Gilt Wine Coolers

Terrific bronze parcel gilt iron tripod stand with black ice bucket container, Spain, 1940s This baroque style iron ice bucket serving stand is entirely made by hand. The handwrought...

Gilt iron tripod wine cooler stand with pressed glass ice bucket, Spain, 1940s-1950s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has a leafed t...

One of a kind foliage gilt iron tripod stand with pressed glass ice bucket, Spain, 1940s-1950s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has ...

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

A fabulous top-notch champagne bucket or wine cooler by Baccarat, beautiful thick heavy crystal with a simple linear cut decoration. Each of the handles is made from gilded bronze...

Beautifully hand crafted baccarat crystal barware / tableware champagne bucket or wine cooler with gilt bronze side handles. The cooler is in ...

One of a kind foliage gilt iron tripod stand with pressed glass ice bucket, Spain, 1940s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has a leafed richly adorned top standing on and tripod base and holding a pressed glass wine / champagne chiller. It has a beautiful aged patina showing its original gilt silvered finish. This elegant wine chiller will be a nice addition wherever you place it and will add a luxury accent to any ambiance. It can be used as drinks corner or as a plant stand removing the glass ice bucket. On sale as a set of gilt iron stand...

Foliage gilt iron tripod stand with faceted crystal ice bucket, Spain, 1940s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has a leafed richly ad...

Elegant and very fine French neoclassical Baccarat style lion handle doré bronze ormolu-mounted and diamond cut crystal ice/champagne bucket. Unsigned.

Vintage French Champagne Ice Wine Cooler Bucket, 1960's France. These champagne buckets from France were used in the 1950's and 1960's and typically were marked with the makers name....

Two Danish Royal Copenhagen Flora Danica Porcelain Wine Coolers Danish, 20th Century Height 16cm, diameter 18cm These 20th century wine coolers come from the Flora Danica dinner s...

A George III design ormolu mounted mahogany oval wine cooler after a design by Robert Adam, attributed to Sefferin Nelson, circa 1772-4. The ...

One of a kind foliage gilt iron tripod stand with pressed glass ice bucket, Spain, 1940s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has a leaf...

This rare and important pair of George III mahogany wine coolers epitomizes the graceful Neoclassical aesthetic championed in the Georgian style. Crafted of the finest quality mahoga...

A Rare Pair of George III Style Gilt-Bronze Mounted Mahogany Cellarettes. This unusual pair of hexagonal cellarets have a hinged top with a knopped finial, opening to an interior fi...

A Fantastic Pair of 19th Century Louis XVI Style French Green Opaline crystal cachepots/wine coolers with hand-engraved Neoclassical decoration and 24K Gilt Decorations. Each is beau...

Champagne Wine Cooler Ice bucket with Foliage Floral Motifs, Gold Leaf, Gilt Iron. Spain, 1940s-1950s. Rare find. A beautiful hand wrought iron ice bucket with gold leaf finish. It s...

An interesting and unusual Doulton Lambeth Art Deco twin handled wine cooler designed by Maud Bowden and dating from around 1930. This large and very styli...

English Victorian period campana vase form gold-washed silverplate ice bucket with foliate handles, gadrooning at the base and waist with rim decorated with egg-and-dart motif. With ...

Vintage French large and heavy cut crystal ashtray decorated with gilded edge. Weight: 3,5 kg.

Important silver wine set consisting of tray, bottle and 6 beakers. The tray has a round shape with an embossed and chiseled edge with bunches of grapes, leaves and wood of the wine vat...

Pair of porcelain glass-coolers with painted medallions and gilded ornaments on a turquoise blue background, mounted on a gilt bronze base, in the style of the Manufacture of Sèvres....

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...