2010s Native American Objects

This large neutral Yea- Navajo weaving is in fine condition. It is in unusual colors.

Exceptional 19th-century Native American Kiowa-Apache beaded hide bag, a finely executed example of Plains Indian material culture dating to the late 1800s. Handcrafted from native-...

This Zuni Indigenous American sterling silver and inlaid gemstone figural rabbit brooch or pendant was made by Porfillo and Ann Sheyka. The piece was handmade in most likely the late...

This handcrafted sculpture was made in Northern Canada by an Inuit artisan in circa 1970. This sculpture is a series of two stylized human figures intermixed with two representations of presumably Spirits, which has several carved faces in them. The entire sculpture is composed of hand carved and handcrafted antler, likely Caribou. This sculpture may symbolize a blessing of good fortune for an upcoming hunt. The series of four figures are each pegged on the bottom and fit into holes drilled into the base. The base is numbered on the bottom which identifies that it was registered, and also has a paper label. Due to the composition of this sculpture it may only be shipped within Canada...

A nicely made, handwoven Native American Navajo green, beige and brown rug/blanket Would be a nice addition to your Native American collection or make for an eye-catching accent pie...

Exceptional museum-quality black-on-black ceramic jar by Maria Martinez (1887–1980), San Ildefonso Pueblo, one of the most influential Native American potters of the 20th century. T...

Colorful Alaskan three figure winged totem. Carved and painted by Marlin Alphonse. Noted on back "purchased by Brad and Hazel Ritter on board Royal Princes, Sitka, Alaska 1986. His name heavily carved on back. PERIOD: 1986 ORIGIN: Alaska SIZE: 13"H x 12"W x 3 1/2"D Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

This hand-carved cedar totem is signed by an unknown artist and presumed to have originated from Canada and dating to approximately 1960 and done in the West Coast Indigenous Haida s...

A wonderfully hand-painted and decorated Native American Hopi Kachina Katsina doll. We believe this was a child's cradle first Kachina doll. It is hand carved from light wood (likel...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

A beautifully designed, large, hand-crafted Hopi-Tewa Pueblo/Hopi First Mesa pottery bowl by famed Native American potter/artist Elva Nampeyo (1926–1985) (also known as Elva Tewaguna...

Sioux bow and quiver with beaded bands on top and bottom on both bow and quiver case. Bow 46" of bodack with original sinew string and three 24" matching arr...