Plexiglass Asian Art and Furniture

This is a set of early Chinese ancestral portraits, male and female. The medium is guache on paper with soothing neutrals. The frames are taupe with iridescent tones. There is foxing...

Raymond Ciborowski (American, b. 1970) "That 70's Hotel" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood frame...

Jane Currie Clark signed original Serigraph Christmas Carolers Art. Item features original signature, plexiglass front, wood frame. circa 1980s. Measurements: 27" H x 35" W x 1" D.

Antique Thai Buddhist Banner Painting, multi-coloured tempera and gold leaf on cloth, depicting Buddha Descending From Tavatimsa Heaven. An illustration o...

Le luminarie vestono a festa le strade dei paesi del Salento nel giorno della festa del loro patrono. A Ludovica + Roberto Palomba, piaceva l’idea di aggiungere a questi decori festo...

Mandarin Taoist Chinese ceremonial scroll portrait painting in custom plexiglass frame. Exuding an air of spiritual significance and artistic mastery, this Mandarin Taoist Chinese ce...

Jane Wooster Scott signed and numbered Serigraph framed art "Carefree Days". Item features an original signature and number, plexiglass front, nice frame, very nice item, great style...

Esa Fedrigolli Italy, important bronze sculpture with plexiglass for photo by Esart Italy, vintage years ’60 in perfect and original condition, signed rare...

A Chinese Qing Dynasty period painting from the 19th century of an ancestor group portrait in custom frame. Created in China during the Qing Dynasty, this vertical painting features ...

Exquisite piece of antique embroidery from the 19th century with supporting documents from Hong Kong. Two sleeves of high officials combined to create an intricate panel. The art tel...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

A Chinese late Qing Dynasty period framed painting from the early 20th century of a royalty related couple with dragon motifs painted on a linen canvas. Created in China during the late Qing Dynasty in the early years of the 20th century, this custom framed painting depicts a couple wearing either a red (a symbol of luck in China) or green robe. The depiction of dragons relates them to the Imperial family, but having four claws and not five as codified, the couple is likely part of the royal family, not the Imperial couple themselves. Accented with typical motifs such as bats, flaming pearls and rain-filled clouds, the robes are filled with symbols. Wearing ornate headdresses, the couple is sitting on elegant chairs. Set inside custom made frames, the paintings show great signs of age. While the entire piece measures 40.5"W x 1"D x 53"H, the painting itself is 36.5"W x 49". With its vivid colors and interesting subject, this Chinese Qing Dynasty painting...

A Japanese framed painting from the 19th century depicting two walking Buddhist monks holding a lotus flower and a wicker box, in custom frame. Created in Japan during the 19th century, this vertical linen canvas painting depicts two Buddhist monks walking together, one of them holding a partially bloomed lotus flower, symbol of enlightenment, while the other one is opening a wicker box, the content of which seems to be bringing them great joy. They are both wearing a golden bracelet...

An antique Indian painting from the 19th century depicting Guanyin the Bodhisattva of Compassion sitting on a dragon. Created in India during the 19th century, this large painting features Guanyin the Bodhisattva of Compassion, sitting on the head of a dragon. Her right foot on a lotus flower, Guanyin wears an ornate headdress and elegant clothes. The painting itself measures 27.5"W x 53.5" H and has been set inside a custom frame. With its vivid colors and elegant subject, this 19th century Indian painting...

An antique Indian painting from the 19th century depicting Guanyin the Bodhisattva of Compassion sitting on a dragon. Created in India during the 19th century, this large painting features Guanyin the Bodhisattva of Compassion, sitting on the head of a dragon, fluffy clouds adorning the painting's lower section. Her right foot on a lotus flower, Guanyin wears an ornate headdress and elegant clothes. The painting itself measures 30.5"W x 53.5" H and has been set inside a custom frame. Its peaceful subject will make this 19th century Indian painting...

Monumental Chinese Qing ancestor scroll portrait painting of a high ranking official or Imperial court matriarch. Features a intricately decorated Min...

Colorful Japanese ink and color on silk Showa painting of a pair of peacocks. Vivid colors and beautiful details with a signature and seal on right side bottom. Framed in a midcentur...

An antique Indian print from the 19th century depicting Guanyin the Bodhisattva of Compassion. Created in India during the 19th century, this larg...

A Chinese Qing Dynasty period print from the 19th century, depicting birds in a tree on turquoise ground, with custom frame. Created in China during the Qing Dynasty period, this lar...

A beautifully composed, rare woodblock print by famed Japanese printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contemporary Japanese printmakers of the 20th century. This print is titled "Tosyodai-Ji Nara". The wood grain and rich colors are amazing. The print is signed in white ink and stamped within the image and titled, dated (1959) and numbered (75/80) in pencil by the artist in the lower margin. This particular image is quite rare and hard to find. A copy of this print can be found in the Museum of fine Arts in Boston. Would be a great addition to any modern Japanese print...

This lovely textile art was from Central-Northern China circa 1900s, known as "Tiger-head" hat, it was a lavishly made cotton with silk hat in form of tiger for baby boys with a wide...

Pair of framed Chinese silk embroideries from the 19th century with supporting documents from Hong Kong. Each piece is approximately 15 ...

Artist: Ross Mazur, American and Marcia Mazur-gold, American Medium: Handmade paper, pressed cotton fiber collage sculpture in Plexi-case, signed in pencil “Marcia Gilbert Mazur” Measurements: 44 5/8? H x 5 3/8? D x 34 3/8? W Condition report: Minor age appropriate handling wear. Original Plexi-case frame with some cracks (frame overall of very fine quality and condition). Overall remaining in outstanding presentation– excellent condition. Ross Mazur was born and raised in Chicago. After receiving a scholarship at the Chicago Art Institute, he enjoyed a 20-year career as an illustrative photographer, bringing to the industry many original and innovative techniques still in use today. Ross Mazur has been a full-time working artist all his life. Since the 1980s he has focused his creative endeavors painting, shaping and embellishing handmade pulp paper. This kind of art can be hard, but satisfying, work. The end result of this effort is an interesting combination of production processes from raw materials to finished art pieces. In 2002, Marcia and Ross completed a video segment for the PBS series “The Artist’s Workshop”. Ross was introduced to paper art by his wife Marcia Mazur-Gold, who died 2004, but before her death they collaborated on the creation of mixed media compositions. They had been working as a team on and off since 1971 and began working in paper in 1981 when Marcia took a papermaking workshop at the famous Ox Bow Art School in Michigan. Drawn to his wife’s creative work, Ross quickly left his clay work and other art behind. By 1980s Ross owned a gallery on the North Shore in Chicago which he ran for four years but then moved on to do mainly art expos and festivals around the country including New York City. In 1986, the Mazurs showed their work at the Los Angeles Art Expo and stopped off in Sedona. Two weeks later they bought a house here and built their studio. They also maintained a studio in Miami and, for a while, in Michigan, which gave them an opportunity to work closer to the main art festivals where they sold their work. Where they went really all depended on where the collectors of their art went. Moving around the country, with the Mid-West in the summer, and Florida in the winter, with the Arizona art festivals in between, became a way of life. Here in Arizona, Ross participated in art festivals in Sedona, Tempe, Scottsdale, Tucson and Fountain Hills. In 1991 Mazur’s work took a turn toward Native American motif although his paper sculptures, both free-standing and for the wall, remained abstract. He also removed the Lucite framing that encased the paper art. This change dramatically altered the way the paper art was perceived, especially here in Arizona. It sells extremely well. Just as Ross loves the tactile nature of this medium, perhaps his collectors also feel the need to be close to the art without impediments such as Lucite cases. At the present time Ross is working on a series of sculptural compositions for the wall as well as free standing sculptures. These pieces are composed of a pressed cotton fiber matrix, utilizing the process of handmade paper. Mazur has participated in the Sedona Art...