Regency Prattware Pearlware Pottery Plaque of Lions

Chinese Export Porcelain Armorial Dish, Pseudo Continental Arms, Motto- "His Ornari Aut Mori", After a Meissen Porcelain Original Service, Circa 1760 The Chinese Export armorial porcelain oval dish with overall Bianco Supra Bianco has a central Rococo armorial coat of arms centered with three garlands with the motto "His Ornari Aut Mori" below. The armorial surrounded by scattered flowers and four shaped gilt bordered panels on the shoulder with two bouquets of famille rose flowers and two of fruit. The motto translates as To be adorned with these, or to die, referring to the three wreaths in the coat of arms, woven of olive, laurel and oak leaves. The three leaves representing sapientia, doctrina ac rei militaris peritia, "wisdom, learning and military expertise." The reverse with a bamboo band with fruit and flowers with scattered flowers to the top, bottom, and each side. The gilt rim on the border now rubbed. Dimensions: 16 1/2-inch-wide x 13 3/4 inches deep x 1 1/4 inches high Reference: The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection, David. S. Howard, 132-133, for a strainer & Dish from the same service. Howard says this is from a Chinese Export service that is a direct copy of an original Meissen porcelain service...

Chinese Export Porcelain Armorial Dish, Pseudo Continental Arms, Motto: "Pura Placet Piteas", After a Meissen Porcelain Original Service, Cir...

Chinese Export armorial porcelain dish, Arms of Pole, circa 1745 The Chinese export armorial porcelain dish is painted with pane...

Large Chinese Export Porcelain Armorial Dish Morgan impaling Warton Coat of Arms, Circa 1780 A large Chinese Export rectangular platter with canted corners, floral swag border, a ce...

19th century fine Majolica lion and lioness surrounded by exuberants plants signed Salins (East of France) Very unusual piece, the pastel lilac purple is...

Charming delft dish demonstrating how exotic the East appeared to Europe and a sense of wonder it portrayed. Unusually painted in the 'Wanli' style demonstrating the mania in Europe...

Late 19th century Staffordshire lions.

This rare and charming pair of 18th-century French creamware lions was made circa 1790. Each lion reclines atop a tall rectangular base decorated with rich cobalt-blue swags, bright yellow tassels, and vivid green trim. The forms are bold and expressive. The lions' open mouths are painted in soft pink, and their manes are rendered in vibrant yellow and lined with dark brown, lending them an animated, almost theatrical presence. The lions rest on what appear to be stylized, draped cushions, adding a sense of comfort and reality. Their wide-eyed expressions and exaggerated features give the pair a whimsical character that blends elegance with humor—a hallmark of late 18th-century French design. Unmarked but unmistakably French in style, these figures make a striking decorative statement. Whether placed on a mantel or console, they command attention and offer a playful counterpoint to more serious classical forms. Dimensions: 6.5 inches tall x 6.75 inches long x 4.5 inches wide Condition: Excellent Price: $2,300 Decoration: Painted in yellow, cobalt, green, pink, and brown with molded drapery and tassel detail Material: Creamware pottery Style: French Neoclassical with Folk Art elements Origin: France Date: Circa 1790 Key Features - Rare pair of large 18th-century creamware lion figures - Expressive hand-painted decoration with bold color contrasts - Tall bases decorated with molded and painted swags and tassels - French origin, circa 1790 - Whimsical and animated expressions add charm and visual interest Background of creamware Creamware is the name given to a type of earthenware pottery initially made from white clays from Dorset and Devonshire combined with an amount of calcined flint. Creamware was first produced in England sometime before 1740. Foremost among the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. The young Josiah Wedgwood partnered with Thomas Whieldon from 1754 to 1759. When Wedgwood left to set up his own business, he immediately directed his efforts to developing creamware. Around the same time, in the mid-18th century, French potters developed their creamware known in France as "Faience Fine...