Authentic antique Shaker furniture is hard to come by, but not exceedingly rare. “Shaker style” describes furnishings and interiors that are both warm and simple, centered on unpretentious wooden chairs, tables and cabinets without ornament or embellishment.
The term derives from the popular name for an all-but-vanished American religious sect, whose members crafted modest household furniture and objects as part of their belief in purposeful living and simplicity in all things.
Members of the United Society of Believers in Christ’s Second Appearing — called Shakers, derisively, because they writhed and danced in religious ecstasy during worship — arrived in the United States from England in 1774. Within 50 years, the sect had established 19 self-sufficient communities from Maine to Kentucky, where they lived pure, humble and industrious lives.
The furniture and objects the Shakers made reflected their strict rules of behavior. Pieces such as ladder- and slat-back chairs and trestle tables were painstakingly crafted from native woods like maple and cherry, using traditional methods such as mortise-and-tenon and dovetail joinery and lathe turning. They employed strong, straight lines and symmetrical proportions, and decoration of any kind — carving, veneers, inlays — was prohibited, as it would encourage the sins of pride and vanity.
The Shakers movement included some 6,000 members at its peak in the 1860s, but the group practiced celibacy and could attempt to sustain their flock only by recruiting new adherents. Modernity proved too alluring. Today only one tiny Shaker community, in Maine, still exists, though the sect’s heritage is preserved at several historical sites.
To support their communities, the Shakers sold furniture to outsiders, who appreciated its superb quality. While the “Shaker style” label is today given to many plain, simple wooden pieces, it should also denote superior construction and solid materials. As elements in interior design, Shaker furnishings work best in a quiet decor. Modest pieces such as these can become lost among more ornate works. The style is most suitable to a country home — although a Shaker chair or cabinet can make a striking counterpoint in a modernist, urban setting.
Shaker furniture and objects have a deep appeal for their warmth, honesty and graceful simplicity, which make them welcome almost anywhere.
Find antique Shaker furniture for sale on 1stDibs.
Baker Furniture Milling Road Shaker Style Carved Pine Linen Press or Bar Cabinet
Located in South Bend, IN
A gorgeous Shaker style linen press, bookcase hutch, or bar cabinet By Baker Furniture, "Milling Road" Collection USA, Circa 1990s Carved solid natural pine, with original b...
Brass
Slim Profile 1970s Shaker Style Pine Desk and Hutch + Glass Doors, 2 Pieces
Located in Round Top, TX
Charming two-piece, pine desk + hutch with Shaker proportions. Natural, oiled finish with simple brass hardware and two round, white porcelain pulls to glass front doors. Very good o...
Brass
Armoire, Shaker Style in Steel with Natural Rusted Patina by Jim Rose
By Jim Rose
Located in Chicago, IL
This Armoire exemplifies Jim Rose’s legacy through its quiet authority, material integrity, and unwavering commitment to use. Rooted in the historical form of the single-door armoire...
Steel
Antique Hanging Spool-Turned Corner Shelf — Jonathan Parks Estate, Santa Fe 1880
Located in Oklahoma City, OK
A beautiful antique hanging corner shelf or étagère, featuring finely spool-turned supports and five graduated triangular shelves in their original oxblood red painted finish. The craftsmanship and patina suggest a late 19th to early 20th-century American origin, with design roots in both Victorian spool furniture...
Metal
Shaker Tall Cabinet With Door and Drawers, Steel Cupboard by Jim Rose
By Jim Rose
Located in Chicago, IL
This tall cabinet exemplifies Jim Rose’s legacy at its most distilled and disciplined—an object where verticality, restraint, and material intelligence converge into a quietly commanding presence. The form recalls early American and Shaker cupboards, particularly storage pieces meant to stand apart and serve specific, practical purposes, yet Rose’s execution in steel transforms that lineage into something resolutely contemporary. The cabinet’s slender proportions and emphatic vertical lines highlight Rose’s sculptural training, giving the piece a bodily, almost architectural stance. The stepped cornice and subtly flared top introduce a sense of ceremony without ornament, while the paneled door and drawers below establish a rhythm of framed surfaces that echo traditional joinery, translated here into metal. As in much of Rose’s work, the steel is finished to suggest age and warmth, dissolving the boundary between industrial material and domestic familiarity. Functionally precise yet emotionally resonant, the piece reflects Rose’s belief that furniture should feel purpose-built and enduring. The single-door cabinet and drawers below offer a clear hierarchy of use, reinforcing his preference for clarity over excess. Nothing is superfluous; every decision supports balance, usability, and longevity. Within Rose’s broader body of work, this cabinet stands as a meditation on scale and solitude—a piece that does not dominate a room through size, but through presence. It underscores his enduring contribution to contemporary furniture: proving that steel, when handled with patience and respect for tradition, can carry the same sense of history, dignity, and quiet service as the finest wooden furniture. Jim Rose Legacy Collection Tall Cabinet, 2003 found steel with natural rust patina 80h x 23w x 16d in 203.20h x 58.42w x 40.64d cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
$9,800 / item
Dune Allen Credenza in Solid Walnut
Located in Los Angeles, CA
The Dune Allen credenza is crafted to handle all your storage needs with refined simplicity. Clean lines and strong joinery amount to a piece that is sturdy, yet elegant. The carcass is built from 1 1/4" solid walnut with dovetailed joints to last for generations. The base is constructed from straight grained pieces of 8/4 walnut with hand fitted bridle joints pinned with maple pegs. The cabinet can be customized to fit your specific needs with shelves and drawers to accommodate anything from a record...
Walnut
Early American Shaker Solid Pine Twelve-Drawer Dresser or Credenza
Located in South Bend, IN
A beautiful Early American or Shaker style solid pine wood twelve-drawer dresser or credenza USA, Late 20th Century Measures: 68"W x 18.75"D x 35.25"H. Very good original vintage ...
Pine
Mid-Century Modern Early Knoll Walnut 2-Door Credenza
Located in Port Jervis, NY
Diminutive credenza from the early 1950s. Walnut top is new veneer replacing worn Formica. Leather pulls a signature Florence Knoll design mark. Two sliding doors open to reveal two ...
Steel
$336,560
H 100.6 in W 66.93 in D 24.81 in
Rare Moses Michelangelo Guggenheim & Pauly Cie Et Venice Antique Carved Armoire
By Guggenheim Museum, Pauly et Cie
Located in West Sussex, Pulborough
We are delighted to offer for sale this very rare one of a kind Pauly CIE Et stamped hand carved walnut armoire made by the genius that was Moses Michelangelo Guggenheim 1837-1910 Where to begin, this cabinet is stamped to the rear “Fabrique De Meubles Pauly & Cie Venise. Pauly & Cie” who were a world famous glass foundry and later equally famous furniture manufacturer. Their grotto furniture has an immense following across the world. This piece was most likely retailed through them as it was made by Moses Michelangelo Guggenheim who is a fellow venetian There is one other known example of his works which is very similar, it is currently retailing for no less than £900,000 however it is accompanied by a few other pieces from a drawing room suite. The suite came from Palazzo Papadopoli, a Renaissance palace on the Grand Canal in Venice built for the Coccini family by Giovanni de Grigi around 1560. I will include some further history below on both Pauly CIE ET and Moses Michelangelo Guggenheium On to the armoire, it is clearly the most ornate tour de force of carving you will ever see, I’m thankful it has managed to survive so long without being broken up by salvagers looking to reclaim the sculptures. You can see in the carving elements of Pauly’s inspiration in the form of shells. You also have Putti’s riding dolphins and so on. We have fully treated it as there were various signs of old worm, it’s then been cleaned waxed and polished. One of the hidden hinges has been replaced, otherwise it is in near perfect condition for the age. The insides houses three wood shelves Dimensions Height 255.5cm top to bottom, without the removable top carving 211cm Width 170cm arm to arm of the chaps on the outside, 172cm at the top, 166cm at the bottom Depth 63cm top, 55cm middle, 59cm bottom Please note all measurements are taken at the widest point Moses Michelangelo Guggenheim Leading expert of decorative arts in late 19th century Venice, Michelangelo Guggenheim (1831-1910) also was one of the greatest antiquarians and a modern furniture producer in the “City of Water”. His collections stored in the Balbi Palace on the Grand Canal were an outstanding sight, that art amateurs would recommend. At the age of 20, he founds a "Stabilimento d’arti decorative e industriali" which purpose is the industrial creation of objects bearing an artistic force. The furniture that made him worldwide famous re-imagines ancient styles, freeing their aesthetic powers to serve modern imagination. Often in walnut, his pieces of furniture sent to World Fairs impress people by the finesse of their sculptures. A prized designer as well, he reorganizes princely interiors in the same spirit. His most famous work is the Palazzo Papadopoli's design about 1874, where he unfolds the vocabulary of several periods. He conceives there a richly furnished Neo-Renaissance Cabinet that relived the Italian golden age. For the exceptional result he is awarded the Gold Medal of merit for science and arts by Ludwig II of Bavaria. Pauly & Cie Venise Since its foundation (1866), Pauly & C. has stood for elegance, creativity and Venetian luxury. The ancient Roman technique known as “murrine”, which today is the symbol of Murano glass, was reproduced for the first time in its workshops and was presented to the world at the Universal Exhibition in Paris in 1878. In 150 years of business Pauly & C. has produced unique works for royal palaces, public buildings, private villas and has served an international client base that includes some of the most prominent names from the world of culture and art, figures from the world of industry and finance, politicians and nobility. Pauly & C. - C.V.M. (compagnia Venezia Murano) works are currently held in many private collections and exhibited in some of the most prestigious museums in the world. In the last years of activity, Pauly has been active with three distinct brands: • Pauly & C. CVM, the time-honoured company that produces classic objects, recreating old designs and collections and offering modern reinterpretations of them. • Pauly Glass Factory, which continues its association with artists and designers to produce artistic works with modern lines. • MVM Interior operates throughout the world with architects, interior designers and design studios for the creation of prestigious personalized projects History Compagnia di Venezia e Murano C.V.M. began as Salviati &C. in London in 1866 under the direction of Vicenza attorney Antonio Salviati and with the backing of two British men: archaeologist Austen Henry Layard and antiquarian Sir William Drake. The company was dedicated to using ancient techniques and utilized master glassblowers in its efforts to do so. It called in specialists from other fields like goldsmithing and engraving to ensure authenticity and employed artist Giuseppe Devers to teach the techniques of enamelling and heat-applied glass gilding to company artisans. Archaeologist Layard was particularly interested in the mosaic glass techniques of Roman and pre-Roman artists, and he spent years personally overseeing the work of the company's technicians and glassblowers in attempting to revive those techniques. In 1872, the company was successful, managing to replicate the type of glass commonly known as "murrina". The company was renamed Venice and Murano Glass and Mosaic Company Limited in 1872, and, in 1877, Layard purchased Salviati's interest so that Salviati could pursue other interests. The company quickly earned a reputation for quality original glass art and reproductions as well as its many mural mosaics in Great Britain and elsewhere in Europe. In 1878, the murrine produced by Compagnia di Venezia e Murano was included in its exhibit at the International Exhibition in Paris, which was the chief attraction in Italian glass. In its observations of the display, the United States Commission to the Paris exposition commented not only on "Roman murrine glass", but also particularly on the mural glass mosaics, the "perfection of which" had "engaged the earnest attention of the company." Mosaics produced by the company during the time period are still in existence in diverse areas such as Gonville and Caius...
Walnut
Baker Styled Walnut Mahogany Bar / Sever Cabinet
Located in Cincinnati, OH
A very well crafted two piece four door cabinet with book matched wood grained fronts opening to revel two glass and two wooden adjustable shelves with two smaller drawers one with d...
Brass
$1,200
H 70 in W 28 in D 19 in
Vintage Early American Style Petite Maple Lift Top Secretary Desk & Hutch 70"
Located in Dayton, OH
1960s American Country Diminutive Desk & Hutch. Made from maple with a lift top writing desk topped by a large backsplash with shelves and draw...
Brass
Pair of English Oak Diminutive Two Door Corner Cupboards
Located in Milford, NH
A diminutive pair of oak two door corner cupboards in their original dark finish, with molded cornice on each surmounting an upper door with six glass panels and brass escutcheon, op...
Brass
G Plan Teak Corner Shelf
Located in Rochester, England
The G Plan Teak Corner Shelf is a quintessential piece of mid-century modern design, offering both style and practicality. Crafted from warm, natural teak,...
Wood
$5,850 / item
H 11.5 in W 9.5 in D 37 in
2G Wall-Mounted Shelf in Waxed Aluminum Plate by Jonathan Nesci
Located in Columbus, IN
The Minimalist wall-mounted, 37" wide, 3G shelf is sculpted out of 1/4 inch thick, wax-polished aluminum. Each shelf has an inset welded U-channel that spans the length of the shelf and easily mounts on included custom-bent steel Z-clips. Each bay of this modernist shelf...
Aluminum
Franklin Solid Wood Corner Shelf, Walnut
Located in Cincinnati, US
The award nominated Franklin Shelf is a 90 degree corner shelf. This unique design allows for maximum storage space, while occupying a very small area. ...
Wood, Cherry, Maple, Walnut
Sediment Credenza in Solid Black Walnut
Located in Calgary, AB
Solid American Black Walnut appears as sedimentary layers of rock. The outer cabinet and drawer/door fronts are each crafted from a single slab of figured Black Walnut. The interio...
Wood, Walnut
$8,952Sale Price|30% Off
H 100.4 in W 70.48 in D 27.96 in
19C French Solid Oak Armoire Du Marriage from Normandy
Located in London, GB
A FRENCH OAK ARMOIRE 19TH CENTURY Country French Armoire Du Marriage from Normandie the egg and dart cornice above a scroll and rose carved frieze centred by a vine, wheat and do...
Oak
19thC English Pine Linen Press
Located in Staffordshire, GB
circa 1890 19thC English Pine Linen Press sku 1104 Lock & Keys (2 parts) W120 x D56 x H219 cm Base: W116 x D54 x H97cm Top: W120 x D56 x H122cm
Pine
CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane
By Lawrence Peabody, Craft Associates
Located in Oak Harbor, OH
CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane The CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane is expertly hand crafted. The Peabody collection pieces are licensed reintroductions for Craft Associates®. This cabinet is built with a solid oak frame, door fronts, interior shelf and legs. It features beautiful cane front door that have slide left to right covering an adjustable shelf. This cabinet is amazing and has perfect proportions to be used in multiple settings. It is available in custom wood and variations (different sizes). Craft Associates® Furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle chair...
Cane, Oak
Vintage Shaker Style Pine Console Sideboard Buffet with Brass Pulls
Located in Centennial, CO
This elegant vintage bench-made shaker style pine sideboard with angled sides would be a stately addition to a dining or living space. Handmade by a gifted woodworker, likely in the ...
Brass
Sold
H 36 in W 41 in D 18 in
Vintage European Farmhouse Hunt Board Two-Drawer Dresser — Primitive Country
Located in Los Angeles, CA
This tall European farmhouse hunt board dresser, handcrafted in the late 19th century or early 20th century, showcases authentic primitive charm and rustic farmhouse style. Constructed from solid wood with traditional pintail drawer joinery, this two-drawer hunt board exudes old-world craftsmanship. It stands 36 inches tall, with a generous 41-inch width and 18-inch depth, making it perfect as an entryway console, rustic sideboard, or unique accent storage cabinet. This piece retains its authentic, timeworn character, with numerous repairs throughout its long life and loose drawer handles that speak to its antique patina and storied history. The simple turned wood knobs, tall slim farmhouse legs, and solid, honest joinery give it a classic country appeal ideal for primitive farmhouse, cottagecore, or traditional interiors. primitive hunt board, European farmhouse dresser, antique storage console, rustic sideboard, solid wood cabinet, primitive country furniture, cottagecore, vintage farmhouse dresser, two-drawer hunt board, tall narrow dresser...
Pine
Sold
H 83.5 in W 48.75 in D 21 in
Cupboard, 4 Doors, 2 Drawer Shaker Style in Steel with Natural Rusted Patina
By Jim Rose
Located in Chicago, IL
This Four Door, Two Drawer Cupboard (1998) stands as an early and fully resolved statement of Jim Rose’s legacy, articulating the principles that would define his work for decades. T...
Steel
Vintage Shaker Style Apothecary Chest, 1950s
Located in Round Rock, TX
Beautiful vintage apothecary cabinet. Unsure of its exact origin, it’s stamped “Gloucester” on its underside. Made from solid cherry, the finger jointed solid construction and solid...
Cherry
Sold
H 44.5 in W 43 in D 25 in
Solid Cherrywood 18-Drawer Chest by Sir Terence Conran for Benchmark Furniture
Located in Coronado, CA
A rare cherrywood collector's chest designed by Sir Terence Conran exclusively for Lady Conran, made by Benchmark Furniture in the 2000s. This substantial and incredibly solid piece ...
Cherry
Jim Rose - Display Console, Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional six shelved bookcase made from repurposed steel, painted and hot rolled. Modeled after Shaker furniture, this modern industrial statement piece is a mod...
Steel
Sold
H 43.5 in W 80 in D 20 in
Modern Shaker Style Green Stained and Natural Maple Twelve-Drawer Dresser
Located in South Bend, IN
A gorgeous Modern Shaker style twelve-drawer dresser USA, Circa Late 20th Century Natural maple case, with green stained maple drawer fronts and Paul McCobb style brass hardware. ...
Brass
Sold
H 100.5 in W 49.5 in D 14 in
Jim Rose - Repurposed Steel Bookcase in Natural Rusted Patina, Art Furniture
By Jim Rose
Located in Chicago, IL
This Book Case stands as a distilled expression of Jim Rose’s legacy, revealing his commitment to clarity, restraint, and the moral weight of utility. The open, rectilinear form reca...
Steel
Sold
H 41 in W 45.5 in D 24.5 in
Shaker Two Drawer/Two Door Steel Pie Safe w/Drilled Holes, Natural Rust Patina
By Jim Rose
Located in Chicago, IL
Introduced in the early 1700's, the pie safe was an essential item in American kitchens before the introduction of refrigeration. The punched holes kept perishable goods safe from pests and were highly used up until the introduction of refrigeration in the mid 1880s. This modern take on an old tradition uses naturally rusted steel to bring a warmth to this beautifully constructed pie safe. The punched holes form an intricate floral pattern on three sides. One fixed shelf inside makes this a highly utilitarian yet stunningly beautiful addition to any room. Jim Rose Two Door - Two Drawer Punch Out Cupboard with Sill Edge, 2004 repurposed steel with natural rust patina 41h x 45.50w x 24.50d in 104.14h x 115.57w x 62.23d cm JR0268 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery Group Exhibitions: 2023 Jim Rose CODA, Gallery Victor, Chicago, IL Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2018 Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor Armendariz, Metropolitan Pavilion, NY, NY 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...
Steel
Jim Rose Patchwork Cabinet
Located in Chicago, IL
This steel side cabinet by artist Jim Rose exemplifies industrial chic with timeless simplicity and handcrafted touch. Inspired by Shaker minimalism, the chest is crafted from found ...
Steel
Antique Shaker Two Drawer Work Stand, Niskayuna Community
Located in Peabody, MA
Authentic Shaker two drawer work stand in maple, circa early to mid-19th Century. This piece was crafted in the "Niskayuna" community along the Hudson River near Albany, NY, later ca...
Maple
19th Century Shaker Style Cabinet
Located in Houston, TX
19th Century Shaker Style cabinet on legs with a pull up writing surface. The cabinet has two upper block panel doors and three shelves in the int...
Wood, Mahogany