Ceramic Wine Coolers

A stylish Mid-Century Modern Italian ceramic black top hat wine cooler or champagne ice bucket. Enjoy a drink in style with this sleek top hat! Thi...

A fun set of four vintage "Mercedes Benz" gear shift knob bottle / wine stoppers, circa 1980s. Each stopper measures approximately 1.5"D x 4"H; the bodies a...

IL QUADRIFOGLIO - mid century studio ceramic twin handled ice bucket - wheel thrown with applied handles - featuring a hand drawn / decorated figure of...

Meissen wine / champagne cooler in hand-painted porcelain with flowers and gold edge. Handles are modelled as branches. Early 20th century. Me...

Pineapple Tureen centerpiece with plate and ladle; Majolica, Glazed Ceramic. Portugal, 1960s This huge tureen has a very realistic pineapple design. A serving plate with leaves desig...

Eye-catching champagne or wine cooler or ice bucket in faux bamboo ceramic and brass, Italy, 1970s. This cube shaped lidded ice bucket features a cubic construction in brass with fau...

Franz Collection Papillon Butterfly Porcelain Ornamental Wine Cooler Vase. Circa Early 21st Century, Pre-owned. Measurements: 11.25" H x 6" W x 6" D.

A large pair of continental 19th-20th century porcelain cachepot vases, Planters or Wine Coolers, each decorated with mountain and lakefront scenes with horse drawn carriages and a p...

Gio Ponti ceramic.

Pair of English porcelain Bengal tiger pattern fruit coolers, liners and covers, chamberlain Worcester, circa 1820.

A faïence Tiffany & Co. wine cooler from the 20th century, hand-painted in France. Created in France for Tiffany & Co, this faïence wine cooler features an oblong shape made of three different compartments. Showcasing a floral décor on the sides and flanked with petite handles, the cooler is marked "Hand Painted in France for Tiffany and Co...

Pair of porcelain glass-coolers with painted medallions and gilded ornaments on a turquoise blue background, mounted on a gilt bronze base, in the style of the Manufacture of Sèvres....

Painted Ceramic and jute wine cooler signed Lenci, Italy, circa 1940.

This exquisite 1930s Art Deco French champagne cooler by Sarreguemines is a stunning example of refined elegance and timeless design. Crafted in ceramic, it showcases a rich white gl...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Arne Bang and Aage Weimar. Large ceramic ice co...

A very fine early 19th Century flame mahogany cellerette of sarcophagus form, beautifully hand carved in good original condition with rich patination and grain. The moulded flat top opening to reveal fitted section within the tapering body, raised above reverse tapering hexagonal pod supported on triform platform base, terminating on bun foot...

An interesting and unusual Doulton Lambeth Art Deco twin handled wine cooler designed by Maud Bowden and dating from around 1930. This large and very styli...

Gio Ponti ceramic.

This stunning and elegant vintage ice bucket from the 1970s was produced by B Ceramiche for Romaní Furniture in Italy. The piece's aesthetic, with its polished ceramic and use of a p...

Late 19th century English porcelain with silver plate covered top ice with exterior floral design details. The ice bucket is in great condition min...

Pair of Worcester Porcelain Covered Fruit Coolers Circa 1813. The painted waists of violets, morning glories, roses, and crabapple blossoms within a gilt border flanked by burnished...

Pair of gilt bronze mounted 'Sevres' porcelain wine coolers, circa 1880.

Kula Winecooler & Vase in Dusky Pink Glazed Porcelain by Frau Caze Dimensions: Ø 12,5 x H 21 cm. Materials: Glazed porcelain. KULA provides the necessary coolness when it comes to c...

Gustavsberg, large "Granit" champagne cooler in white porcelain. For magnum bottle. Mid-20th century. Marked. In very good condition, insignificant chip at rim, see photos. Dimensio...

English Coalport Imari Champaign Cooler with Lid and Paw Feet, ca. 1810

Pair of Wedgwood Majolica cache pots or wine coolers with strong Majolica colors of blue, yellow, green and brown. A grape and wine theme design decorated with clusters of grapes, grape vines and bearded Bacchus busts...

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...

Porcelain champagne bucket, with French texture and silver frame, Minerva stamp. France, CIRCA 1910.