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Epoxy Resin Side Chairs

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Material: Epoxy Resin
Sorted Pixel Seat
Located in Beirute, LB
Unexpected materials, bright colours and a sense of humour hide the inherent complexity of it’s designs. Our pieces juxtapose Middle Eastern heritage and the craftsmanship of Damascene inlay with contemporary, young influence by creating new ways of reappropriating the traditional. Amongst a playful collision of materials, patterns and colors, of repetition and exploration -- weaving between traditional and contemporary. Damascene wooden chair with intricate foliate carving and mother of pearl, shell inlays, handmade and hand carved with arabesque designs. ARE’s Sorted Pixel seat captures a moment freezing a digital frame, manipulating stability. Though a 'glitch' is temporary, here, it is transformed into a living art piece that lasts. It is one amongst 20 mirrors...
Category

21st Century and Contemporary Syrian Epoxy Resin Side Chairs

Materials

Mother-of-Pearl, Epoxy Resin, Wood

Parchment Desk or Side Chair
Located in Cathedral City, CA
Single side chair cover with dark green grey parchment in the style of Karl Springer. (High gloss polyester resin filled finish). Please note: Mark on resin top side chair see last ...
Category

1980s American Mid-Century Modern Vintage Epoxy Resin Side Chairs

Materials

Epoxy Resin, Goatskin, Parchment Paper

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This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach, check last pictures on this listing and find more details on his family name plus eu, is for sale soon too. :-) Chrome armchair with special rope woven seat. The seat has some differences in color but it gains character by that. The seat has also some damage in the front (see picture #8), but is furthermore is good condition with some traces of wear. The armchair has a beautiful base. Loss of paint of the armrests and some spots of rust on the base. Also rusty spots on top of the base (see picture #9). There are also two chair with woven rope seats available (see picture #10) Key designers for the tubular steel furniture, which became famous in the 1930s by companies as Thonet, Gispen, Auping, Fana Metaal, de Wit Schiedam...
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Original Hand Carved and Blackened Reclaimed Oak Sculptural Accent or Side Chair
Located in New York, NY
This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...
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