Beads More Lighting

Neoclassical handcrafted Italian gilt metal and crystal chandelier. This sleek and stylish Murano crystal chandelier is reminiscent of the workmanship that has made Alba lighting a household name in the lighting industry. The fine wrought iron gilt to an almost bronze like finish with flowing crystals in clear and color make this versatile lighting fixture a must have for any room setting. The classical style of the workmanship and decoration procedures of all Alba lamp...

Stunning antique Italian beaded and crystal chandelier from the 1920s. This unusual Italian crystal chandelier has a crown at the to...

Pair of original 1960s chandeliers with a very beautiful floral-shaped glass and chromed attachments. The total height is 90 cm. Comes from an old country house in Lucca area of Tu...

This extraordinary chandelier on 7 levels composed by 165 'Tronchi' 30 cm high glasses. Brass frame. Eighteen-light bulbs E 14. Measure: Height 175 cm without chain. Available also ...

Finely chiseled gilt bronze and cut crystal Empire elegant chandelier with six arms. Six E 14 light bulbs.

This extraordinary chandelier on 7 levels composed by 165 'Tronchi' 30 cm high glasses. Brass frame. Eighteen-light bulbs E 14. Measure: Height 175 cm without chain. Available a...

The elegant and finely carved giltwood central base with 18 "S" scrolled gilt bronze arms decorated with hundreds of precious crystal drops creating garlands joined by different leve...

Wonderful Liberty chandelier made around the year 1940 to the Murano glass factory by Ercole Barovier. Three large cups supported by three leaves.

An interesting early 20th century gilt bronze and crystal twenty-six-light "Grotesque" chandelier. A unique Gothic style, drop crystal, basket chandelier with different "Grotesque" faces and designs. Twenty-four-tiered perimeter lights (including six lanterns) and two-tiered interior lights. Artists began to give the tiny faces of the figures in grotesque decorations strange caricatured expressions, in a direct continuation of the medieval traditions of the drolleries in the border decorations or initials in illuminated manuscripts. From this the term began to be applied to larger caricatures, such as those of Leonardo da Vinci, and the modern sense began to develop. It is first recorded in English in 1646 from Sir Thomas Browne: "In nature there are no grotesques". By extension backwards in time, the term became also used for the medieval originals, and in modern terminology medieval drolleries, half-human thumbnail vignettes drawn in the margins, and carved figures on buildings (that are not also waterspouts, and so gargoyles) are also called "grotesques". A Boom in the production of works of art in the grotesque genre, characterized the period 1920–1933 of German art. In contemporary illustration art, the "grotesque" figures, in the ordinary conversational sense, commonly appear in the genre grotesque art...

Housing 2-lights. Will be rewired with certified UL US sockets for the USA, appropriate sockets for all other countries and ready to hang. A rare example of old Maison Baguès with t...

Amazing light green Murano glass chandeliers with six arms decorated with gold intrusion. Price is for one item . Available also a pair. Cleaned and re-wired, in full working ord...

A wonderful Italian hollywood regency pendant light by Venini manufactured in Mid-Century in the 1960s. It is made of pairwise curved crystal Murano...