Imbuia Armchairs

'Móveis Cimo' two-seater Sofa In solid Imbuia wood. Brazil 1960. The highest historical reference in Brazilian furniture design, Companhia Industrial de Móveis, nicknamed Móveis Cim...

A set of two Italian collectible vintage armchairs first designed by Gio Ponti for manufacturing company Casa e Giardino in the late 1930s. These have yet to be restored. Price inclu...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

Cimo S/A Pair of Armchairs B-082, 1960s in Caviúna. The highest historical reference in Brazilian furniture design, Companhia Industrial de Móveis, nicknamed Móveis Cimo, was first ...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

If you are looking for unique lounge chairs utilizing exotic materials that are also sought after by collectors and investors of art and design, this pair of Brazilian Modern lounge ...

easy chair manufactured by Móveis Artísticos Z designed by José Zanine Caldas. plywood with wool fabric by Kvadrat. This chair gives a glimpse of the designer's intentions.

Available today, with domestic shipping in the NYC metro area included, this Brazilian pair of armchairs in Rosewood & Caning by Joaquim Tenreiro, c. 1950s, is nothing less than gorg...

Set with 6 dining chair with a delicately curved seat.

Paire de fauteuils de Joaquim Tenreiro, Brésil, 1950. Tout le modernisme brésilien dans un fauteuil; ses lignes en courbes et une structure tel une architecture. Les pieds du fauteu...

A pair of Brazilian modernist chairs by Móveis Cimo, circa late 1950s. Sculpturally crafted from rosewood and featuring original camel-hued l...

This exquisite pair of lounge chairs by Móveis Cimo has been meticulously renovated by our skilled craftsmen, who have taken great care to ensure that both the outer aesthetics and t...