Mexican Paintings

Add a touch of warmth and beauty to your space with this exquisite oil on canvas painting titled "Maternidad" by renowned Mexican artist Jesus Mariano Leuus. This stunning piece feat...

Antique 1850 Mexican colonial style oil on copper religious painting.

Painted during 1972 and 1976. We offer this Antique Monalisa handmade painted replica signed by Lourdes Cúe.

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Saint Francis of Assisi, the Catholic patron saint of animals, birds, and the env...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring a crucified Jesus Christ, angel, or saint (possibly Saint Sebastian who was a Rom...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the crowned infant Jesus Christ (standing on clouds) in her arms...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Santo Niño de Atocha (also known as - Holy In...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring an unknown Spanish Roman Catholic Saint. The work is hand-painted on metal (li...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the infant Jesus Christ (faded and now almost a ghost-like figur...

José María de Servin was born in La Piedad, Michoacán in central Mexico in 1917. As a small child, he moved with his family to Guadalajara, Jalisco State, Mexico. He studied paintin...

Antique Mexican retablo made in 1890 which includes a woman praying to the Virgin Mary and Jesus Christ. Framed in wooden frame ornately carve...

Introducing a remarkable piece of art that will captivate any art enthusiast or collector, the painting is titled "Platicando" painted by renowned artist Jesus Leuus. Originating from the esteemed Galeria Misrachi in Mexico, this exquisite artwork was painted in 1966, showcasing the artist's exceptional talent and attention to detail. The painting depicts three individuals standing gracefully before an arch, One person is wearing a hat and carrying a red bag over his shoulder, on the opposite side a couple is embraced in a hug and appear to be kissing. The unique symbolism gives rise to intriguing interpretations and invites contemplation. The artist's masterful use of colors, shadows, and composition creates a visually stunning piece that will undoubtedly become a centerpiece in any space. With its rich history and artistic significance, this painting holds immense value for art lovers and collectors alike. Experience the allure of Mexican artistry and indulge in the timeless beauty of this art piece in your home or office. The piece retains the original label, signed and dated 1966. Measurements: 38 inches wide x 27.50 inches high x 1.75 inches deep/ projection from the wall. Sight: 31 inches wide x 20.50 inches high. Artist Biography (Born 1948) Jesus Mariano...

A beautiful 19th century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Saint Rita De Cascia. Santa Rita is almost always depicted as she is here, with a trickle of blood and a thorn deeply embedded in her forehead. According to legend, in the year 1441, during a sermon on the Crown of Thorns, Santa Rita prayed so intently that a thorn detached itself from her crucifix and lodged itself in her forehead. For the next fifteen years, she bore this external sign of stigmatization and union with Christ. It was said her wound became so disturbing to view, that she spent the latter part of her life in isolation and prayer. At her canonization ceremony in the year 1900, Santa Rita de Cascia was bestowed the title of Patroness of Impossible Causes. In Mexico, Santa Rita is widely venerated as the Patroness Saint of mothers, abused wives, and heartbroken women. In this work, she is flanked by two small male figures representing her two beloved sons (notice the fine attention to the paintings of their faces and their glowing rosy red cheeks). She holds a large crucifix in one hand and a flagella whip, symbolizing her practice of mortifying the flesh, in her other hand. The work is hand painted on metal (likely tin). Ex-votos and retablos are often placed above the altars in churches or family shrines as votive offerings made in the form of religious pictures...

Signed Watercolor "El Equipal" Folk Art Painting by Luis Ricardo Amendolla, Mexico, c. 1980's About: Introducing a true Mexican Folk Art masterpiece: a signed original watercolor du...

A playful and whimsical late 20th century Mexican Otomi textile with myriad gold embroidered animals and plants including rabbits, deer, horses, and peac...

ABOUT An original 19th century Mexican folk retablo. Oil paint on tin. Subject unknown. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

About An original 19th century Mexican folk retablo of Saint Francis. Oil paint on tin. St. Francis of Assisi, Italian San Francesco d’Assisi was born 1181-1182 in Assisi, duchy of Spoleto, Italy and died October 3, 1226. He was canonized July 16, 1228. He founded the Franciscan orders of the Friars Minor and the lay Third Order. He was also a leader of the movement of evangelical poverty in the early 13th century. His evangelical zeal, consecration to poverty, charity, and personal charisma drew thousands of followers. Francis’s devotion to the human Jesus and his desire to follow Jesus’ example reflected and reinforced important developments in medieval spirituality. Cretor Unknown. Date of manufacture c.1880. Materials and techniques Oil Paint on Tin. Condition Good. Wear consistent with age and use. Dimensions H 14 in. W 10 in. History Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

We offer this rare and original handmade painted in oil on canvas by Mexican painter Ismael Rivera, includes signature, circa 1950.

1970s Mexican Modernism oil on canvas painting Mexico signed Gustavo Martinez. Fancy flamboyant rooster is the subject. 24 H x 18 W x 1 D inches Original unrestored vintage conditi...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

This late 19th century Mexican Folk Art devotional painting depicts St. Rita of Casia, the patron saint of lost and improbable causes. Wishing to join an Augustinian convent ...

1960s Mexican Artist Rodolfo Nieto Abstract Oil Painting on Board Retains Morton label 32W x 27.25 H x .25 thick Original Unrestored Vintage preowned condition. Please review our ima...