Goatskin Side Chairs

Beautiful pair of Jacques Adnet leather chairs perfectly restored in period-correct cognac leather. Brass hardware and wrought iron legs.

Karl Springer set of five JMF grey goatskin lacquers clad bar stools, 1980s. In original preserved condition. Lacquered Goat Skin Clad over Wood. Not signed. Stored 20+ years in a...

A set of four Mid Century style rattan side chairs with an angular shaped frame and inset with a upholstered circular portion to an open back. Upholstered seat and back are a red, ta...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Midcentury Danish modern style side chair, made in Sweden for JOC, designed by Karl Erik Ekselius. The chair has a leather seat, and backrest, on a solid wood (probably dark stain te...

Set of 4 Karl Springer Goatskin Jmf Chairs W Cheetah Seats

This pair of chairs features a solid lucite construction and tufted upholstery seat which offer a sleek, modern flare to any home or office space. Please confirm item location (NY...

Set of four vintage caned Cesca style chairs with mauve upholstered seats. The Nineteen-Laties chairs date from around 1980s. The chairs feature a sleek cantilever design. This sprin...

A pair of stackable chairs designed by Pascal Mourgue and manufactured by Artelano in Paris in the early 1990s. Simple and understated yet curvy and sexy, the Rio chairs...

A fine set of four English Regency dining chairs in mahogany with carved bugles resting on back chair rail below the top slat which is line inlaid, with turned front legs and saber r...

Single T.H. Robsjohn-Gibbings Klismos chair for Saridis of Athens, Greece in Greek walnut and leather woven seats. This chair was part of the collection he designed for Saridis of Athens in 1961, inspired by the drawings he saw on ancient Greek vases. The Klismos chairs features a graceful curving back and sable curved legs. The woven seat is made of leather straps / thongs which are tight around the walnut frame. The design beholds Robsjohn-Gibbings’ philosophy of furniture design that is independent of time. Manufacturer's metal label DESIGNED BY T.H.ROBSJOHN-GIBBINGS / Manufactured by saridis of athens. Serial # 9544 &. Please note that the item has been lightly restored by restoration atelier. Some signs of age and use are still visible. This chair model is notably documented on the cover of "Furniture of Classical Greece," written by Robsjohn-Gibbings and Carlton W. Pullin in 1963. We love what Pilar Viladas said about this iconic design in the New York Times in 2010: "T. H. Robsjohn-Gibbings’s Klismos chair looks ancient and modern at the same time — because it is. Based on ancient Greek models, which had been widely copied in the 18th and 19th century, Robsjohn-Gibbings’s version made the klismos shape famous again in the 20th century. Obsessed with its elegant lines, he designed versions of the chair throughout his career, but the most recent examples have been made by Saridis in Athens since the early 1960s, when the designer met the company’s owners and settled in the Greek capital. Its simple but opulent curves hint at sleek penthouses with butlers who serve cocktails on the terrace at sunset. (Indeed, Robsjohn-Gibbings’s Saridis...

These unusual ladies' chairs exemplify the beauty of exaggerated proportions. Each chair features a small, round seat, charmingly counterbalanced by wide back panels. A black lacquer...