1870s Furniture

Wonderful set of 10 botanical prints - all herbs Lithographs after original drawings by Sowerby Original colour Published by George Bell, 1875 Unframed. The measurement given is...

An Italian walnut console table that originally served as a cutting table in a commercial setting. The console is hand-carved. Years of use have given the tabletop a beautiful, velv...

Wonderful set of 15 botanical prints - all leaves Lithographs after original drawings by Sowerby Original colour Published by George Bell, 1875 Unframed. The measurement given i...

A scrimshaw carved from a sperm whale tooth, depicting a sailing whaling ship; a fine example from the second half of the 19th century, 15.5 cm long. In good condition, with a crack ...

Antique Japanese Six Panel Room Divider Floor Screen.

A handsome late 19th-century French Louis XIV style dining table, crafted from solid oak and sourced in Provence, France. The rectangular tabletop is constructed from wide oak planks...

Spectacular large and in charge. A French Secretaries Abbatant fall front drop lid desk with lots of storage Dresser. Carved all over in Walnut and it is in fantastic condition. Six ...

Traditional Japanese Tansu chest of drawers from the 1870s. Manufactured during the late Meiji era (1868-1912). This piece of furniture exudes authenticity and character. The cabinet...

Imponente mesa de comedor rústica del siglo XIX, realizada en madera de haya, una pieza de gran presencia que refleja la solidez y el carácter de la ebanistería tradicional. De form...

Traditional Japanese Tansu chest of drawers from the 1870s. Manufactured during the late Meiji era (1868-1912). This piece of furniture exudes authenticity and character. The cabinet...

This is a very beautiful antique Chinese gentleman's silver-mounted walking stick, circa 1870 in date and bearing  impressed Chinese marks   The exquisite L-shaped Chinese silver ha...

This is a beautiful antique French Art Nouveau silver plated child's walking stick, circa 1870 in date The striking stick features an ornate silver crutch handle having a profusely ...

French Napoleon III-era cast iron bed; it folds for transport and easily converts into a sofa

Wonderful burr walnut writing box or slope Fabulous colour and figure in the wood Fine brass hardware Expertly restored Original brass topped inkwells Working secret drawers* R...

This is an imperative and highly distinguished pair of antique English  Victorian silver-plated Neoclassical three branch / four-light table candelabra, circa 1870 in date. Each of ...

Early Meiji Period Japanese Tansu/Chest Of Drawers A late 19th C. Japanese Tansu/Chest Of Drawers Of Small proportions. Constructed in cedar with six individual drawers and origina...

Traditional Japanese Tansu chest of drawers from the 1870s. Manufactured during the late Meiji era (1868-1912). This piece of furniture exudes authenticity and character. The cabinet...

A 19th century chesterfield sofa having deep rolled back and arm and button tufted upholstery, standing on turned front leg with castors and tapered square section back legs also wit...

A gorgeous antique French Sarreguemines majolica oyster plate, circa 1870. Maker's mark and model number on reverse (this is an older model). It displays beautifully with vibrant col...

A gorgeous antique French Sarreguemines majolica oyster plate, circa 1870. Maker's mark and model number on reverse (this is an older model). It displays beautifully with vibrant col...

A circular (tondo) monochrome or grisaille maritime artwork depicting sailing vessels on calm waters under a moonlit or overcast sky. Tondo formats were frequently used for cabin, ma...

Lovely Victorian Silver Plate Figural Cachepot, by the Meriden Co. from the late 19th Century. Scalloped patterns in a Japonesque form with undulating lip and figural feet adorned wi...

Traditional Japanese Tansu chest of drawers from the 1870s. Crafted during the late Meiji era (1868–1912), this piece exudes authenticity and character. It possesses a warm, seasoned...

An exceptionally elegant 19th-century chess table, most likely English and dating from around 1870, complete with a vintage (mid century) red and natural bone chess set. The table h...

Minton Majolica pot and cover which features a bird (goldfinch) sitting in it's nest. Colouration: grey, green, yellow, are predominant. The piece bears maker's marks for the Minton ...

Charming 19th-century French provincial side table crafted from solid ash wood, retaining a beautifully aged and untouched character. The table features a simple round top supported ...

Théodore Deck (1823-1891) Monumental Pair of Japonisme Dragon Cache-pots France, circa 1875 A rare and impressive pair of turquoise-glazed, the famous "Blue Decl", faïence Cache-Pot...

Traditional Japanese Tansu chest of drawers from the 1870s. Manufactured during the late Meiji era (1868-1912). This piece of furniture exudes authenticity and character. The cabinet...

This richly detailed blue and white platter by Ashworth Brothers features the striking Yedo pattern—an evocative design inspired by Japanese prints and chinoiserie landscapes. What s...

AUTHOR: DODGSON, Charles Lutwidge: (Lewis Carroll). TITLE: Through The Looking-Glass And What Alice Found There. PUBLISHER: London: Macmillan & Co., 1872. DESCRIPTION: FIRST EDIT...

This is a fine antique personal diary repository, originating from Scotland during the Victorian period, circa 1870. This striking book form keepsake case showcases the craftsmanship...

Majolica strawberries plate signed Sarreguemines Majolica, circa 1870.  

A striking Spanish-style rustic console table crafted from solid wood, distinguished by its substantial proportions, sculptural trestle base, and beautifully aged character. The thic...

This is a gorgeous antique Davenport desk which is crafted from beautiful burr walnut, circa 1870 in date. The desk has a rear stationery compartment which encloses a divided interi...

Early 19thc Cutlery box with dove tailed construction.The open cut out handle is very interesting.Condition is very good & cut nail construction.

Fabulous late Victorian walnut writing table desk c1875 wit green felt top. Single drawer for storage. Elaborated base with multiple turnings sitting on brass castors for easy moveme...

Lovely botanical print Chromo-lithograph Original color Published, circa 1870 Unframed. Chipped top left corner Free shipping

Tellurium or representative and demonstrative mechanical model of the solar system composed of the Sun, Mercury, Venus, Earth, Moon and Mars, realized by the Prague geographer and ...

Artist: After Andrea Del Verrocchio (1496) Bartolomeo Colleoni on horseback – Bronze sculpture with dark brown patina – After Andrea del Verrocchio (1496) – Equestrian statue Bartol...

An American mahogany slant-front bureau, catalogued as 18th–19th century, with a fitted writing interior above four graduated drawers. The fall front opens onto pull-out supports to...

Great image of The Battle of Naseby Fine steel engraving after G.Cattermole Published by Mackenzie C.1870 Unframed. The size given is the paper size

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

This is an elegant French Louis Philippe mirror dating from circa 1870, originating from Northern France. The restrained architectural form, with its characteristic softly rounded up...

An Antique English Longbow by Madle, Frith Street, London. A handsome 70-inch English longbow, stamped "Madle, Frith Street, London" together with "48" indicating its 48 lb draw weig...

Fabulous set of 10 prints. All judges or lawyers. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair C.1870. Actually dated 18...

This is a superb antique Victorian coromandel, ormolu mounted and cased three decanter tantalus and games compendium, circa 1870 in date. It was skilfully crafted in rare coromandel with a satinwood interior and ormolu mounts. The three cut crystal glass decanters with stoppers, a mirrored back and compartmens containing four cut glass drinking glasses...

Very large 19th century ormolu mounted Sevres Style porcelain casket box , made in France and decorated with the characteristic celeste blue ground associated with Sèvres porcelain, ...

A stunning large antique French wood Vernis Martin five panel display cabinet in the Louis XV manner and of extravagantly shaped Bombe form, circa 1870 in date, with exquisite hand painted decoration and exquisite ormolu mounts. It has five decorative Vernis Martin panels with beautiful hand painted decoration, the central panel depicting a courting couple and the others with classical figures in pastoral country scenes. The central panel bears the artists signature, Le Brun. The large central clear serpentine glazed door opening to a large capacious cupboard below, flanked by clear glazed serpentine panels, with further shaped glass on the sides. It is smothered in gorgeous gilded ormolu mounts, the shaped apron with foliate mounts and sabots, standing on cabriole legs. The mirror backed interior is fitted with glass shelves, the lower shelf lined with golden velvet, to display your collection of china or silver beautifully. This magnificent piece is in excellent condition and the quality and attention to detail throughout is second to none. Add a touch of unparalleled style to your home. Condition: In really excellent original condition having only been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: height 193 x width 115 x depth 50 Dimensions in inches: height 6 foot, 4 inches x width 3 foot, 9 inches x depth 1 foot, 8 inches Vernis Martin is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans...

Shiebler sterling Victorian perfume flask pendant made originally for a chatelaine but can be used now as a pendant. It remarkably retains its original s...

Incredible large scale 19th Century Peruvian Cuzco School Oil Painting on Canvas (later laid on board) of Madonna and the Christ Child with the Three Kings. Later Giltwood Frame. We...

Wood Swiss alp forme libre stool

A finely decorated Chinese Export Rose Medallion porcelain plate dating to the Qing Dynasty, circa 1875. Hand painted in vivid enamels, the plate is richly detailed with alternating ...

Large antique Japanese Imari porcelain jar and cover, circa 1860. With panels of underglaze blue decoration of boys playing at various activities surrounded by elaborate floral borde...

English Antique Hall Stand in Mahogany. The hall stand has beautiful carved decorations on the back and elegant turned legs. There are hooks for hanging coats, a drawer for small ite...

Antique French Gilt Bronze Casket – Dated 17 & 20 Août 1872, High-Relief Figural Work An exceptional and museum-worthy antique French gilt-bronze jewellery casket, richly adorned in high relief and inscribed “17 et 20 Août 1872”, offering both historical significance and outstanding artistic craftsmanship. This remarkable 19th-century piece exemplifies the finest traditions of French decorative arts, featuring intricately cast and chased panels depicting romantic pastoral and mythological scenes. Each side presents finely sculpted figures – nymphs, cherubs, musicians, and classical subjects set within lush landscapes and framed by elaborate foliate scrollwork and naturalistic ornamentation. The lid is masterfully composed with dynamic figural decoration, while the casket stands proudly on sculptural zoomorphic feet, enhancing its dramatic presence and luxurious character. The deep relief work, combined with a warm, aged gilt patina, creates exceptional depth and visual richness. The engraved date suggests a commemorative or presentation piece, adding a rare layer of provenance and desirability for collectors of French ormolu, Grand Tour objects, and fine 19th-century bronzes. This is not merely a decorative object but a statement piece of historical artistry, ideal for collectors, interior designers, or high-end decorative settings. Dimensions Width: 25 cm Depth: 18 cm Height: 15 cm Key Features Authentic French gilt bronze casket, dated 1872 Exceptional high-relief figural decoration Rich mythological and pastoral scenes Ornate foliate and scrollwork detailing Raised on decorative zoomorphic feet Rare inscribed interior date Excellent antique condition antique French gilt bronze casket, 19th-century jewelry box bronze, French ormolu casket 1872, antique bronze trinket box figural relief, Victorian French decorative arts box, mythological bronze jewellery box, antique French gilt bronze box, collectible 19th century bronze casket, luxury antique decorative object, French high-relief bronze box, ormolu jewellery casket antique, French ormolu jewelry box...

This is a beautiful antique Napoleon III gilded ormolu and Limoges enamel jewellery casket, Circa 1870 in date. The hinged lid having a beautiful finely painted miniature Limoges en...

A wonderful antique 24 karat gold Egyptian Revival brooch set with an ancient 1500 B.C.E Egyptian faience pottery scarab, by the famous 19th century Italian jeweler Cesare Tombini, c...

An Antique Pine Welsh Dresser (Hutch). The base with 2 cupboards and 2 drawers fitted with original Victorian porcelain pulls. Great patina on the top of the base, see pics. Hand car...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

19Thc Original paint decorated red over blue swing handled pantry box from New England.This amazing over painted pantry box has wonderful 19thc decoration and is in good condition.