Canadian Pottery

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

A very fine and decorative Aesthetic Movement Doulton Lambeth early stoneware bowl decorated with scrolling seaweed and rosette designs by renowned artist George Tinworth and dated 1...

An unusual vintage Japanese studio pottery vase decorated with stylized insects and signed to base. The bulbous stoneware vase stands on a flat unglazed base and is decorated in brow...

A stunning vintage American Studio Pottery tea bowl decorated with Expressionist faces by Peter Voulkos. The stoneware tea bowl stands on a narrow rounded unglazed foot with a rounde...

Large MCM stoneware studio pottery cookie jar with lid, circa 1970s. This gorgeous wheel thrown and hand finished jar has a wonderful desi...

Mid Century Free Form Ceramic Bowl by Flora Eckert Hammat, Turquoise Art Pottery Stunning naturalistic pottery bowl by an American ceramics artist, Flora Eckert Hammat of Tulsa, Oklahoma. Vivid colors, original organic form. Signed Hammat original...

A wonderfully textured and hand coil and constructed bright orange glazed Bitossi covered vessel. The exterior resembles a craggy brick wall. High glazed olive colored interior. Fully signed on the bottom, 1966 B, Italy. Circa 1960. Good overall condition with some minor glaze misses and unglazed portions. No visible cracks, hairlines or restorations. The piece measures approximately 7.75" high x 6.25" diameter. Bagni Bio: ALVINO BAGNI was born in 1919 in Lastra a Signa in the environs of Florence. His boyhood and adolescence were spent without his father; as a communist, he had been exiled under Italian fascism. The young Bagni learned the basics of drawing and clay modeling under the tutelage of artist/sculptor Torello Santini. Bagni's interest in ceramics—a locally important industry—grew, and he found work at Arnaldo Pugi’s furnace in Ponte a Signa. Following WWII, Pugi helped him finance the opening of his own studio, BAGNI CERAMICHE, where several family members including wife Gina were employed. Gina would work along side Bagni throughout his career. 3,500 elephant-head plates bearing the slogan “I like Ike” were manufactured for export during Eisenhower's 1952 US presidential campaign—an early and prophetic commission: the large majority of Bagni’s work would be for the US market. In the 1950s and '60s Bagni established fundamental collaborations with Bitossi Ceramiche in nearby Montelupo Fiorentino and with the import companies Rosenthal Netter and Raymor, the latter being a dominant American firm. These relationships allowed Bagni to open a larger, better-equipped factory where he was able to surround himself with highly skilled artists—Enzo Borgini...

Mid-20th Century Studio Pottery Vessel in Citron Hand-thrown studio pottery vessel, mid-20th century, finished in a luminous citron glaze with subtle tonal variation and fine speckl...

Beautiful brown salt glazed studio pottery vase or vessel. The piece is signed by the artist but we have not yet been able to identify them. Most cer...

Mid-Century Studio Pottery Teapot from Kirsten Pottery, Ørum, Denmark, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution markIt is completely authen...

California design. The Natzlers moved to Los Angeles from Austria in 1938. They were trained artisans. She made the simple pristine pot forms and he made the amazing glaze designs. T...

Studio Pottery Vase in Stoneware Rock by Tom McMillin Sculptural rock vase by Tom McMillin circa 1960s Round form with exploding multi spout openings Additional Information: Mater...