Plexiglass Furniture

Mira Coal “Mira” Is A Contemplative Journey Through The Ephemeral Nature Of Being And The Profound Impact Of Our Presence. It Invites Viewers To Ponder Their Role In The Continuum O...

Brass; Smoked Perspex; Black Glass; Drawers; Credenza; Italian Design; Italy; Hollywood Regency; Black & Gold; Sideboard; This credenza, a 12-drawer high-end storage piece, is cust...

Impressive ceiling lamps made in Germany, 4 available Ceiling lamp, Germany, 1970. This impressive ceiling lamp has been exclusively designed and m...

Museum-Quality Antique Middle Eastern Islamic / Bedouin Niqab Face Veil, Mid-20th Century, with Silver Coins & Amulets A rare and museum-quality Middle Eastern Islamic / Bedouin woman’s face veil (niqab), Egypt, circa 1920–1940. Traditionally worn by Bedouin women during weddings and ceremonial occasions, this extraordinary piece represents the finest examples of tribal jewelry, textile art, and Middle Eastern embroidery. Design & Craftsmanship: * Worked on a base of fine red silk and cotton embroidery, richly adorned with antique Ottoman silver coins. * Heavily decorated lower edge with nickel silver amulets in the form of protective hands, believed to ward off the Evil Eye. * Intricate tassels, chains, add movement and texture. * Preserved in a custom lucite display box for protection and presentation. Cultural Significance: * These veils were more than garments; they were symbols of wealth, protection, and status within Bedouin communities of Egypt, Palestine, Sinai, and Negev. * Worn only during special events such as weddings and feasts, their ornate decoration distinguished them from the simpler everyday niqab. * Each veil reflects the identity of the tribe, with regional variations in embroidery, color, and adornment. Provenance & Literature: Comparable examples are documented in “Traditional Palestinian Embroidery...

Bla Bla is a suspension lamp with black PVC frame available in two sizes: width 57 cm or 75.5 cm. Plexiglass is an accessory. To be inserted internally to the...

Calling all serious collectors and lovers of glam—this is not just a credenza; it’s a showstopper, a one-of-a-kind, super rare prototype straight from the genius mind of Paul Evans. Let’s get one thing clear: this piece isn’t just furniture; it’s a statement, a mood, a literal golden wave of fabulousness. Originally owned by the legendary Todd Merrill (yes, that Todd Merrill—master of modern design and author of Modern Americana), this baby was snapped up by a private collector before making its way to us. And let me tell you, it’s dripping in glam from top to bottom. This Cylindrical Console (measuring a jaw-dropping 96” long, 32” tall, and 26” deep) was a prototype floor model from Evans' final design studio in NYC—his post-Pennsylvania chapter, when he was at the height of his boundary-pushing creativity. This is 1980s excess at its absolute finest. Picture it: brass-plated steel shimmering like a pool of liquid gold, with a wavy, undulating front—three connected cylinders flowing together in a perfectly elegant squiggle. It’s not just a visual feast; it’s a party for your living room. Each cylinder pulls open (hello, semi-circles!) to reveal luxuriously upholstered tan suede shelves inside. That’s right—three shelves per cylinder, giving you all the storage you could dream of, but with a touch of decadence. Oh, and did we mention the wheels? Yes, each cylinder moves like a dream. There are also 3 laminated, moveable shelves on the inside so you can store as much as you'd like. The top? Clad in crisp white plexiglass for that extra hit of 80s glam. This credenza was the final visual iteration of Evans’ experimental genius. It’s more than a piece of furniture; it’s history, art, and design all rolled into one. And because it’s a prototype, you won’t find another like it anywhere. This is the Paul Evans piece for the collector who already has everything—except this. A little on Evans -- Paul Evans—an iconic American designer who’s often associated with the Studio Craft movement—wasn’t just creating furniture; he was crafting art. Known for his sculptural, metallic designs, Evans blurred the line between function and form with his unique metalworking techniques, often blending bronze, copper, and steel into futuristic, brutalist shapes. He was constantly innovating, and this Cylindrical Console is a perfect example of his creative genius. Evans worked alongside Philip Lloyd Powell and was just down the street from the legendary George Nakashima in New Hope, Pennsylvania. Both Evans and Powell created some of the most groundbreaking and collectible furniture of the 20th century. While Powell leaned into the organic, hand-carved wood aesthetic, Evans went full throttle with high-gloss metals, merging craftsmanship with avant-garde artistry. By the time this prototype was made in the 1980s, Evans had moved to New York City, leaving his Pennsylvania roots behind and embracing a new, highly reflective, glamorous aesthetic. His partnership with Directional Furniture solidified his place as a master of bold, modern design. His pieces, like this one, have become legendary in the world of design collecting—fetching top-tier prices for their rarity and unmistakable style. About Todd Merrill Todd Merrill, a tastemaker in his own right, has spent decades curating some of the finest examples of 20th-century American furniture and Studio Craft. He’s known for representing top-tier designers and artists, both contemporary and classic, in his New York gallery, Todd Merrill Studio. His influence extends into the world of rare and custom furniture, often showcasing unique, one-of-a-kind pieces much like this stunning Paul Evans prototype. Todd Merrill is a legend in our (antique dealers) industry. The man was writing Modern Americana while I was sitting in Comm Theory class in college. With this piece you’re not just buying a credenza—you’re investing in an unforgettable slice of design history. Glam, bold, and just oozing with charisma, this Paul Evans prototype is not just sexy—it’s the conversation piece that will have your guests swooning. This piece is currently in our gallery alongside a Gabriella Crespi coffee table...

The elegantly poised Plexi Coffee Table is carved out of a continuous slab of walnut, with the addition of a plexi leg, further supporting this organic structure. The transparency of...

The Magnolia Chandelier, one of many countless design set to make its debut this year. Inspired by his Mother Manolya, the Magnolia Chandelier is a...

Introducing you to our first 2023 design, the Branch D’or Sconce. A namesake, organic piece instigated by Barlas Baylar. The Branch D’or embraces a sturdy plexi acrylic glass branch ...

This is the original statue (called 'De Klim) 'The Climb' made by Egbert Hermsen from The Netherlands that later, showen to the dutch 'Donor Foundation', was used as model for the li...

Silver gelatin framed print of Jeff Koons (artist). This print was #1 in a series of 15 in a NYC exhibition featuring Ari Marcopoulos' work of various ...

Respecting nature`s ultimate power of creation, the Mayson Dining Table by Barlas Baylar features a refined aesthetic with a cast Silicon Bronze structure while preserving its inherent organic shape. Molten Bronze is poured into a mould made from wood so that every intricate and minute detail is imposed into the bronze, creating an organic artisanal finished piece. The table is finished with a high-gloss Piano Black lacquer...

Utilizing an artful combination of modern materials, the Barlas Baylar Hommes Dining Table’s Plexi legs and Bronze or Stainless stretcher add structure and character to any setting. ...