Marble Furniture

Elegant Art Deco Table Lamp in Siena Marble and Patinated Bronze, 1920s A refined and timeless Art Deco table lamp, crafted in the 1920s with an elegant interplay of warm Siena marb...

ELLIPS TRAVERTINE MARBLE DINING TABLE Type of Marble: Travertine Dimensions: 70" x 35" Leg Model: Travertine Customizable: Available! Production Time: 3-4 Weeks Shipping Cost: Free...

Exceptional Post Modern dining table, made in Italy circa 1970/80's. The table is constructed of travertine marble, and features a large rectangular top which rests on a rectangular ...

This stunning and dramatic Art Deco clock was realized in France circa 1930. It features a demilune skyscraper style body consisting of two streamlined sides with a raised stepped ti...

Condition: Original Vintage Condition Materials: Mahogany, Burl Wood, Original Black Marble Top (Nero Marquina), Original Floral Ceramic Tiles Dimensions: 67”H x 40.50”W x 18.25”D Table Height 32.25" Whispers of the 19th century—an Eastlake washstand...

Travertine Twin Cylinder Leg Console Table, SOHO, measuring 40 inches in width, 12 inches in depth, and 34 inches in height. Crafted from exquisite natural travertine stone, this con...

"Roma Imperiale II" is not just a table lamp or sculpture, imagine it as a memory, the memory of a nobility now dissolved, a suspended memory, forgotten in a secret garden, of those ...

Late 20th Century Postmodern tessellated travertine and black marble box with brass inlay and brown cloth interior lining.

A dramatic French marble and iron work table from the 19th century, that would have been a display fixture in a butcher shop or bakery to present the current offerings. The thick, wh...

This early twentieth century pitch pine vanity features a beveled white marble top with an upper shelf. Its two drawers with metal drawer pulls are of dovetail construction. Below th...

An Exceptionally Fine Museum Quality Example of a Well Cast Parian (unglazed porcelain) Figure depicting Jesus Christ nailed to a plain black marble standing Cross of impressive prop...

An elegant walnut & marble commode from France, 19th century, with finely carved decoration in the Louis XVI style, fitting with Empire and transitional tastes just the same. The top...

A long, narrow & sexy cocktail table from Italy circa 1960's. It features a beautiful slab of cararra marble with polished brass curved legs. Well cared for & ready to use.

A fine William Kent design pier table, marble top above an acanthus and dentil moulded frieze with acanthus scroll supports flanking a female mask, on a Greek-key and fluted socle ba...

Vintage Italian Solid Rosso Levanto Marble Coffee Table Massive square coffee table made from the most beautiful Rosso Levanto Italian marble. Strong color in burgundy, white and da...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a ...

An 18th century French Louis XV commode, or chest of drawers, from the Bordeaux region made of solid mahogany. Nice proportions and bombé form with serpentine front. Original Rouge R...

Impressive Carved Stone (Pierre de Bourgogne) and Marble Console Table. Standing on Marble Vert feet, each simple support decorated in elegant, understated, carved relief. Stepped to...

Important sculptural vase carved by hand from a solid block of pure white onyx. The vase is hand sculpted, starting from a large block of white onyx which has been carefully selected...

French marble top and walnut coffee table in the Celina Decoracões style. Made in the 20th Mid-century period. Marble multicolor, with green and pink highlights Table height: 13.78 ...

‘Aurea’ Side Table by HAAND, crafted from premium silver travertine. This exquisite piece measures 13.8 inches in diameter and 18.5 inches in height, with a substantial weight of 80 lbs. The Aurea Side Table is a testament to superior design and craftsmanship, embodying HAAND’s commitment to quality. Its honed finish and exceptionally smooth surface give it a luxurious feel—like touching velvet. Its sleek, modern silhouette and natural stone finish make it a versatile addition to any living space. While it functions beautifully as a side table, its versatility extends beyond this. Use it as: 1. A Statement Piece: Place it in your living room to hold decorative items like vases, sculptures, or candles, enhancing your room’s aesthetic. 2. A Nightstand: Its sturdy design makes it perfect for a bedroom nightstand, providing ample space for a lamp, books, and a glass of water. 3. An Accent Table: Ideal for your office or hallway, where it can display art pieces, houseplants, or serve as a convenient spot for your keys and mail. 4. A Plant Stand: Elevate your indoor garden by using it as a stylish plant stand, showcasing your favorite plants in a unique way. 5. A Patio Table: Its robust construction allows it to be used outdoors, making it a great option for a patio or balcony table...

Dining Table in Black Marquinia marble Size: ⌀ 120 x 74,5 cm. - 47.2 x 29.3 in. Commercial name: Nissa Dining Table in Black Marquinia, Nissa Collection by the Spanish designer Iva...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

A drink table part of the Lily collection, inspired by giant water lily pads and their curled rims. A carved base in honed unfilled Navona Travertine that holds the cast patinated br...

Superb Louis XVI French chest, it is made of walnut with a Saint-Anne marble top.

Travertine Twin Cylinder Leg Console Table, SOHO, measuring 48 inches in width, 12 inches in depth, and 34 inches in height. Crafted from exquisite natural travertine stone, this con...

Handcrafted with precision, this vase is inspired by mid-century marble design objects, exuding understated luxury with its sleek simplicity. Eschewing unnecessary embellishments, it...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

CALACATTA VIOALA MARBLE DINING TABLE * Custom sizes are available. You can contact us for differenct sizes. * Shipping cost is FREE! Table Sizes: Dimensions: 72" x 36" (183 x 91 cm...

Burton-Ching 18th C Style Regency Giltwood Demilune Commode Nightstand

Delicate hues and geometric volumes define this coffee table's refined sculptural aesthetic, suggesting it as an ideal addition to contemporary professional or residential spaces. Av...

This timeless beautiful Italian classical sink is cut from one single block of white marble, these designs have not changed since Greek and Roman times, it carries superb artistic me...

CALACATTA VIOLA MARBLE STONE COFFEE TABLE Type of Stone: Calacatta Viola Dimensions: 40" x 24" Leg Model: Calacatta Viola Customizable: Available! Production Time: 3-4 Weeks Shippin...

CALACATTA VIOLA MARBLE STONE COFFEE TABLE Type of Stone: Calacatta Viola Diameter: 40" - 100 cm Leg Model: Calacatta Viola Customizable: Available! Production Time: 2-3 Weeks Shippi...

Material: 100% Authentic Calacatta Viola Marble Dimensions: 7" W x 39" D x 30" H (200 cm x 100 cm x 75 cm) Base: Matching Calacatta Viola Marble Construction Condition: New, Custo...

ROSSO LEVANTO RED MARBLE DINING TABLE / FULLY ROUND MARBLE TABLE Type of Material: Rosso Levanto Dimensions: 47 Inches (120 cm) Leg Model: Rosso Levanto MARBLE Customizable: Availab...

SAHI by Haand: 10 cm (4") travertine sphere, crafted with exceptional hand quality. This elegant decorative object seamlessly blends natural beauty with versatility, making it an ide...

10-hook Brass Coat Tree by Luft Tanaka Studio Freestanding Coat tree made of solid brass components and brass tubing with a black or white mar...

A pair of shoe storage cabinets, handcrafted by acclaimed London-based furniture makers Kaizen London in 2014. Designed as part of a commission for a formal entrance hall, these sub...

Striking and elegant, the Rectangle Bubble Vase has a unique silhouette that brings a modern and playful feel to any space. Styled in built-ins or filled with florals, this vase is a...

Aequus Coffee Table 225 in Graphite Marble by Brent Lee. Signed by Brent Lee. Limited Edition of 12. Dimensions: W 225 x D 100 x H 30 cm. Materials: Graphite Marble. Part of the exc...

A striking bronze sculpture by Mexican artist Victor Salmones (1937–1989), mounted on a polished black marble base and signed along the lower edge. Marked Prueba de Artista (Artist P...

A magnificent Spanish Early 20th century Baroque style, ormolu mirror.    

Late 20th Century Bronze Abstract Sculpture with Verdigris Patina, attributed to Richard Erdman (American, b. 1952) Consisting of two pieces, the bronze sculpture and the marble bas...

A credenza inspired by giant water lily pads and their curled rims, handmade out of 30 mm thick honed unfilled Navona Travertine with rounded, juxtaposed edges and Oak. Available in ...

Calacatta Viola marble sinks are crafted from high-quality, Italy-sourced natural stone. Due to the natural formation process of the marble, each piece features a unique veining patt...

Set of 2 French Louis XV Night Stands, marble top, 1930s Good condition, small signs of aging. Found in a noble apartment in my city, Palermo.

Exquisitely carved in the 1980s by an Italian-immigrant marble atelier in San Bernardo, Santiago, this remarkable mid-century-inspired ashtray embodies the sophistication and materia...

CALACATTA VIOALA MARBLE DINING TABLE Type of Marble: Calacatta Viola Marble Dimensions: 79" x 39" (200 x 100 cm) Leg Model: Marble Customizable: Available! Production Time: 2-3 Week...

This magical little table is inspired by the 18th century Rococo art movement and truly embodies the joyful decorative nature of the time. Our best-selling Albero Drinks table, now a...

A gorgeous 19th century French mahogany secretary style desk, designed as a classic Louis Philippe commode incorporating the work surface and storage compartments into the top “drawe...

Italian Classical Carved Sink Basin This timeless beautiful Italian classical sink is cut from one single block of white marble with added carved relief detail, these designs have no...

An exceptionally fine Carrara marble bust of Napoleon Bonaparte on an equally fine marble columnar pedestal,  Circa 1810 in date.   The sculpture depicts a young Napoleon wearing his...

‘Aurea’ Side Table by HAAND, crafted from premium red natural travertine stone. This exquisite piece measures 13.8 inches in diameter and 18.5 inches in height, with a substantial w...

An iconic Florence Knoll dining / conference table or desk. Features a beautiful oval Marquina marble top over a chrome plated steel tripod base, circa 1960s.

Striking Art Deco table sculpture by renowned French artist Max Le Verrier, featuring a dramatic brass portrait medallion of Ludwig van Beethoven, set within a stylized lyre-shaped f...

A fine pair of Spanish bombe-form chests, each surmounted with a shaped Portuguese marble top. The richly veined marble features soft tones of rose, cream, and taupe, with one top sh...

Mid Century East German Table Lamp Circa 1960s - Black marble bases - On/Off switche on the base - Takes E27 fitting bulbs - Textured shades - Brass arm - East German ~ 1960s - 33cm...

This striking Roman Marble torso belongs most assuredly the Mythological Satyr Marsyas. The depiction is one that is frequently portrayed in greco-roman statuary, (originally as part...

Designed to be the perfect, round accent to (almost) any room, our Axel side table is available as a solid wood or marble-topped piece. Coming in a variety of wood and stone finishes...