Chestnut Pier Mirrors and Console Mirrors

A neoclassical style polished solid brass mirror and floating console set with its beautiful original beveled rectangular mirror, chiseled S-scrolls and leaf ornaments. Restored con...

Beautiful and ornate solid wood mirror with cast stone angels and figures on both mirror and matching console table. Console table top is a white mar...

Octagonal mirror with thick bamboo frame and woven wicker, Italy, 1960-1970. Elegant mid-20th century woven rattan and bamboo wall mirror in octagon shape. This beautiful mirror double framed...

A very impressive ensemble including a large Gilt Wood Mirror and a Gilt Console with Marble Top. Provenance: the Dodge estate near Tuxedo Park, NY. Both in matching elaborate Baroqu...

Art Deco-style lacquered wall console and mirror. The mirror has purple and gold gilding on the top. The console has the same colors and style. The console has a heavy composition co...

Fredrick Ramond Mirror and Console Table, U.S.A. , 1970's Mirror signed lower right, brushed steel having brass elements, demilune table having glass t...

Stunning mirror in blazing gold color Murano glass, Venice. A mirror that alone will furnish your home environment. The mirror has a rear structure in wood, on which four Murano gol...

Suite of painted Napoleon III carved wood console table and matching mirror. Mirror Dimensions: H 51" - W 31.5"

Stunning mirror in blazing silver color Murano glass, Venice. A mirror that alone will furnish your home environment. The Murano furnaces create an indisputable timeless design, simp...

Rectangular large mirror, bamboo, rattan Eye-catching rectangular mirror handcrafted with bamboo cane. Spain, 1960s. Rectangular frame made of bamboo with wicker accents on the corne...

Stunning mirror in blazing gold color Murano glass, Venice. A mirror that alone will furnish your home environment. The Murano furnaces create an indisputable timeless design, simple...

A Large and Impressive Pair of Italian Early 20th Century Rococo-Style Gilt-Bronze Center Tables or Wall Consoles with Marble Tops, attributed to Luigi Ciampaglia, renowned for his leadership at the esteemed Fonderia (Foundry) Chiurazzi di Napoli (Naples). These tables boast intricately cast serpentine gilt bronze frames featuring an ornate apron adorned with bearded male masks flanked by swaged floral garlands, C-scrolls, and acanthus motifs. They stand on four elegantly curved cabriolet legs joined by an 'X' stretcher, all terminating in floral sabots, supporting luxurious veined green Verde Antico marble tops. Both tables are elegantly engraved with "Ciampaglia" on the apron, suggesting they were likely a special private commission by Luigi Ciampaglia, possibly crafted by either the Fonderia Ciampaglia or the Fonderia Chiurazzi. Circa: Naples, 1920-1940. Note: Another example of this model is currently on display at The Miramar Mansion in Newport, R.I. The James Yates console table is part of the Victoria & Albert Museum's permanent collection of British metalwork. While the offered pair of tables are a gilt-bronze version of this model by Yates, the V&A museum holds the original 1840 cast-iron model (Design No. 1148), which is illustrated in Georg Himmelheber’s Cast Iron Furniture. A pair of Victorian cast iron console tables of this model but circa 1842, by James Yates of Rotherham, were sold at Sotheby's London, Sale L13302 on 3 December 2013, Lot 254 for £40,000 ($68,900) Luigi Ciampaglia held the position of head artisan at the Fonderia (Foundry) Chiurazzi di Napoli. Established by Gennaro Chiurazzi (1840–1906), the Fonderia Chiurazzi originated from a modest foundry founded in Naples in 1870. It swiftly gained renown, expanding into a workshop within the Albergo dei Poveri, where a team of skilled craftsmen, known as formatori, diligently produced casts of numerous statues. Over time, the foundry secured the privilege of taking molds from prestigious collections, including those of the Museo Archeologico Nazionale in Naples, the Capitoline Museums, the Vatican, the Borghese Gallery in Rome, and the Palazzo Pitti and the Uffizi Gallery in Florence. This resulted in the creation of over fifteen hundred plaster piece molds, embodying the century-long legacy of the company—a feat that remains unparalleled today. Chiurazzi bronzes...