Pewter Cabinets

This unique tea table / sewing table is from the well-known designer Carlo Bugatti. Carlo Bugatti was a prominent Italian designer. Best known for his associations and contributio...

A rare and magnificent Italian Rococo pewter inlaid fruitwood three piece writing desk with beautiful rich patina. Born in Northern Italy in the first half of the 19th century, exquisite hand-crafted construction, featuring fine quality craftsmanship, materials and detailing throughout. The exceptionally executed, impressive large scale antique writing desk surmounted by serpentine upper portion fitted with nine drawers and a locking cabinet with original key included; the mid-portion with shaped fall-front writing surface panel concealing five short shelve pigeonhole cubbies, flanked on each side by deep drawers, and resting atop four large chest drawers; the façade with highly attractive richly figured burled veneer outlined with fine pewter inlay and contrasting exotic woods inlays; standing on carved walnut cabriole legs joined by curved X-shaped cross stretcher. Marks to verso: A.U. 17, A.U. 20 Provenance: Skinner, Boston, Massachusetts; European Furniture and Decorative Arts catalog, October 5, 2013, lot 784. Property from the Estates of Ramon Osuna (1937-2019) and Robert Lennon (1933-2021), Washington, D.C. Longtime Washington-area art dealers, Mr. Osuna was born in Havana and came to the Washington area soon after Fidel Castro came to power in 1959. He initially made his name as a dealer in contemporary art but gradually expanded into the Old Masters. With his longtime friend and partner Lennon, he owned galleries in Washington for many years and, at his death, also had Osuna Art...

Beautiful Napoleon III Cabinet in Boulle style Marquetery made in Brass, Copper and Pewter. Openning by 2 doors with rich Bronze ornemantions, interior with 2 shelves. Black marble ...

This 19th century Louis XV style oak cabinet has amazing carved details, original pewter hardware and a unique tambour style removable top. The top could be used separately as a wall...

Carol Bugatti Torchere inlaid with pewter, applied hand beaten copper and delicate hand illuminated decoration to calf vellum. Bugatti, Editions de Regard, Paris 1981 Pg 90 Son of Giovanni Luigi Bugatti, a specialist in interior decoration, Carlo Bugatti was born 2 February 1856[1] in Milan, in what was until 1859 the kingdom of Lombardy. Bugatti studied firstly at the Brera Academy in Milan, and subsequently, from 1875, at the Académie des Beaux Arts in Paris. In 1880 he started to manufacture furniture in Milan, later transferring to France. From 1888 he began to be successful beyond Italy. Nevertheless, until 1904 he maintained a Milan workshop in the city's Via Castelfiardo 6.[2] Bugatti triumphed at the exhibition of decorative art in Turin in 1902 and returned to Paris in 1904. He was also, like his father, trained as an architect, but there is no evidence that any of his architectural designs were ever executed.[3] Father of sculptor Rembrandt Bugatti and automobile manufacturer Ettore Bugatti, he moved in 1910 to Pierrefonds where he established an atelier. From 1914 to 1918 he was nominated mayor of the village, and the outspoken anti-German industrialist Adolphe Clément-Bayard, who lived at the Domaine du Bois d'Aucourt, entrusted its upkeep to him. From then on, he devoted himself entirely to painting. After the suicide of his son Rembrandt in 1916, Bugatti, then 60, produced less, but he remained influential. In 1935, at the age of 79, he retired near his son Ettore's family in Alsace. He settled in a flat north of Château Saint-Jean, Dorlisheim, with his wife Teresa (who died shortly afterwards), at the domain of promotion of Bugatti property of his son Ettore. Carlo Bugatti spent his last months at his apartment at the Bugatti factory in Molsheim, where he frequented the workmen and the house of 'the Hardtmühle', living with Ettore and his family. In April 1940,[4] he died at the hospital in Molsheim. He is buried in the Bugatti family cemetery at Dorlisheim. The Bugatti section of Molsheim's municipal Musée de la Chartreuse displays...

Stunning copper clad cabinet by Paul Evans for Directional, produced in circa 1967. This incredible piece of design history is fabricated from patinated pieces of copper, brass, and pewter which have been welded and nailed in a patchwork style pattern resting on top of a patinated metal base. The 2 oversized round front door pulls are what sets this design apart from the rest - giving personality and character to this piece, almost to the point of personifying the cabinet. The top has been fitted with an inset slate stone and the two-door front opens to reveal a black lacquered interior which is divided into two, one side open storage space and the other with a single shelf. The cabinet sits atop casters for easy relocating. The back is fully finished so feel free to float this in the middle of the room - there is no need to have to place it against a wall. The fusion of these exterior materials formulates an exemplary piece which would be a welcome addition to any design lovers collection. We have the matching sideboard, double wide credenza, coffee table, cafe / game table, flip-top bar cabinet, and floating wall console with mirror...

Stunning and rare copper clad sideboard cabinet by Paul Evans for Directional, produced in circa 1967. This incredible piece of design history is fabricated from patinated pieces of ...

Erik Chambert, Swedish Art Deco floor clock in rosewood and decorative marquetry depicting stylized foliage. The clock’s face is polished pewter w...

This rare patchwork copper flip topdry bar by Paul Evans was crafted in the mid-1960s by Directional. A collectors item and piece of design history, this stunning liquor cabinet was handcrafted with patinated pieces of copper, brass, and pewter which have been artistically welded and nailed in a patchwork style resting on a matching plinth base atop casters, allowing the cabinet to be easily moved around and floated throughout the room wherever your party takes you. What separates this one apart from other examples are the finishing touches. This example has a top that is finished in the same copper clad as the front, the back is finished and so are the sides, and the interior side of the two doors are finished as well. So you can float this in the middle of the room and even when you open the doors to your magnificent collection of liquor and glassware or other possessions, your cocktail cabinet still maintains that 'finished' look. Under the flip topis a black laminate bar-top and interior also finished in black. Inside the double sided copper clad cabinet doors are a left and right interior storage space divided by a black wooden divider. Within both sides are adjustable wooden shelves all finished in black to match the rest of the interior. This genius design by Paul Evans took into account how subtle details can make an atmosphere so much better for entertaining and the complete blackout of the interior spaces make this really pop under entertainment night lighting. This is the rare cousin to the sought-after patchwork cabinet, in similar form with slate top and oversized round door pulls, which we also have in our current collection, see our other listings or contact us for more details on our Paul Evans Patchwork collection. We also carry other Paul Evans designs, including Cityscape, Deep-Relief, and the Sculpted Metal Collections and more. This eye-catching Brutalist patchwork drybar cabinet...

Excavated bedside tables offered by the studio at Jeff Martin Joinery. Measure: 24" W x 26" H x 18" D. Executed in bleached maple, and the studio specific casting method for pewter a...

A rare patinated bronze and pewter "Chan Li" cabinet by Philip and Kelvin Laverne. Item features a red lacquer interior with adjustable shelves, bronze edge detail on shelves, and 1 ...

Stunning Louis XIV style cabinet, 18th century in ebony veneer with rich Boulle pewter inlays and precious woods throughout the facade and sides. Thick and rich gilt bronze ornament...