Plexiglass Cabinets

Set of 2 display cabinets from the Fondazione di Fiera Milano in original blue colour. The colour of the wood is the main reason why we b...

Exquisite antique king wood with bronze mounts in Louis XV style. This Commode is in excellent original condition. Featuring beautiful brass or...

French Art Deco bar cabinet from the 1930s. Strict and clear design with stepped lines. No hardware except the door hinges. The door simply clicks into place at the top and can al...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Vintage 1970s wall display...

An Italian smoked glass, chromed-silver and chromed-brass display or drinks cabinet designed by Renato Zevi during the 1970s. The Hollywood Regency style cabinet has three fixed smo...

Polychrome marble console designed by Ettore Sottsass. Description: Console with top in polychrome marble, wood, Macchia Vecchia Marble, Marquinia Bla...

Introducing a piece of history - an Art Deco cabinet from the 1930's that has been repurposed as a bar/fridge, but with endless possibilities for customization. This unique piece of ...

Small Antique French Louis XV Style Gilt Wood Hanging Curio Cabinet C1900 Measures - 36"H x 22.5"W x 9"D A small antique French curio cabinet...

Rare Bar Cabinet in Walnut and Brass, 1930's Additional Information: Material: Walnut and brass Style: Mid century, Scandinavia Produced in Sweden Dimensions (W x D x H): 124 x 43.5...

I love this sweet little Venetian cabinet! It is Orange with gilt chinoiserie that is hand painted, and a sort of platinum trim. The interior is a soft blue. The piece is a single dr...

Late 1940's/early 1950's Italian dry bar, martini cabinet with inlaid fruit wood marquetry, tapering rectangular top and drop front attributed to Osvaldo Borsani.. Inside back has be...

Designed in 1969, Joe Colombo’s iconic "Boby 3" portable storage system was produced by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s perfect at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. A one-of-a-kind piece that will complete a studio or a midcentury office. Measures (cm): height - 74 depth - 41 width - 43 Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting. In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene. In 1962, Colombo opened a design studio in Milan, from which he worked primarily on architectural commissions—including several ski lodges and mountain hotels—as well as product design. His furniture designs were characterized by optimistically bold, round forms, and he championed the notion of using modern technologies to create new design solutions. Colombo’s design career was cut tragically short in 1971 when he died of heart failure at age 41. However, he was remarkably prolific during his near decade as a designer. Notable projects include some of the most iconic designs of the 1960s, such as his 1963 Elda Armchair, made completely of fiberglass; the 1964 Ragno outdoor light, which doubled as a seat; the stackable Universale chair (1965/67), which came in varying heights and was created completely from polypropylene; his 1967 modular furniture series known as the Additional Living System, which was composed of different-size curved pieces that could be pinned together in various configurations to form chairs, sofas, or entire living areas, and which ultimately included the famous 1969 Tubo lounge chair; and the Optic alarm clock and Bobby trolley...