George I Buffets

A most elegant and very high quality French early 19th century Louis XVI st. Tulipwood, ormolu, Japanese black lacquer, and white Carrara marble buffet. The buffet is raised by fine square tapered legs with square mottled ormolu sabots and lovely circular mounts. The straight frieze is decorated with a beautiful fluted ormolu band below the single door with a wonderfully executed Japanese black lacquered...

French early 18th century cabinet 'deux-corps".

Superb 18th century Welsh dresser in oak Very beautiful dresser from the Wales region (England), which is rare and uncommon It is composed o...

For sale is a good quality 18th century chinoiserie Secretary bookcase. The top of the bookcase has an ornately shaped and carved pediment, above a single arched mirror door, opening...

Go sideboard is a high quality product by Mambo Unlimited Ideas, crafted in lacquered mdf structure and doors and plywood veneer applications on doors. It features three dimensional ...

Go sideboard is a high quality product by Mambo Unlimited Ideas, crafted in wood veneer structure, lacquered mdf doors and plywood veneer applications on doors. It features three dim...

18th century Oak French Buffet in original surface. Raised panel sides and doors with the original working lock and key. One large original storage shelf in the bottom cupboard area....

A beautiful 18th century French buffet/ sideboard in cherry wood with rounded bevel-edged, rectangular top resting on a base with two drawers over two cabinet doors. This graceful bu...

A George I/II Lacquered and Japanned chest of drawers 18th Century. An amazing chest that came out of a prominent Chicago estate. Measures: Height 32 ...

Unique Green buffet by Bernhardt. Green stain with high gloss lacquer finish. Brass hardware. Fantastic cabriole legs with beaded accent. Large piece with ample storage. Curbside t...

Superb English dresser from the beginning of the 18th century in oak Very nice model with very beautiful molded doors. We can find a symmetry in the two doors. This indicates that i...

A superb and exceptionally well proportioned early 18th century figured walnut ‘pagoda topped’ double dome bureau bookcase, circa 1720 England. The upper section is surmounted with what is believed to be the original solid walnut finials and soft bevelled mirror plates, opening to a removal bank of walnut veneered and feather banded drawers, cantered by pigeonholes below two shelves. Candle slides are neatly stowed below the bookcase doors to reflect the light. To the moulded bureau, the fall opens to reveal pigeonholes, long and short asymmetric drawers each beautifully veneered in figured walnut and feather banded, cantered by a cupboard door which neatly conceals an open compartment and drawer. Below the fall, two short and two long graduating oak lined drawers are each book-matched in superb sections of hand-cut figured walnut veneers over bun feet. It should be noted that this exceptional desk and bookcase, is not only of the finest cuts of figured walnut veneer but exquisitely made at the pinnacle of design which had gradually evolved predominantly in London, during the late 17thand early 18thcentury. The actual description 'desk-and-bookcase' appears to be first recorded in the accounts of the Royal cabinet-maker Gerrit Jensen (fl.1680-d.1715) who supplied several for the Royal Household from 1710 (Bowett, op. cit.), and another described as 'a walnut writing desk, the top for books and patons and glass in the doors asked' for the 5th Earl of Salisbury, Hatfield House.  Another maker of this form of desk was the London cabinet-maker John Gumley (1691-1727) who advertised in Richard Steele's Lover on April 24 1714 that he 'hath taken for a Ware-house, and furnished all the upper part of the New Exchange in the Strand' continuing with an extensive list of his stock including 'Desks and Bookcases.' In 1714 he supplied one of these in walnut to James 1st Duke of Montrose for the sum of £11. Russian cabinetwork of this period was strongly influenced by Tsar Peter I return to Russia after his studies in London. He subsequently sent twenty-four cabinetmakers who were working in Amsterdam to London to train as furniture makers. One of these cabinetmakers named Fedor Martynov made furniture for the Empress Anna Ioannovna. Martynovs drawings are almost identical to the present piece. Literature Mallett’s Great English Furniture, London: Bullfinch Press 1991, p.248, fig 287, by Lanto Synge, English Furniture 1660-1714 From Charles II to Queen Anne, by Dr Adam Bowett, Woodbridge: Antique Collector’s Club, 2002 Chapter 7 Case Furniture 1689–1714 pp.221-223 fig. 7:53 A walnut bureau bookcase of the same form and period sold from the private collection of Patricia Kluge...