Romanian Vitrines

Mid-Century Modern Penedo Quartz Display Cabinet, Handmade in Portugal - Europe by Greenapple The Penedo quartz display cabinet captures the enduring beauty of nature’s landscapes,...

A mahogany cabinet decorated with gilded metal mounts constructed in two sections, the upper section with two glazed doors flanked by mahogany columns opens to reveal a fabric lined ...

PRESENTING an OUTSTANDING, IMPORTANT and UNIQUE 19C French Empire Style Buffet/Vitrine by AME Fournier. Pieces by A.M.E. Fournier are EXTREMELY RARE and ...

19th Century Chinese carved rosewood vitrine featuring drop down glass door, three shelves and bronze key.

Mid-Century Modern Penedo Marble Display Cabinet, Hand-Crafted in Portugal - Europe by Greenapple The Penedo marble display cabinet captures the enduring beauty of nature’s landsca...

We are very pleased to offer a great pair of gorgeous, sleek and minimalist display cabinets made by the famous Henredon furniture makers, made in the USA. Part of Henredon’s early 1...

This Trumeau has been handmade using the technique of Venetian art. In the 18th century in Venice the fashion of lacquering spread. Using small prints, cut out and then glued on the wood, then handpainted and lacquered at the end. The finishing was in fact in shellac which, passed in several very thin layers, gave brightness and uniformity to the decoration. This type of finishing was placed both on the outside of the Venetian furniture of the eighteenth century, and on the inside of the drawers and doors . The wooden structure of this piece of furniture is hidden by a flowering of pleasant designs. The craquelé finishing tipical of ancient painting...

Very nice Scandinavian vitrine from the 60's attributed to designer Henry Walt Klein, edited by Bramin. Structure in solid teak and veneer. It is composed of two sliding glass doors ...

This incredible French Art Deco vitrine has a large glass front with glass shelves inside. Gold hardware to accent the wood beautifully. Can be...

This is a fabulous opportunity to acquire a genuinely rare design Art Deco display cabinet, this being one of the best examples in figured walnut. If you want a focal point or a wow ...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

Pair of modern Mastercraft black lacquered, brass and glass display cabinets or vitrines. These beautiful cabinets feature a burnished brass over a black lacquered frame, three adjus...