Statuary Marble Furniture

A very finely worked antique white statuary marble roundel depicting a profile portrait of a Roman figure in religious dress. Originating from mid 19th century Italy, this large marb...

A George III Statuary and Convent Sienna marble fireplace, c.1790. The breakfront shelf with generous bed-mould, the frieze centred by relief carved plaque depicting a maiden, this...

A stunning early 20th century Georgian style white statuary marble and Tinos green marble fireplace decorated in the neoclassical style with a carved angel to the centre tablet and m...

A late 18th century neoclassical white statuary marble tablet depicting the marriage of Cupid and Psyche, after the study by Giovanni Battista Cipriani and further after the antique ...

A well balanced medium sized 19th century Regency style hand carved statuary marble fireplace surround, a reeded top shelf sits directly above a stepped frieze with carved ribbon and...

Marble and broze Artemisa sculture, signed Pugi, Italy, circa 1870. Statuary, Breccia and Siena marble and bronze. By Guglielmo Pugi (1850-1915) With breccia marble pedestal. Scul...

Spectacular antique chimneypiece crafted from Statuary marble and with large opulent panels of Lapis Lazuli inlay. This magnificent fireplace surround was removed from a large house...

This Napoleon III style mantelpiece was made in Statuary marble in the 19th century. It includes many Renaissance inspired elements. It features an imposing mantel top, also in marbl...

A fine quality statuary marble late Georgian fireplace. The panelled jambs with finely carved bellflowers and ribbons, surmounted by rope mould...

A fine antique French Gilt bronze and white marble garniture set of three putti playing in Thor's chariot. Rendered in crisp and bronze, a pair of Rams in dynamic poses pull the char...

A very state of the art antique fireplace surround in white statuary marble from the Rococo period; the surround is in perfect condition. There is extraordinary waving side panels on...

A 19th century English statuary and inlaid Tinos marble fireplace, with carved mask and drapery centre tablet, inlaid Greek key side panels, fluted Tinos marble jambs with oval pater...

An antique English Georgian statuary white marble bust of a scholarly gentleman circa 1790, on an associated period breccia violette marble socle. Exceptionally carved, the gentlema...

A fine eighteenth century George III chimneypiece in statuary marble. The solid reverse breakfront shelf sits above a frieze which is delicately carved with a stylised foliate design...

An elegant and architectural William IV statuary marble chimneypiece, the stepped frieze raised on double pilaster jambs on block feet. Restored, polished and ready to install. Dim...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

An elegant set of 3 late Georgian era white statuary marble plaques in a neoclassical style, originally used as decoration for the frieze of a fireplace. Dating to circa 1800, these ...

An antique French Art Deco period marble fire surround. Constructed in Campan green and white statuary marble, this unusual fireplace showcases a carved centre tablet and fluted jamb...

A 19th century English statuary and inlaid princess blue marble fireplace in the manner of George III. The centre tablet carved with quiver and l...

Italian, early 18th century A bust of a woman wearing a Diadem Statuary marble Measure: 31 in. (79cm) high.

A Louis XVI period Statuary and Breccia marble fireplace circa 1780-90. The simple jambs in White marble with inlaid Breccia, supporting the frieze with carved opposing cameo end bl...

A pair of interesting ancient Greek style statuary marble relics or wall plaques, depicting a serpent and dove in relief. Thought to be of Greek or Italian origin, these antique wall plaques have an ancient look and feel, with wear and discolouration that offers a glimpse into their history. Perhaps they were once collector’s items, architectural fragments discovered by a traveller on their grand tour throughout Europe in the 18th to 19th century… We have conservatively estimated the date to circa 1800, these antique marble wall plaques...

A rare 19th century English Regency statuary marble mantelpiece. The finely carved caryatids to jambs surmounted by rosette paterae, the frieze with delicately carved masks and folia...

Early nineteenth century Regency marble fireplace in the manner of Sir Jeffrey Wyatville. In Belgian Black marble with applied Statuary marb...

A fine quality antique Italian fireplace carved in Statuary marble. The running frieze delicately carved with sunflowers and foliage with female mask to centre. The full round taperi...

An 18th century English marble statuary fireplace with inlaid sienna marble Greek key inlay to side panels, carved centre tablet with putti and drapery, and jambs comprising tapered ...

A very fine quality English Georgian fireplace in Italian Statuary marble with Siena inlay. The moulded jambs with inlaid Siena marble surmounted by shaped Siena frieze and breakfron...

An antique Italian white statuary marble sculpture of Dirce after Lorenzo Bartolini (1777-1850). This beautiful marble is carved after one of Lorenzo Bartolini's most successful scu...

A good quality period Victorian fireplace in Statuary white marble. The jambs with corbels featuring acanthus leaves with decorative panels below. The frieze with centre panel carved...

A 19th century French Statuary white marble fireplace in the Louis XVI style. The fluted jabs with carved husks, surmounted by panels carved with ribbons and foliage. The panelled fr...

We have two highly carved Rococo style chimneypieces which have been crafted from Statuary marble in the Louis Pompadour style. The shapely feminine f...

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

ITALIAN, EARLY 18TH CENTURY A BUST OF A WOMAN WEARING A DIADEM Statuary marble

This stunning antique white marble fire mantel dates from the mid 1800s. Made entirely from statuary white marble, it is petite in scale with a cur...

Elegant round statuary marble dining or center table Italy circa 1980 Nice marble top and perfect vintage condition

19th century unique Empire style brown Bois-Jourdan marble fireplace mantelpiece, with a white statuary Carrara hand carved Roman Rosette on the cent...

After Francois Duquesnoy. EROS SLEEPING, STATUARY MARBLE ON A PORTOR MARBLE BASE, 18TH CENTURY.

A mid 19th century antique statuary white marble sculpture of a youth wearing a toga, possibly a young St. John the Baptist in the manner of Italian n...

A weathered antique Neoclassical finial sourced from an estate in Shropshire. Dating to circa 1780, this marble finial has a desirable weathered look only achieved after exposure to the elements over many years. You can just imagine this striking antique adding...

A large early 19th century Italian statuary marble plaque depicting a reclining cherub or putto, formerly owned by the 1st Earl of Mountbatten. Expertly carved in deep relief, this p...

A spectacular large antique Victorian Statuary Marble fireplace. This mid 19th century marble fireplace features a serpentine shelf, which is supported by two fluted columns with or...

A mid 18th century Grand Tour white statuary marble relief of a Roman emperor, possibly Augustus Caesar, presented on a custom-made steel stand as pictured. Deeply carved in relief,...

Double-slip Georgian Bullseye in Italian White Statuary Marble Large Double-Slip Georgian Style Fireplace Surround in finest quality Italian White Statuary Marble. Depth: 8” – ...

A pair of large reclaimed amethyst and white statuary marble obelisks. This pair of matching neoclassical style obelisks are suitable for any interior, modern or period. Dating to t...

Refined Contemporary Marble 02 Bianco Statuarietto Marble Cake Stand Signed by Leo Aerts. Dimensions: Diameter 32 x Height 15 cm Material: Bianco Statuariet...

A very attractive Vintage French Louis XVI Chimney piece nicely carved in White Statuary marble. The shaped frieze finely carved with oak leaf and acorn decoration. The jambs very fi...

An antique Italian white statuary and red jasper marble fire surround dating to circa 1760. This unusual fireplace has a petite stature and unique style. You can just imagine it as ...

A late Georgian neoclassical chimneypiece in the manner of Robert Adam carved in white statuary marble with yellow Sienna marble inlay. The ...

A good quality English Statuary marble fireplace with Italian Siena marble inlay. The fluted jambs surmounted by carved end blockings with classical finials. The frieze with matching...

A white Statuary marble fireplace with Jasper inlay in the late Georgian manner. The fluted frieze interspersed with carved paterae, with carved urn to centre. The jambs with carved ...

A good quality Statuary marble fireplace in the Louis XVI manner. The tapering, fluted jambs surmounted by end blocks carved with stiff acanthus leaf, the frieze with cartouche to centre flanked by foliage. Moulded shelf above. With its original decorative cast iron contracoeure insert...

This fireplace is constructed from White Statuary marble with Maurin Green marble and Scagliola Inlay Additional dimensions: Opening height 94 cm Opening width 85 cm.

A good quality late 18th century George III statuary and inlaid Connemara marble fireplace. The centre panel with cupid and garland and ribbons. The s...

A finely carved marble plaque of a classical figure with an arm outstretched dating from the early 20th century. Beautifully detailed, this antiqu...

This exceptional Statuary marble fireplace is an absolute gem. This Statuary is an Italian marble type. This particular piece of marble is totally whit out veins. The same marble ...

WORKSHOP OF SIR FRANCIS CHANTREY (1781-1841) A BUST OF SIR WALTER SCOTT (1771-1832) Statuary marble

A large and imposing Victorian arched fireplace carved in white statuary marble. The massive plain moulded shelf is supported on twin scroll...

Baroque Bolection Chimneypiece in Italian white statuary marble fireplace A Baroque style Bolection fireplace surround of bold proportions with very finely carved columns with a ris...

Workshop of Sir Francis Chantrey (1781-1841) A bust of Sir Walter Scott (1771-1832) Statuary marble Measures: 30in. (76cm) high.

Mid-Century Modern Raw Marble Side Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Raw marble side table celebrates the interplay between refined...