Sterling Silver Furniture

This wonderful set of 12 mid-century vintage sterling silver sipper straws. Made in Mexico by TAXCO and feature a curling fish twisting up the straws to create the spoon form. The s...

We are happy to offer this sterling silver and porcelain dish from 1934. The sterling is by Wallace Silversmiths and us in the Rose Point pattern. The porcelain is by Lenox China...

Fleetwood by Manchester sterling silver flatware set of 60 pieces. This set includes: 12 knives, 8 3/4". 12 forks, 7". 12 salad forks, 6". 12 teaspoons, 5 7/8". 12 cream soup spoons...

Victorian Period, sterling silver and turquoise blue guilloche enamel letter opener/paper knife, Sheffield, England, year-hallmarked for 1866, R. Martin and E. Hall (doing business a...

Vintage English Silver Plate Tankard Mug Elegant Footed Pewter Style Cup Add timeless sophistication to your collection with this charming vintage silver-plated tankard mug, beauti...

Hallmarked Sterling by William Vincent of London Dated 1779 From our Tea Caddy collection, we are delighted to offer this Georgian Sterling Silver Tea Caddy. The Tea Caddy of slight...

Large, Victorian Period, sterling silver-mounted Doulton Lambeth Pottery match striker. The sterling silver mount is hallmarked London, year dated 1891, Henry Charles Freeman - maker...

Modern sterling silver box. Made by Tiffany & Co. in New York, ca 1912. Rectangular with straight sides. Cover hinged with gently curved top and molded rim. Box interior cedar lined....

Art Deco Modernist Fruit Dish Tray made in solid silver 950/1000th and vermeil designed by Jean E. Puiforcat in 1937. All parts are stamped Minverve 1st Title and Jean E. Puiforcat. ...

The Repousse pattern was named after the art of repoussé (the process of embossing metal from the back by hammering), originally used in European silversmithing. The Repousse pattern...

S.T lighter Silver Dupont Briquet De Poche Gas Lighter This elegant luxury lighter, with a design of finely engraved lines on its silver surface, is a must-have accessory for connois...

Pair 19th Century Revere Silversmiths Weighted Sterling Silver and Hurricane Crystal Shade Candle Holders. Measure 4.5" in diameter and stand 15.5" tall. Sterling base is 5.75" tall.

Triptych niche with a sculpture of the crowned Virgin Mary with the enthroned Child Jesus located in the center, flanked by scenes from the life of the Virgin Mary on the doors. Gilt...

Mid-Century Modern Northern Lights by International glossy Sterling silver flatware set, 30 pieces. This set includes: 6 knives, 8 ...

Art deco German enamel minaudière imported by Scholl Limited Co. An exceptional art deco minaudière, imported into Glasgow England by the retailer and goldsmiths, Scholl Limited Com...

Splendid Elkington & Co. Roman Foot Sterling silver oil lamp, England 1840s

Presenting a stunning 19C Middle Eastern Damascene charger of large proportions. In beautiful original condition made of brass and inlaid with silver and copper in Islamic themes wi...

Modern sterling silver etrog box. Egg form with allover spot hammering; Star of David applied to cover top. Base lobed on concave support encircled with fruiting grapevine; stepped f...

An exceptional, fine and impressive pair of antique German 800 standard silver six-light candelabra; an addition to our ornamental silverware collection These exceptional antique German silver candelabra have a square shaped form to a cylindrical column onto a stepped swept square foot. Each impressive silver six light candelabrum retains the original hallmarked detachable push fit scrolling arms embellished with reed decoration. The branches (labra) support six circular rounded capitals, each embellished with embossed fluted and floral decoration, all segmented with bead decoration. The capitals are fitted with the original push fit incurved square sconces, embellished with further reed decoration. Each capital of these German candelabra centrepieces surmount an impressive square drip pan, featuring identical ornamentation to that of the sconces. Each silver candelabrum is fitted with a detachable screw fit central elevated capital, bearing the same ornamentation as the aforementioned examples; this detachable screw fit component indicates the high quality of the piece. These versatile candelabra can be used as candlesticks once the arms are detached. The Corinthian capital surmounts a Classic column encircled with vertical fluted decoration. The plain square swept foot is embellished with an applied wreath design, in addition to tied reed decoration to the lower portion. Both German silver candelabra have weighted bases, as to be expected, and are fitted with green baize to the underside. The hallmarks to the rim of each antique silver base include: National mark: Crescent moon and crown Silver quality/purity mark: .800 (800/1000) Maker's mark: Unknown Retailers mark: W. Kluge & Co, Berlin Such six-light candelabra are highly desirable and becoming increasingly difficult to locate. Condition These exceptional examples of 1900s silverware...

Stunning Pair of English Hand Cut Crystal and Sterling Silver Oil and Vinegar Cruet Set of outstanding quality, early Nineteenth Century. Each cut full lead crystal bottle of tradit...

Hallmarked in London in 1973 by the renowned Garrard & Co., this impressive pair of solid sterling silver pheasants showcases superb craftsmanship and naturalistic detail. Each bird ...

Set of Six Hester Bateman Geo III Silver Demitasse Spoons c1789-90. With bright cut decoration and a cartouche with the letter "M". All have the same date marks with the exception of...

Hallmarked in Sheffield in 1924 and 1926 by Mappin & Webb, this superb George V sterling silver asparagus dish features a rectangular form with a gadroon-bordered rim and two stu...

Serenity by International sterling silver flatware set, 72 pieces. This set includes: Eight knives, 9 1/4", eight forks, 7 1/8", eight sa...

FREE WORLDWIDE SHIPPING The carriage companion is designed as a combined timekeeping and stationery accessory, intended for use while travelling by horse drawn carriage. The exterio...

Set of Four Enamel Peacock Napkin Rings Hand-Painted Table Decor Exotic Luxury Dining Accents Add a touch of opulence to your table setting with this exquisite set of four hand-pai...

Beautiful pointed antique engraved by Dominick & Haff huge dinner & luncheon sterling silver flatware set - 119 pieces. This set includes: 12 dinner s...

Valencia by International sterling silver flatware set of 71 pieces. This set includes: 12 knives, 9". 12 forks, 7 1/2". 12 salad forks, 6 7/8". 12 teaspoons, 6 3/8". 12 place soup ...

A gorgeous Arts & Crafts period sterling silver on bronze inkwell with pen tray By Heintz Art Metal Shop USA, Early 20th Century Patinated bronze, with sterling silver inlay. Mea...

Hamilton sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1911. Curved and tapering body, raised foot, scrolled bracket handle, and helmet mouth. Reeding. Ful...

George VI sterling silver box. Made by Garrard & Co. in London in 1947. Rectangular with straight sides. Cover flat, tabbed, and hinged. Sides have reeded wrapround bands. Cover ...

This monumental American sterling silver flatware service by Gorham epitomizes the stately glamour of turn-of-the-century dining. A to...

English Sterling silver caddy Spoon, hallmarked for 1978 Francis Howard. Plain Fiddle pattern, plain oval egg shape bowl. Length: 3.75 inches. Weight: 21 grams. Condition: Good. Ref...

A fine signed pair of silver sugar tongs. By Tiffany & Co. In sterling silver. Pattern: Flemish Marked to the interior of the arms. Simply wonderful Tiffany design! Date: 2...

Direct from France: Direct from a private chateau near Paris, a stunning 184pc. gold plated sterling silver (vermeil) flatware set by internationally known French silversmiths "Societe Parisienne d'Orfevrerie" complete with original 6-drawer storage cabinet and 16 magnificent serving pieces, superb condition - circa 1911 and no monograms. The annals of 19th century French silverware bear witness to numerous illustrious workshops, yet few achieved the remarkable synthesis of technical mastery, artistic innovation, and aristocratic prestige as the Société Parisienne d'Orfèvrerie. Founded by Odiot during the flourishing years of the Second Empire, this distinguished Parisian firm carved its legacy through exceptional creations in gold-plated 950 sterling silver, known as vermeil, particularly in the realm of flatware. While maintaining its distinct identity, the firm's close association with the legendary Odiot dynasty - through shared master craftsmen, parallel design philosophies, and overlapping aristocratic patronage - positioned it among the foremost creators of luxury tableware in nineteenth-century Europe. The Early Years: The emergence of Société Parisienne d'Orfèvrerie coincided with a period of remarkable innovation in French decorative arts during the mid-nineteenth century. Though lacking the multi-generational heritage of the Odiot dynasty, which traced its origins to 1690, SPO rapidly ascended to prominence by adopting and adapting the exacting standards that had made Odiot synonymous with excellence in European silverware. This connection manifested most significantly through the migration of skilled artisans between workshops, as numerous master silversmiths who had trained in Odiot's ateliers brought their expertise to SPO's benches. These craftsmen carried with them not only technical knowledge but also the aesthetic sensibilities that defined French high silverwork during this golden age. What set Société Parisienne d'Orfèvrerie apart was its particular specialization in vermeil, the art of gold-plating sterling silver. While Odiot certainly produced vermeil pieces among its vast output, SPO made this technique a defining characteristic of its production, particularly in flatware. The process demanded extraordinary precision, involving the plating of 950 sterling silver - an alloy of exceptional purity containing 95% fine silver - with a substantial layer of 24-karat gold. This marriage of precious metals created tableware that combined the structural integrity and luminous quality of silver with the sumptuous warmth of gold, resulting in pieces that glowed with rich, deep radiance. The technical challenges of this process were considerable, requiring perfect preparation of the silver surface and meticulous control of the gilding bath to ensure even, durable coverage that would withstand generations of use. Master Craftsman in Vermeil: The foundation of SPO's flatware excellence lay in its uncompromising approach to materials and technique. In an era when many manufacturers had begun adopting the 925-sterling standard for economic reasons, SPO remained steadfast in its use of 950 silver, a purer alloy that offered superior workability and a distinctive luminous quality. This higher silver content not only enhanced the metal's natural brilliance but also provided greater resistance to the stresses of daily use, ensuring that pieces maintained their structural integrity over decades of service. The gold plating process itself represented a triumph of French electrochemical innovation, with SPO's craftsmen perfecting a technique that deposited a substantially thicker and more durable layer of gold than conventional gilding methods. Each component in an SPO flatware service represented countless hours of skilled labor, beginning with the careful forging of blanks that would be transformed through a series of specialized processes. Master chasers employed repoussé techniques to create intricate decorative motifs on handles, working from the reverse side to produce low-relief designs of floral arrangements, mythological scenes, or geometric patterns. Engravers then refined these elements, adding delicate details that brought the designs to life with astonishing realism. The functional elements of each piece received equal attention, with blades and bowls carefully balanced for optimal weight distribution and ergonomic comfort. A single place setting might require weeks of work from multiple specialists, each contributing their expertise to create a harmonious whole. The most elaborate commissions incorporated personalized elements that transformed functional tableware into bespoke works of art. Aristocratic clients frequently requested custom monograms or family crests, often executed in exquisite detail with additional embellishments of enamel or precious stones. These personalized touches not only demonstrated the owner's status but also served as a testament to SPO's ability to accommodate the most discerning tastes. The firm's workshops maintained extensive pattern books containing hundreds of design variations, allowing for nearly infinite customization while maintaining the cohesive aesthetic that defined SPO's output. A Favorite of European Royalty: Like its esteemed counterpart Odiot, Société Parisienne d'Orfèvrerie enjoyed considerable favor among European royalty and aristocracy, particularly during the reign of Napoleon III. The Second Empire court's appetite for lavish tableware created ideal conditions for SPO's ascent, with the firm's vermeil flatware becoming a particular favorite for state banquets and diplomatic gifts. The inherent qualities of vermeil - its resistance to tarnishing in humid conditions and its opulent visual appeal - made it especially desirable among the international elite who frequented Paris during this period of unprecedented luxury. Among SPO's most illustrious commissions was a comprehensive twelve-place vermeil service created for Empress Eugénie, wife of Napoleon III. This magnificent ensemble exemplified the rococo revival style favored by the imperial court, with each piece featuring elaborate rocaille scrollwork intertwined with naturalistic vine motifs. The service's attention to detail extended to its specialized pieces, including fish servers with delicately pierced blades and sauce ladles with perfectly balanced handles. Another significant patron, Tsar Alexander II of Russia, commissioned a vermeil flatware service featuring Cyrillic monograms and subtle references to traditional Russian decorative arts, demonstrating SPO's ability to adapt its designs to diverse cultural preferences. The firm's clientele extended beyond imperial courts to include the rising financial and industrial elites of the period. American magnates touring Europe, British aristocrats refreshing their country estates, and the newly wealthy bourgeoisie of Paris all sought SPO's creations as tangible symbols of their refined taste and social standing. This broad appeal stemmed from SPO's unique position at the intersection of traditional craftsmanship and innovative production techniques, allowing it to meet the exacting standards of old-world aristocracy while satisfying the practical demands of modern entertaining. Awards and Accolades: The excellence of Société Parisienne d'Orfèvrerie's creations received formal recognition at the great international exhibitions that served as showcases for industrial and artistic achievement throughout the nineteenth century. The 1855 Paris Exposition Universelle marked a watershed moment for the firm, where its exhibition of vermeil flatware earned a gold medal and lavish praise from the international jury. Contemporary accounts particularly noted the flawless execution of the gilding and the ergonomic perfection of each piece, with one critic remarking that the flatware seemed to "anticipate the hand's movements before being lifted." Subsequent appearances at the 1862 London International Exhibition and the 1867 Paris World's Fair further cemented SPO's reputation as a leader in luxury flatware...

This antique perfume bottle is signed by an unknown English maker and dates to approximately 1898 and done in the period Victorian style. The bottle is done in sterling silver with a...

Art Nouveau-Style, sterling silver, pedestal-based vase, Gorham Mfg. Company, Providence, Rhode Island, year-hallmarked for 1923. Hammered in design and chased with flowers. Measures...

Introducing an extraordinary and complete collection of Twelve English silver and silver-gilt "Twelve Days of Christmas" gift boxes, presented...

Pair of Edwardian Classical sterling silver pepper shakers. Made by Gorham in Providence, ca 1900. Each: Baluster bowl on wavy raised foot; cover domed and pierced. Chased leafing-sc...

Modernist Bracelet Sterling Silver Cuff Abstract Swirl Taxco Mexico 2.69 w x 1.88 H x .88 d Stamped A. L. Eagle mark #2 Mexico Original preowned vintage condition Refer to images pro...

Pair of Early 20th-Century Nickel-Silver-Mounted Drinking Horns on Stands An exceptional and highly decorative pair of early 20th-century nickel silver mounted drinking horns, raised on elegant pedestal stands and crafted in the grand tradition of European ceremonial tableware. Each natural horn is beautifully curved and richly toned, displaying warm ivory, honey, and charcoal striations that highlight the organic character of the material. The rims are mounted with polished nickel silver collars, while the midsections feature finely worked metal mounts with engraved foliate detailing, adding refinement and historic gravitas. The horns are supported by sculptural nickel silver stems and circular stepped bases, creating a striking silhouette with impressive vertical presence. Drinking horns of this scale and quality were traditionally associated with Nordic, Germanic, and Continental European ceremonial traditions, often used in festive banquets, aristocratic gatherings, and historical revival interiors. By the early 20th century, such pieces became highly sought-after decorative objects, reflecting the Romantic fascination with medieval and Viking revival...

A striking sterling-on-bronze presentation trophy, awarded as The Duane Cup in 1914 by the historic Annisquam Yacht Club (est. 1898, Gloucester, Massachusetts). This two-handled lov...

A very romantic photo frame with embossed and pierced or reticulated English sterling silver mounted to the front. A beautiful floral repousse decoration interspersed with scroll wor...

Annual spoons 1980-1989 in original box, designed by Annelise Björner, edited by Georg Jensen. Annual spoons series began in 1971. Each spoon is crafted in sterling silver, then gold...

Pair of Georgian Silver Salt spoons, Peter, Ann and William Bateman, London 1804. Old English pattern, initial W. Length: 4 inches. Weight: 21 gm.

The beauty of classic tradition is captured in International's Grecian motif Wedgwood pattern. The delicate scrolled relief border gracefully encloses a detailed Grecian urn with int...

Bittersweet by Georg Jensen sterling silver flatware set, 49 pieces. This set includes: Eight dinner knives, long handle, 9", eight dinner forks, 7 1/2", eight salad forks, 6 3/8...

Pair of early 20th century sterling silver candlesticks circa 1922. Elegant pair of table candlesticks, with stamped removable tops.  Fluted and tapering stems, standing on a shaped...

Hand hammered and very modern in shape and design. Each arm is straight and looks like a pipe. It has an industrial, modern look that way ahead of its time. Young and cutting-edge bl...

Art Deco Set of Six Sterling Silver, Gilt and Enamel Cocktail Picks Martini Sticks in The Form of Cockerels Exquisitely Boxed Each cocktail sti...

Georg Jensen salt & pepper shakers #1135 designed by Henning Koppel. Denmark.

Elizabeth II Sterling Silver and Ruby Humidor Box Made for Saudi Arabia Made by Peter Nicholas & Co Ltd in London in 1989. Rectangular box with corner bracket supports and hin...

An exceptional, fine and impressive set of antique George V English sterling silver, enamel and glass scent bottles; an addition to our silver mounted glass collection. This exceptional antique George V scent bottle container has a cylindrical form. The surface of the body is embellished with exceptional pale blue guilloche enamel accented with violet floral garlands above a transitional band of purple enamel incorporating minute floral motifs. The cover is ornamented with further enamel decoration with violet floral garlands suspended from a scrolling trellis style border to the upper portion. The upper plateau of the cover is encircled with further enamel ornamentation reflecting the design to the lower portion of the body. The cover opens to reveal the original three glass perfume bottles and stoppers. Each bottle is fitted with a silver mount ornamented with a band of pale blue enamel. These antique perfume bottles are fitted to the original hinged leatherette box with satin and velvet lined interior bearing the retailer's mark 'Diamond Merchants, Searle & Co Ltd, Goldsmiths & Silversmiths, 79 Lombard St, London'. The cover of the box secures with a decorative trefoil hinged catch. The shaped glass body of each antique perfume bottles is embellished with stepped ornamentation to the upper portion. The interior of the sterling silver chamber, cover and mounts to the bottles retain the original gilding. Condition These antique scent bottles are an exceptional gauge of silver, exceptional quality and in exceptional condition. The glass perfume bottles are in perfect condition. The original gilding shows signs of wear in keeping with age. There is a slight surface abrasion to the enamel at the top rim of the container. The interior of the original box is in excellent condition, in keeping with age; the exterior surface is in excellent presentation condition. Full import hallmarks struck to the underside of the sterling silver container and part hallmarks to the interior of the cover are all very clear; the hallmarks show signs of wear in keeping with age but remain legible. Reflections in photographs may detract from the true representation of these antique enamel perfume bottles...

Royal House Antiques Royal House Antiques is delighted to offer for sale this medium sized Art Deco Antique cut glass Crystal Perfume bottle flask with sterling silver cap A very ...

Camellia by Gorham sterling silver dinner size flatware set of 41 pieces. This set includes: Eight dinner knives, 9 1/2" Eight dinner forks, 7 7/8" Eight salad forks, 6 1/2" Eight t...

A fine signed silver dish or vide poche. By Tiffany & Co. In sterling silver. Pattern no. 22885. In the form of a heart-shaped leaf with a figural stem and leaf openwork handle ...

Rare antique Cartier sterling silver .925 tea / coffee / chocolate pot / pitcher / Brandy warmer with lid and handle. Marked 301. Dimensions...

Georg Jensen silver Denmark Cypres cutlery set for 8 persons in sterling silver designed by Tias Eckhoff in 1952. The set includes: 8 dining knives, length 22.3 cm 8 dining fork...

Unusual, Art Nouveau, sterling silver-lidded, cut crystal powder jar, Eastwood-Park Co., Jew Jersey, circa 1909-1915. The lid has a motif of two lions rampant holding a central carto...

Vintage English Silver-Plated Coffee Pot by Shuffleb, Art Deco-Style Teapot Elegant and timeless, this vintage silver-plated coffee pot by Shuffleb England embodies the refined soph...