Nutwood Cabinets

Italian Modern Walnut and Parchment Cabinet with storage.

magnificently handcrafted chinoiserie cabinet of the highest quality. This was made in England & dates from the 1930’s. This is one of the finest examples we have ever come across, ...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Introducing a piece of history - an Art Deco cabinet from the 1930's that has been repurposed as a bar/fridge, but with endless possibilities for customization. This unique piece of ...

Made in Czechoslovakia. Built inside light. Very good condition with minor signs of wear.

This is the Swedish Modern 1930s cabinet in elm and birch. It comes built in two sections in height. Each section is in turn divided into two storage areas. has whit two doors move...

Impressively wacky shaped and genuinely rare design is this superb 1930's English Art Deco Display cabinet. This beautiful cabinet is veneered in a lightly figured walnut veneer which has the most glorious patterning to the grain and retains a mid tone in colouring. The interior features a generously sized display area for your collection. There are three internal glass shelves . The beautiful astragal glass...

1900s Art Deco Curio Display Vitrine Cabinet Exotic Wood No label Cariole legs, Curved demilune Glass, Exotic Walnut Rosewood New glass shelves retrofit...

Very well preserved Art Deco bar cabinet from the late 1920s. This high cabinet has a lot of typical details from the Dutch Amsterdamse School Period, that was predominantly an archi...

FRENCH BRONZE, BRASS AND GLASS DISPLAY CABINET Circa early 20th century unmarked Item # 405KPI03A A very sleek and stylish display c...

This is a superb example of an English made Art Deco display cabinet, dating to the 1930s and very popular at the time for displaying your best 'china' usually displayed in what was ...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...