Straw Wardrobes and Armoires

Armored jewelry armoire with inside safe. Numeric digital keypad and emergency key. Available in 4 finishing options; see information below for detail...

A vintage wood cabinet from Europe. The wood is raw and fading from years of use, giving the piece a soft and charming vintage vibe. This cabinet features a simple rectangular design...

Classic Napoleon III Armoire with 4 glass windows on the door. Can be used as a bookshelf , wardrobe or curio cabinet. Beautiful black patina. Four shelves, one shelf with 2 dra...

A French-Canadian armoire in pine having two doors on a narrow case with an overhanging molded cornice, the doors each featuring rebated full door X-crosses in a rectangular surround...

1980s mirrored armoire with brass accents in the style of Ello. Giant storage space for clothes, shoes, and purses while also a full size functional m...

Limed oak two door armoire. Height 210 cm. Width 127 cm. Depth 64 cm.

This is a very nice original hand-painted Bohemian Armoire. The outside is hand-painted in a green color with hand-painted stars to the door in a cream c...

Command attention with this stately neoclassical armoire by the esteemed French maker Geka. Expertly crafted from solid wood with a luminous warm cherry or fruitwood finish, this pie...

French Art Deco Armoire in macassar ebony with 2 center mirrored doors and 2 outer doors with marquetry. Interior drawers and shelves.

Vintage gentleman’s armoire wardrobe is a timeless bedroom storage piece featuring clean traditional lines, warm wood tones, and functional interior organization. Designed for both s...

FAPG 19959D/2 Gothic Revival armoire New York, about 1835-1840 Mahogany, with brass hardware Measure: 104 in. high, 73 in. wide, 30 in. deep Exhibited: Hirschl & Adler Galleries, New York, 2011–12, The World of Duncan Phyfe: The Arts of New York, 1800–1847, p. 89 no. 45 illus. 89 Ex coll.: Private collection (probably R. H. Selstadt, Big Stone Gap, Virginia) Although no specific pieces of Gothic furniture documented as by Duncan Phyfe have come to light, there is considerable evidence that he, like various of his contemporaries in New York, embraced the Gothic style. For example, the catalogue of the Halliday & Jenkins auction sale of the contents of Phyfe’s furniture ware rooms, which was held on site at 192 and 194 Fulton Street, New York, on April 16 and 17, 1847, included a “mahogany centre table Gothic gilt pillar and Egyptian marble top” (Halliday & Jenkins, p. 3 no. 63); “12 mahogany Gothic chairs...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...