Maghreb Cabinets

Mahogany Georgian revival Bonheur du Jour desk Circa 1920 This bonheur du jour stands upon tapered legs with spade feet Featuring 5 mahogany lined drawers and fret work detail to the...

XIXth Century ebonised Boulle Bonheur Du Jour cabinet.The top has ornate brass mounts, flanked by brass gilded cariatides. Below this the two do...

Unique vintage industrial shelf cabinet This piece will add that now so modern industrial touch to any interior. We have a second similar cab...

This fine piece of furniture was crafted for the housing of specimens either scientific or esoteric. The many small drawers can house medals, silverware, stamps or any common collect...

This is a new traditional mahogany Demilune two door cabinet. It’s design was inspired by the Hepplewhite cabinets from the Regency period and features a classic Hepplewhite demilune...

These magnificent commodes are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. ...

A stunning, unique restored cabinet by Baker Furniture, circa 1980. Expertly constructed reed bamboo case construction with doors, top and back veneered in bookmatched Birdseye Maple. Custom butter-burst lacquer finish in the style occasionally found on rare vintage Gibson and Martin guitars...

Unique vintage industrial shelf cabinet This piece will add that now so modern industrial touch to any interior. We have a second similar cab...

A maple cabinet with brass inset handles. Designed by Edmond J. Spence.

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A piece of functional art made in Shizuoka for export to the western market, this Japanese chest with drawers on stand, circa 1900s features intricate marquetry work using a traditio...

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...