Khorassan Folk Art

Moroccan vintage Berber rug from the Beni Ouarain tribes. Lush white and black organic wool rug with geometrical lozenges designs. From the Middle Atlas Mountains, circa 1950s, North...

Our Sunnybrook four poster pencil post bed featuring four hand carved Folk Art inspired bird finials is shown as a Queen in our Antiqued Maple finish. Shown are a Tufted Titmouse, a Red Breasted Nuthatch, a Black Capped Chickadee and an American Goldfinch...

This wonderful vintage whale weather vane has a fantastic aged patina. The rustic wooden whale sits on a custom wood base attached by a metal rod with a D...

Antique terracotta insensario, incense burner, with three legs. Older repair, stunning patina.

This is a Northeastern Persian Borujerd Style Carpet from the Lorestan region with a rare and beautiful color composition, featuring a red, blue, and salmon color scheme. Its foundat...

Large vintage red and black hand tooled leather Moroccan ottoman. Rectangular shape pouf in red and black leather embroidered with black and white silk threads. Handcrafted by skil...

Large antique 19th century Turkish incense burner or fire pit with pierced brass and solid brass ornamentation. Museum quality Islamic collector metalwork piece footed incense censer...

This is an authentic "used" Martin Bird House which was used to attract Martin birds to nest, because of their propensity to eat and consume insects ...

This fine pantry box is in a shaker style with a old natural surface. The condition is good with early copper nails.

Early 19th century brass bird cage, circa 1810-1830 The bird cage has two bird seed containers that attaches to the cage.   

This is an Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word Kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting Kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian Kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice Kilim under a long wooden dining table.

Elaborately chip carved in a nautical motif design with a tapered scalloped gallery and three drawers each with a glass pull. Found in Upstate New York