Ivory Table Lamps

About the "Boletus" large table lamp by Paolo Venini, Venini Murano (Italy) Large table lamp in hand-blown pink glass. The entire body of the lamp is engraved with fine lines which...

A pair of circa 1960s Italian ginger jar shaped porcelain table lamps with crackled glaze, brass handles and bases. Measurements: Height of body...

This is a nice sized lamp with a 17 inch diameter. The base is heavy bronze with with beautiful clean lines. The shade and slag glass are free of cracks or chips. Each glass panel ha...

French frosted glass, brass desk light / table lamp 2,5 meter black cotton wire, plug and switch Available with UK / US plug Priced per individual item. All lamps have been made su...

A fantastic pair of marked E. F. Caldwell and Co. Louis XVI style dore bronze mounted hand-carved rose quartz and enamel table lamps. Mounted on two dore bronze open work bases with ...

'Megafono' Glossy Black Metal Table Lamp for Stilnovo Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Midcentury era, produ...

At the turn of the 20th century, Art Nouveau emerged as a reaction against historic revival styles and the mass-production brought about by the Industrial Revolution. It favoured org...

French glass, brass desk light / table lamp 2,5 meter black cotton wire, plug and switch Available with UK / US plug Priced per individual item. All lamps have been made suitable b...

Table lamp designed by Anatomy Design in 2010. The lab light design came about from a genuine fascination with laboratory equipment and with all those fantastic clamps and levers...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

Hand-painted Italian majolica albarello apothecary jar table lamp, 19th-century Renaissance Revival, with new ochre dupion silk shade. The cream-ground jar is decorated in cobalt blu...

A colorful pair of Art Nouveau–Art Deco floral ceramic table lamps with bespoke burnt-orange shades—hand-painted in 1918 and newly rewired with U.S. plugs, ready for bedside tables, ...