Lacquer Furniture

Two Chinese Antique Cinnabar Brooches Ric#JD012-1&2 depicting floral patterns on both. Dimensions: Large: 2" x 1 3/4" x 1/4" Small: 1 1/4" x 1" x 1/4"

A very fine Japanese lacquer tebako, box for personal accessories, in the form of rolled bolts of brocade fabric, Meiji Period, late 19th century, Japan. The box is whimsically shap...

Large Antique Thai Buddhist Manuscript Storage Cabinet. A tapering upright cabinet made of teak with black lacquered exterior and red interior. The decoration of gold on a black ground on three sides is created by the Lai Rot Nam...

The Design & Impact: This elegant writing box (suzuribako) beautifully captures the poetic essence of a traditional Japanese autumn. The composition centers on fully blooming chr...

Large Red Offering Tray, Burma Late 19th/early 20th century Bamboo, lacquer ...

19th century Chinese export gilt decorated black lacquer gaming board. The game board painted with gilt seated figures in various poses on a black ground within a landscape vignette ...

A pair of antique Edo period (1603–1867) Japanese Samurai Abumis (stirrups for horseback-riding) expertly crafted out of cast iron with brass or bronze inlay in the form of a stylize...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

Dimensions: W 17.7 × D 17.5 × H 8.3 cm Weight: 255 g Origin: Japan (Aizu region) A refined urushi lacquer bowl crafted in the Aizu region, renowned for its centuries-old lacquer tra...

This large and impressive Mandarin food storage box is very detailed and well-constructed. The case, made of finely carved wood, houses five different stackable storage boxes. Each b...

The chest is constructed of teak covered in lacquer and gold leaf with a hinged lid and detailed decoration on four sides. The high relief thayo lacquer depicts narrative scenes, bordered by a tendril vine frame with reserve cartouches of birds, beasts or men within.  The scenes may be from the Mahajanaka Jataka, one of the last Jataka tales of a life preceding the life of becoming the Buddha. This tale of endurance starts by depicting the rivalry between two brothers fighting for the throne. The lid depicts this great conflict having two battling elephants at center. Half of the surrounding characters are sending the opponents into retreat. The brother that is King is killed. The sides of the chest dynamically continue the story. On the right side of the front scene, the pregnant Queen at the front of the palace is informed of the King’s death  by her kneeling subjects.  On the left side of the front panel, the Queen is shown in retreat with her riches sacked upon her head. On the left side of the chest the story continues with Saka the Lord of the Dewas offering the Queen a lift upon an ox drawn cart. The right side of the chest depicts the pregnant Queen at her destination of refuge discussing her predicament with her long lost brother who offers protection in the birth of her child, Prince Mahajanaka. The elaborate high relief thayo lacquer is molded and modeled of a putty of lacquer sap mixed with clay, saw-dust, or ash. The interior and back are lacquered red. Provenance: From a residence designed by Kalef Alaton. East & Orient Company, Dallas. Private collection, Texas. Lark Mason...

A great post modern 1980's set of three items: ice bucket with cover and two additional trays. Made in Japan by Taste Setter Sigma. Serving trays are ...

The Spin Bowls are simple yet complex; terraces of linear lines create a rounded form onto which numerous layers of natural lacquer have been applied. Hand-sanding slowly reveals the...

Chinese Red Lacquered Cabinet on Stand, brass hardware, two doors, garden scene to top, figural landscape scene to sides, horse hoof legs. 30" H x 32.5" W x 18.5" D. Provenance: Fr...

An uniquely double-gourd-shaped lacquer suzuri’bako (writing box) with a design of gourd leaves, by Hara Yôyûsai (1769-1845). Covered with amber coloured l...

This Japanese antique low table features a scattered fan motif and is a type of zataku (low table), historically used for meals, tea ceremonies, and other seated activities. Lacque...

This is a box for the matcha powder using while tea ceremony in Japan. It is called 'Natsume'. It is made with wood. The design is plums (Japanese apricot 'UME') and it is hand paint...

Four Tier Japanese Gilt Jubako Maki-E box with red Interior. This is a beautiful decorative presentation Jubako box created in the Imperial Japan during the early Meiji period (1868...

This is a small vintage decorative jewellery box. A Chinese, lacquer and soapstone keepsake case with mirror, dating to the Art Deco period, circa 1940. Fascinatingly presented box ...

Buck and doe under a red maple on heavy gold. Mineral pigments on gold leaf on paper with silk brocade border and black lacquer trim. White deer are considered a symbol of longevity ...

Radice Goatskin Coffee Table by Palena Furniture Dimensions: W 119.38 x D 101.6 x H 36.83 cm Materials: Goatskin, Patina Bronze, Polished Bronze, Black Lacquer Available in custom d...

A finely carved and detailed seated wood temple shrine Buddha. Likely Northern Thai or lower Burmese. This particular Buddha has a wonder...

The Design & Impact: This serene antique writing box (suzuribako) beautifully embodies the profound, mysterious elegance known in Japanese aesthetics as yugen. The cover features a p...

The Design & Impact: This elegant writing box (suzuribako) beautifully captures a tranquil, naturalistic scene of water birds resting among delicate reeds and blooming flowers. The c...

A gorgeous Modern sideboard, credenza, or bar cabinet By Barbara Barry for Henredon Philippines, Early 21st Century Walnut, with cream lacquered case, and original brass hardware....

The breakfront top with floral decoration with a brass edge moulding over a pair of doors decorated with palm trees and exotic birds in gilt highlights. The reverse of the doors with...

An elegant Japanese lacquer vase adorned with a refined hand-painted botanical motif, executed in the traditional techniques of Wajima lacquerware. The composition reflects a deep se...

Very good Chinese export sewing table with removable trays and bone sewing tools/spools. Remarkable condition original lacquer work chinoiserie table with...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene in shades of blue, green, purple and brown and red. With antique lacquer fan...

Antique Shanxi Province red lacquered elm storage cabinet with drawers This Elmwood Storage Cabinet has 2 doors, 2 shelves, and 9 drawers...

Late 19th or early 20th century lacquer and bamboo offering vessel, Hsun Ok, Pagan, Burma A large offering vessel composed of four pieces, a base, a large food bowl with lid and the...

Water flowing over rocks creates a contrast between the sparkle of the water and the relative opacity of the rocks. In these boxes black lacquer pours over natural shells that glow a...

Antique Large Burmese Hsun-ok, a ceremonial food offering box to present to a monastery, a covered cylindrical stupa box form decorated in Mandalay style with mirrored glass, raised ...

A striking console inspired by the restrained elegance of Ming dynasty furniture, this handcrafted piece from China embodies purity of line and material honesty. Crafted from solid p...

A Japanese export silk embroidery of a Shinto shrine in original parcel gilt ebonized lacquer frame, circa 1890. 29 ¼ by 24 ¾ inches

Namban chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden). Decorated with three main bands o...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

An exceptional and early example of a Japanese hibachi, masterfully crafted from kiri wood (paulownia) and fitted with its original copper coal receptacle, now displaying a rich and ...

Amazing 4 Sets of Japanese Gilt Lidded Rice Lacquer Bowls w/ Covers and Trays from the 19 Century. There are a total of 12 pieces, signed on both the bowl and the cover. The Bowls m...

Kōgō (incense box) in lacquered wood shaped like a chestnut. The exterior surface of the box is decorated with a beautiful shade of brown lacquer. The interior is finished in gold fu...

19th Century Shell Inlaid Black Lacquer Big Export Chinese Chest Labled inside "Sunshing" and with Bail handles to sides ,14.5 inch long /10.5inch width/11.5 high inch,big chest...

The headboard of the Torres Bed is a distinctive element, featuring two large, slanted black panels with a textured surface. These panels are bold and eye-catching, with a subtle p...

Large bamboo pair of table lamps with red lacquer bases created in collaboration with The Lacquer Company Beautiful and chic table lamps. Lovely Lacquer bases and bamboo tops held b...

A Chinese Carved Red Lacquer Cinnabar Box, 19th Century Provenance: Private Australian Collection. Description: Cinnabar is a red mineral compos...

Burmese Buddha Sculpture. A Dry Lacquer Buddha Head, late 19th early 20th century, Shan Period 1315 - 1948, composed of wood, wood ash, Thayo, dry...

Large Chinese black lacquered box with numerous figures and gilt detail. Chinese round black lacquer and gilt painted box, made for the expor...

Japan, Edo to Meiji period, a long rectangular document box with hinged cover, decorated with a bird and a floral basket, The locker is not functioning.

Two curved wood-cased drawers in our medium sheen lacquer separated by a divide of Eucalyptus in a coffee bean finish stand atop a base that repeats the angle of curve as it rounds i...

Antique 19th Century Japanese Meiji Period Shibayama Inlaid Lacquered Panel C.1890 Panel with Figural Inlay Japan, late 19th century (Meiji period) Rectangular panel decorated with...

18th century painting of European hound and her pup. Mineral pigments on gold leaf with black lacquer trim.

A graduated set of four with seated figures in a landscape. Trestle base. Giltwood feet.

The Design & Impact: This captivating antique writing box (suzuribako) beautifully illustrates the lush, vibrant energy of blooming hydrangeas (ajisai). Representing the transition i...

This superb Japanese footed lacquer tray dates to the late Edo–Meiji period (19th century) and is finely decorated with an elegant maki-e design. The refined composition and subtle u...

This is a lacquerware craftsman's workbench believed to have been actually used in Fukushima Prefecture and other areas in the Tohoku region between 1945 and 1960. This box-shaped st...

"Sulpap Table" is entirely handcrafted with high glossed lacquer finished pillar leg and polished chrome base combined with beige-honey-gray colored marble top with soft edges. It is inspired by mythological clouds and roman pillars...

A large and very decorative Chinese, late Qing Dynasty gilt-decorated and red lacquer wood box and cover dating for the mid to late 19th century. The front and sides of the box with ...

Large bamboo pair of table lamps with red lacquer bases created in collaboration with The Lacquer Company. In the style of Gabriella Crespi. Beautiful and chic table lamps. Lovely L...

A stunning 19th century Japanese coffee or cocktail table in Wakasa lacquer. The Wakasa-Nuri technique is a process of laying 100 plus layers of differe...

The Design & Impact: This exceptional writing box (suzuribako) showcases a dynamic and deeply carved composition of plum blossoms and a serene landscape. Executed in a rich palette o...

This is a remarkable 19th century, Japanese lacquered sewing box with multiple compartments on the interior. The exterior is decorated in elaborate black and gilded motifs including...