evidence the shield was ever made though it did get good publicity. The company made swords and other weapons for the British army and navy, orders and decorations for the British court and were goldsmiths and jewellers to the court of Spain. In 1842 on the christening of Queen Victoria’s eldest son (later King Edward VII), Widdowson’s eye for publicity meant that the firm gave a christening gift of ‘an immense silver coronet supporting the Prince of Wales feathers.’ Widdowson & Veale were also makers to HRH the Duke of Sussex and the Court of Spain. In 1844, George was 40 and his business was doing well, as was the economy as a whole. The firm were able to advertise for apprentices, asking for a premium of £100. On 11 February 1847 George married Eliza Duffield (nee Boville), the daughter of a Putney wine merchant who had been living in Gibraltar but returned when her first husband, John Duffield, died. George and Eliza were middle-aged when they married and did not have children. Alexander Macrae founder of the firm that went on to be C J Vander Ltd. Macrae was recorded at 32 Bow Street, Covent Garden, London September 1856. He was joined in partnership by Martin Goldstein c. 1870, whereupon the style of the firm was changed to Macrae & Goldstein – first listed in 1871 as a silversmith. Alexander Macrae supplied many of the great firms at that time such as Elkington, Harry Emanuel...

Set of specter and glass decanters.

Irish glass ship's decanter, circa 1810.