1890s Native American Objects

This large neutral Yea- Navajo weaving is in fine condition. It is in unusual colors.

A wonderful hand made basket by the Inuit master Joe Sikvayugak of Barrow Alaska. It is signed and dated on the interior 1978. It is crafted of Baleen and Bone. It is in good condit...

A nicely made, handwoven Native American Navajo green, beige and brown rug/blanket Would be a nice addition to your Native American collection or make for an eye-catching accent pie...

Large Haida argillite totem pole by Jay Simeon (Haida/Blackfoot, b. 1976) 29"H, base 3 3/4" x 3 3/4". Jay Simeon is among the most sought-after conte...

A late 19th century French Aubusson tapestry panel, romantic scene ready to hang.

Exceptional museum-quality blackware jar by Maria Martinez (1887–1980), San Ildefonso Pueblo, dating to circa 1925–1943. A refined example of the iconic black-on-black pottery for wh...

Fine Pair of Plains Woman's Boot Moccasins North America 19th to early 20th century A beautifully crafted and well-preserved pair of Plains Native American woman's high-top moccas...

An extraordinary example of a vintage Zuni inlaid and sterling silver ranger buckle set, circa 1970s. This collectable Zuni set is inlaid with turquoise, jet, Mother-of-Pearl, spiny...

Sioux moccasins with dragonflies. Fully beaded, including soles. Fully beaded moccasins were made as special gifts for elders, respected individuals, or during rites of passages for ...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

Handwoven in Aubusson, France in the 19th Century, this lovely Tapestry features a pair of lovers in a classic Rococo vinyet and has its original fruit and floral border. It measures...

Extra-large Chippewa beaded bandolier bag with full pocket. Black bead drops ending in blue yarn. Bright and visual vintage piece of Native Americ...