Turkish Furniture

a worn Turkish rug with a predominant orange color 2'8'' x 4'9''

This mid-20th century Turkish Anatolian deco rug, measuring 3' 0" x 5' 2", features a bold and minimalist composition with repeating horizontal motifs arranged in a gridded formation...

Intima Vertical Polished Bronze Chandelier by Palena Furniture Dimensions: W 76.2 x D 86.36 x H 152.4 cm Materials: Polished Bronze, Murano White Globes Available in custom dimensio...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

Elevate your living space with the exquisite charm of this new modern hand-knotted Moroccan Berber Beni Ourain design rug, crafted with precision and care from 100% wool. Combining t...

Blush Red, Antique Persian Fereghan Sarouk, Medallion Design, Even Low Pile, Soft, 100% Wool, Hand Knotted, Oriental Rug Primary materials: Wool\ Latex: No Pile height: 0.25 Inches ...

ALCORON Sculptural Brass Casting Wall Sconce – a masterpiece of craftsmanship and elegance that transcends conventional lighting. This extraordinary wall sconce is a celebration of n...

A vintage Turkish flat-weave Kilim accent carpet handmade during the mid-20th century. Measures: 6' 10" x 9' 7" Flat-weave rugs & carpets: Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus, kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian weavers used it for ornaments on garments and larger wall hangings. Slits can be avoided by dovetailing of colors (warp sharing) or by interlocking the wefts. The Navajo weavers of the Southwest practice the first while the Fine shawl weavers of Kashmir and Kerman employed the second. Interlocking produces a one-faced fabric, with smooth and rough, ridged faces. The typical Turkish, Caucasian, or Persian rustic Kilim shows slits, but never long ones. Aubusson French carpets are also slit tapestries and the long color transitions are sewn up as part of the regular maintenance. Some kilims are very Fine. The best antique urban Sehna (Senna) kilims on wool, cotton or silk warps approximate the comparable rugs in refinement and are the most desirable of all Persian kilims. Although the various flatweave techniques are usually expressed in geometric, simple, often repeating, patterns, Sehna kilims demonstrate that even the most intricate designs can be effectively rendered in flat-stich. The term ‘Kilim’ has been extended to cover any pileless, weft-faced heavy textile. Thus, the sectioned and joined northeastern Persian horizontally striped wool rugs are called ‘kilims’. So are the plain-weave end finishes of pile rugs. All these are weft-faced, weft patterned flatweaves. These sectioned pieces are woven not on a frame loom, but one steadied by the weaver at one end and with the warps fastened down at the other. Only relatively recent have these tribal pieces become available. They are used as floorcoverings, hangings, room dividers, furniture covers. They are mostly bitonal in shades of natural dark brown and beige. Some more recent pieces show weaver innovations with ikat and moire effects. Work proceeds quickly and a skilled weaver can complete a thirty foot strip in almost no time. Wefts, the elements added as weaving progresses, play an essential part in what is a flatweave. The best-known example of an extra-weft, wrapping technique is on Caucasian and tribal Persian Soumaks, where a pattern weft wraps around the fixed warp, changing as weaving progresses. Soumaks can be large carpets, Kuba in the Caucasus, small bag faces (Caucasian and Persian Shah Savan saddle bags), or cover scatter rugs (Persian Afshars). The Soumak technique is fast, and a weaver can work much more quickly than tying knots. The left-over wefts are cut off on the back, so the front and back are initially different. As a Soumak on the floor gets used, these weft yarns wear away and the two sides converge although the exact texture remains distinct. There are other ways of pattern by weft. Often on smaller tribal pieces, the pattern weft(s) is (are) part of the weft structure, moving in an out, and holding the whole thing together. These wefts can be complementary or added (supplementary), continuous across the flatweave or cut off as they travel unneeded across the verso. Supplementary weft flatweaves are often very compact and substantial. The nomadic Turkmen and Balouch tribes employ both supplementary and complementary weft techniques on their pieces. Supplementary wefts are often raised on the recto (front) while complementary wefts are flat to the surface. Tribal Kurds employ this extra-wefting technique. The Balouch of Pakistan use complementary wefts almost exclusively on their small woven paraphernalia like salt bags. Flatweave techniques may be combined on a single piece. Afshar rugs employ plain-weave end strips, preceded by Soumak bands, with pile sections between. The large Bakhtiari saddlebags feature Soumak work, pile “islands” an areas of plain-weave. Qashqai rugs and kilims frequently displays checkerboard end strips in continuous, complementary wefting. Another distinct flatweave type is the jajim (jijim, cecim) in which a pattern is added with colored wefts as the weaving of the plain-weave ground progresses. Here the wefts are discontinuous and the pattern stands proud from the voided ground. Often made in two pieces on narrow looms and edge-sewn together, these may have geometric patterns. The term ‘jajim’ also refers to the assembled warp-faced strip and stripe covers from the Shah Savan of northwest Persia, the pattern is defined by warps alone, usually in plain stripes, but sometimes in designs of ladders, snakes, human figures and various animals. Here the color changing warps are continuous. Most are wool, a few are silk. Better to call these something else. Indian ‘Dhurries’ are all cotton kilims and ‘shatrangis’ employ wool wefts on cotton warps. Dhurries are slitless. The cotton texture is more appropriate to the humid and warm climate of the Indian subcontinent. Modern Dhurries...

A stunning early 20th century Turkish Oushak rug with a beautiful large-scale stylized trellis floral pattern with pink, orange and yellow flowers and pink and white vines, all set a...

Massive dining table of solid oak (+ linseed oil) (Outdoor use OK) Warm furniture’s made by Russian designer Denis Milovanov from "Soha" studio. Simplicity of shapes. Authentic material. Wooden items are created from oak and are boiled in oil from several days to several weeks, to achieve a natural wood coloration from a dark brown to a complete black color. Patterns are applied solely by chain...

LIMITED EDITION 30 SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY GUILTY PLEASURE COLLECTION YEAR 2024 “Unleash the Timeless Elegance: Experience the Iconic Pantheon Table...

Mago Lamp in Aluminium and Frosted Glass by Animate Objects. Dimensions: W 18 x D 18 x H 28 cm. Materials: Aluminium, Frosted Glass. All our lamps can be wired according to each cou...

This is a small pillow top from Marash by Armenians.

Oushak rugs, also known as Ushak rugs, are woven in Western Turkey and have distinct designs, such as angular large-scale floral patterns. They usually evoke a calmness and peacefuln...

Pair of circa 1920's antique Turkish table lamps with wood bases. Measurement: Height of body: 21" Height to shade rest: 28.5" Diameter: 8.5"

Add a touch of history and warmth to your space with this vintage handmade Turkish wool kilim cushion cover. Crafted from authentic hand-knotted Turkish kilims, each piece is one-of-...

We made an oak wood ottoman using the undamaged part of the precious and high-quality old & antique kilims that cannot be repaired as a whole. Like a painting, a part of the scenery ...

Our overdyed rugs are all hand-knotted vintage Turkish rugs, carefully restored and reimagined in our workshop to suit a wide range of interior design styles — from modern and minima...

ROSSO LEVANTO RED MARBLE DINING TABLE / FULLY ROUND MARBLE TABLE Type of Material: Rosso Levanto Dimensions: 47 Inches (120 cm) Leg Model: Rosso Levanto MARBLE Customizable: Availab...

Elevate your living space with the exquisite charm of this new modern hand-knotted Moroccan berber beni ourain rug, crafted with precision and care from 100% wool. Combining the allu...

Elevate your living space with the exquisite charm of this new modern hand-knotted Moroccan berber beni ourain rug, crafted with precision and care from 100% wool. Combining the allu...

A vintage hand-knotted Turkish area rug re-dyed in gray color. Finely hand knotted, low wool pile on cotton foundation. Deep washed. Sturdy and can be used on a high traffic area, su...

Our overdyed rugs are all hand-knotted vintage Turkish rugs, carefully restored and reimagined in our workshop to suit a wide range of interior design styles — from modern and minima...

A technique called underlay is used to create multiple layers of glass in Pagod from Kosta Boda. The clear glass forms a shell over the colored glass, allowing its inner beauty to sh...

Room size Turkish Kilim from the mid-20th century. The field is brown, accents in canteloupe, peach, light green and lavender. Measures: 8'4" x 11'.

A modern Turkish room size carpet handmade during the 21st century in the style of Le Corbusier. Measures: 9' 0" x 11' 9"

Late 19th-early 20th century pillow cases , embroidered in silk on a satin silk background. The backing has been replaced with a hand loomed silk and cotton fabric. Insert is not pro...

This vintage Turkish Oushak rug is hand-knotted from wool, featuring a neutral tan field complemented by a striking red border. The design prominently displays a floral medallion mot...

The Rapture Collection is a high-end rug collection that includes 29 rug design options, in 155 design and rug color combinations, totaling 620 various design-color-size combinations...

Add a touch of history and warmth to your space with this vintage handmade Turkish wool rug cushion cover. Crafted from authentic hand-knotted Turkish rugs, each piece is one-of-a-ki...

This beautifully handcrafted cushion cover is made from a vintage Anatolian kilim—once part of a traditional yastik, or small decorative rug used in Turkish homes. Woven in the mid-2...

A Mid-Century Turkish Sivas with multiple shades of brown. 4'9'' x 7'3''

Style: Italian Modern / Minimalist / Monolithic Materials: 100% Solid Rosso Levanto Marble Dimensions: Diameter: 40" (100 cm) Height: [Insert Height, e.g., 30" (76 cm)] Condition...

This is a Western Anatolian Modern 'New' Fine Kilim from the Manisa region with a rare and beautiful color composition. This kilim is woven according to traditional kilim technique...

53098, distressed vintage Turkish Oushak rug with Rustic Cotswold English Manor style. With a lovingly timeworn appearance and timeless design, this hand knotted wool distressed vint...

a Vintage Turkish Anatolian Intermediate Rug Details rug no. j2777 size 5' 8" x 7' 7" (173 x 231 cm)

53522, vintage Turkish Oushak rug with southwestern tribal style 02'10 x 04'03. Full of tiny details and a bold expressive design combined with exuberant colors and Southwestern styl...

Add a touch of history and warmth to your space with this vintage handmade Turkish wool rug cushion cover. Crafted from authentic hand-knotted Turkish rugs, each piece is one-of-a-ki...

Canyons are formed by the process of long-term erosion from a plateau level. Then come the cliffs, remaining exposed on the valley walls. Ceren Gürkan is utterly enchanted by their m...

53972 New Modern Pink Turkish Oushak Rug Runner, 03'01 x 13'07. An exceptional expression of Anatolian heritage reimagined for the discerning eye, this hand-knotted wool modern Turki...

Silver Travertine Stone Console Table Material: Silver Travertine Dimensions: 50" W x 15" D x 29.5" H Leg Design: Solid Fluted Silver Travertine (Matching finish) Customization: ...

The Klar Glass Coffee Table by Hermhaus is a contemporary coffee table defined by its architectural clarity and refined material balance. Formed through the precise alignment of wood...

Bold, flatwoven, and effortlessly stylish, this tribal kilim rug brings a fresh perspective to a time-honored weaving tradition. Handcrafted using 100% wool, the rug features a low-p...

A hand-made Turkish plate or dish, decorated in a classical 1550’s Iznik pattern. Ceramic, with a polychrome glaze, the flattened dish is painted in a watery cobalt blue. A central T...

Comb Coffee Table – Khana Collection by Hermhaus The Comb Coffee Table from the Khana Collection by Hermhaus is a striking blend of tradition and modernity, designed by combining na...

This is a Western Anatolian Modern 'New' Fine Kilim from the Manisa region with a rare and beautiful color composition. This kilim is woven according to traditional kilim technique...

Our sun-faded rugs are all one-of-a-kind, hand-knotted, 50-70 year-old vintage pieces. They each boast their own singular handmade aesthetic drawn from the centuries-old Turkish rug-...

An early 20th-century room size Antique Turkish Oushak rug in predominantly ivory field, dominant accents in fire orange and pink Measures: 10'3'' x 13'4'' Oushak rugs originated i...

51611 New Modern Turkish Oushak Rug, 10’02 x 15'02. Woven with a whisper of tradition and a touch of modernity, this hand-knotted wool Turkish Oushak rug exudes a timeless grace. Its...

Massive dining table made of solid oak (+ linseed oil) (Outdoor use OK) Model shown : 300 cm x 100 cm x 77 cm Warm furniture’s made by Denis Milovanov, founder of 'Soha Concept' design studio. Simplicity of shapes. Authentic material. Denis Milovanov produces wooden sculptures employing chainsaw and chisel as sole instruments of his practice. Reclaimed oak is carefully chosen, hand-processed and boiled in linseed oil in accordance with traditional Russian woodwork...

Inspired by Brutalism, an aesthetic movement and architectural style known for its sculptural, angular forms, the Karo nightstand’s front panel consist...

The ORI Pouf by Hermhaus is a stunning example of modern designer furniture, upholstered in luxurious claret red velvet that brings warmth, depth, and sophistication to any interior....

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

Bring timeless elegance and authentic craftsmanship into your home with this vintage Turkish accent rug, finely hand-knotted by skilled artisans in Turkey. Made with 100% natural woo...

a mid-20th Century Turkish Anatolian Floral Rug Details rug no. 31755 size 2' 2" x 3' 8" (66 x 112 cm)

This is an Eastern Anatolian Antique Kilim from the Bayburt region with a rare and beautiful color composition. The deep green in the central field is particularly impressive and ...

16 x 24 Kilim Pillow Topkapi Comfort Turkish Pillow Cushion Cover #6838 Enhance your home decor with our Kilim Pillow Turkish Kilim Cushion. This exquisite pillow cover, meticulously...

Beautiful late 19th century Turkish ottoman embroidery with nice design and green field color, entirely hand embroidered with golden metal on silk foundation. ✨✨✨ "Experience the ep...

A striking vintage Turkish Kars rug featuring a bold geometric medallion design in warm camel, ivory, and chocolate brown tones. The central field is richly ornamented with tribal an...

This is a Magnificent Arts & crafts rug with a unique pattern and splendid coloration. It is part of the limited collection of eight rugs. This rare Art Nouveau piece has an incredib...