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Guinea-Bissauan Furniture

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Place of Origin: Guinea-Bissauan
Bidjogo Tribal Initiation Ox Mask, c. 1900
Located in Chicago, IL
After oxen were introduced to Guinea Bissau by Portuguese sailors in the 15th century, its strength, aggression, and nobility quickly became integrated i...
Category

Early 20th Century Tribal Guinea-Bissauan Furniture

Materials

Hide, Wood

Bissau-Ginean Ox Initiation Mask, c. 1900
Located in Chicago, IL
After oxen were introduced to Guinea Bissau by Portuguese sailors in the 15th century, its strength, aggression, and nobility quickly became integrated i...
Category

Early 20th Century Tribal Guinea-Bissauan Furniture

Materials

Wood, Glass

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Located in Paris, FR
The apotropaic (warding off evil) mask from Seminara can be distinguished by its horns, wide eyes, mustache, and screaming mouth with its tongue sticking out. The masks are finished in enormous wood fired kilns, which adds an uncontrollable twist to the features and colors rendered by the artisan’s hands—the final touch in their fierce and imperfect beauty. The demonic aspect of this mask is manifested in order to be expelled, bringing serenity to the owner and ridding the home of negative energy. Giovanni De Francesco takes an idiosyncratic approach to the traditional mask, aiming not for verisimilitude but for a rough impression of the volumes of the face. Using sculptural gestures to shape the clay, he accentuates the fundamental geometry and makes the shapes more grotesque. Incense can also be placed within TA RA TA TA’s ceramic jaws for ritual burning. This function alludes to a specific variation of the typical mask in in the form of a chimneypot: with smoke pouring out of its mouth and eyes, the mask would appear much more ferocious—and thus even more powerful. Details: - Dimension: approximately 32 H x 25 W x 10 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted TA RA TA TA Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...
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TA RA TA TA, Seminara Ceramic Mask
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In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...
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Previously Available Items
Bidjogo Tribal Initiation Ox Mask
Located in Chicago, IL
After oxen were introduced to Guinea Bissau by Portuguese sailors in the 15th century, its strength, aggression, and nobility quickly became integrated i...
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Early 20th Century Tribal Guinea-Bissauan Furniture

Materials

Bone, Wood

Bidjogo Tribal Initiation Ox Mask
Bidjogo Tribal Initiation Ox Mask
H 10.5 in W 27.5 in D 9.25 in
Bidjogo Tribal Altar Sculpture with Head, Guinea-Bissau, Africa
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Bidjogo Tribal Altar sulpture with Head, 17", Guinea-Bissau, Africa A ritually used old altar piece with face with projecting ears, tack or nail eyes, red cloth tied above forehea...
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Early 20th Century Tribal Guinea-Bissauan Furniture

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Wood

Bissau-Guinean Baga Serpent Headdress
Located in Chicago, IL
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Mid-19th Century Antique Guinea-Bissauan Furniture

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Bissau-Guinean Baga Serpent Headdress
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Early 20th Century Baga Bird Sculpture
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Early 20th Century Baga Bird Sculpture
Early 20th Century Baga Bird Sculpture
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