Silver Paintings

The pocket watch case is made of 800/100 silver. The entire back of the case is decorated with the niello technique, a refined inlay of a black metal alloy in the grooves or spaces l...

Certified Kimono Meister work / Certificate of Authenticity included One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, c...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Size] 73cm x 53cm x 5cm [Materials] silk (outside-layer) , paulownia (wooden frame), gold leaf [Story behind the work] This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. [Period / Story] The textile was created in around 1960ies. [Explanation and meaning of pattern and colors] Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition: ・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience. ・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character. ・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change. ・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today. ・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness. Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection. [Characteristics of the fabric] This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble. [About the frame] Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

A fine contemporary British still life oil painting on canvas of white lilies in a jug displaying a masterful use of color, space, and light, mounted to an attractive gray-washed and...

Splendid collection of bas-relief paintings on 925 silver foil, made by the historic excellences of Italian silversmithing. The works are mounted on fine frames (some in burl wood)...

The famous painter, Marcel Gotène (Icon of the contemporary Bantu art) combines surrealistic impressions with modern tapisserie elements. Born in 1935 in Yaba, Republic of Kongo, di...

The famous painter, Marcel Gotène (Icon of the contemporary Bantu art) combines surrealistic impressions with modern tapisserie elements. Born in 1935 in Yaba, Republic of Kongo - d...

Aurelio Arteta Errasti (2 December 1879, Bilbao - 10 November 1940, Mexico City) was a Basque painter who worked in several styles; including Symbolism, Cubism and Social Realism. ...