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Place of Origin: Caucasian
Original Hand Carved and Blackened Reclaimed Oak Sculptural Accent or Side Chair
By Rooms Studio
Located in New York, NY
This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher.
About the Design Studio:
Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region.
Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language.
Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy.
The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output.
The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.
In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...
Category
21st Century and Contemporary Caucasian Side Chairs
Materials
Oak, Reclaimed Wood, Wood
Bodur I by STUDIOFER
Located in Geneve, CH
Bodur I by STUDIOFER
Materials: Basswood, faux leather
Dimensions: D 50, H 69 cm
Bodur combines the elegance of minimalism with classic handcraft traditions. An homage to noir, ...
Category
2010s Modern Caucasian Side Chairs
Materials
Faux Leather, Wood
S-70 by STUDIOFER
Located in Geneve, CH
S-70 by Studiofer
Materials: Oak wood, metal
Dimensions: W 38, D 43.5, H 126 cm
S-70 is an artistic piece that embodies anatomical similarities that represent scoliosis. The S-7...
Category
2010s Modern Caucasian Side Chairs
Materials
Metal
Animate Objects Luna Iron Side Chair in Black Powder Coat
By Animate Objects
Located in Teşvikiye, 34
The ''Luna'' Chair is part of Animate Objects's Rèveuse collection. Inspired by Picasso’s horse costume in Cocteau’s ballet ‘Parade’, Luna chair celebrat...
Category
2010s Arts and Crafts Caucasian Side Chairs
Materials
Iron
"Riccio" Bench with Bronze and Burl Walnut, Hand Crafted, Istanbul
By Bizimyer Furniture
Located in Istanbul, 34
Riccio Collection.
"Riccio" Bench with Bronze and Burl Walnut, Hand Crafted, Istanbul.
Designed by Hasan Samet Bizimyer.
Design, Art, Innovation.
Bizimyer Furniture Presents.
Bizim...
Category
21st Century and Contemporary Caucasian Side Chairs
Materials
Bronze
Animate Objects Epona Iron Side Chair in Black Powder Coat
By Animate Objects
Located in Teşvikiye, 34
The ‘’Epona’’ Chair is part of Animate Objects's Rèveuse collection. Inspired by Picasso’s horse costume in Cocteau’s ballet ‘Parade’, Epona chair celebr...
Category
2010s Arts and Crafts Caucasian Side Chairs
Materials
Iron
Sculptural Accent Chair, Side Table or Decorative Stool in Hand-Carved Beeswax
By Rooms Studio
Located in New York, NY
This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat.
About the Design Studio:
Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region.
Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language.
Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy.
The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.
In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...
Category
21st Century and Contemporary Caucasian Side Chairs
Materials
Composition
'Avant Garde' Chair, Bauhaus Style 'One Arm' Color of Your Choice
By Dmitry Samygin
Located in Paris, FR
Geometric and Minimalist chair by Russian designer Dmitry Samygin. Inspired by Gerrit Rietveld and Bauhaus style.
Plywood
Measures: 88.5 x 45 x 45 cm
Choose your color!
T...
Category
21st Century and Contemporary Bauhaus Caucasian Side Chairs
Materials
Plywood
Pair of Neoclassical Side Chairs
Located in New York, NY
Pair of neoclassical side chairs.
Mahogany with carved details.
Category
1820s Neoclassical Antique Caucasian Side Chairs
Materials
Mahogany
Set of Eleven 19th Century Russian Neoclassical Dining Chairs
Located in Stamford, CT
One of a kind set of eleven Russian neoclassical dining chairs. One arm and ten sides comprise this fantastic set of dining chairs.
This set is one of a part of the recently acquired pieces from the private collection of a NYC collector. A forty year old collection which has recently come to the market via Greenwich Living...
Category
Early 20th Century Neoclassical Caucasian Side Chairs
Materials
Upholstery, Wood
Set of Four Neoclassical Side Chairs
Located in New York, NY
A set of four neoclassical side chairs.
Mahogany with patinated brass inlay, details and sabots.
Category
Mid-19th Century Neoclassical Antique Caucasian Side Chairs
Materials
Brass
Set of Six Russian Neoclassic 'First Half of the 19th Century' Side Chairs
Located in New York, NY
Set of six Russian neoclassic 'first half of the 19th century' mahogany side chairs with upholstered seat and carved foliate and rosettes on corner of back with sabre form front legs...
Category
Early 19th Century Neoclassical Antique Caucasian Side Chairs
Materials
Upholstery, Mahogany
Russian Neoclassic Green Velvet Side Chair
Located in New York, NY
Russian Neoclassic style mahogany "klismos" side chair with incurved back above a green velvet upholstered seat. (20th Cent)
Category
20th Century Neoclassical Caucasian Side Chairs
Materials
Mahogany, Velvet
Set of 8 Russian Neo-Classic Mahogany Green Chairs
Located in New York, NY
Set of 8 Russian Neo-classic mahogany & brass mounted side chairs with green leather upholstered seats & backs and brass filigree panel and fruitwood inlaid trim (early 19th Cent)
Category
Early 19th Century Neoclassical Antique Caucasian Side Chairs
Materials
Brass
Pair of Russian Empire Side Chairs
Located in Atlanta, GA
Pair of Russian Empire Side Chairs - Original untouched finish newly reupholstered seat in Jim Thompson fabric.
Category
19th Century Empire Antique Caucasian Side Chairs
Materials
Upholstery, Wood
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