Limestone Platters and Serveware

Hand carved presentation plates in Statuary marble. Multiple use as plates, platters and placers. The precious white Statuary marble has always been the one preferred by sculptors a...

Hand carved presentation plate from Green onyx. Multiple use as plates, platters and placers. The polished finishing underlines the transparency of the onyx making this a very precio...

White Carrara marble cutting board and hole on the handle to hang it. Each piece is in a way unique (every marble block is different in veins and ...

Hand carved charger plate in green onyx. Multiple use as charger plates, plates, platters and placers. The polished finishing underlines the transparency of the onyx making this a ve...

Hexagonal white Carrara marble plate / cutting board with cork underneath. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Italian...

Rounded pink Portugal marble cheese plate. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Ital...

"Rettangolare" is a leather tray, designed and manufactured by Oscar Maschera. Genuine Italian leather vegetable tanned. This tray has two different colors: one for the inside and th...

This fish platter is a true work of art! Classic Aesthetic Movement whimsical decoration with fish in motion and in conversation with the viewer, it has a three-dimensional feel. Rea...

Round sterling silver tray with scalloped edges resting on scrolled feet. Hallmarked "Eric Viner, Sheffield 1930."

Fine antique English hand-painted ironstone Imari decor platter with extraordinarily colorful "Imari" pattern. "Fraction-style" painted pattern number attributes maker of platter ...

Rometti Italy midcentury porcelain breadstick holster server platter. Hand painted figurative scene in orange and cream inside, green marbled exterior, swooping metal handle with yel...

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...