Tortoise Shell Center Tables

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A French Napoléon III period mahogany center table from the mid 19th century with colorful marble top, pedestal base and carved giltwood lion paw feet on casters. Created in France during the reign of France's last Emperor...

Early 19th Century Dutch Marquetry Writing Table with Inlay. Stunning example of marquetry craftsmanship with turned legs and inlay on the stretchers. Desk has a single drawer.

19th century French Charles X paved and inlaid centre table with round top Elegant central table made in France in the Charles X period, paved with different woods. The circular pla...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

Superb model with a deeply paneled frieze, having geometric fruitwood inlay, containing three drawers. The strong disc-turned legs connected by shaped side stretchers and wrought iro...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian cr...

The design and ornamentation of this centre table is characteristic of Portuguese Baroque furniture dating from the second half of the 17t...

An exceptional early 19th century English Regency centre table, the circular tilt top having radially magnificent figuring and colour, bordered by intricate brass inlaid, with Zebra wood banding and gadroon edge, supported by a turned, ringed, fluted and tapering column, set on a tripartite brass inlaid platform base terminating on ormolu rolled feet with quarter palmette brackets and castors. Circa 1820 English This item is located in Dublin 8

Rare 19th century mahogany specimen marble top centre table of circular form, the stunning marble top comprising of beautiful examples of Carrera White, Sienna, Nero Portoro Black, P...

A stylish early 19th Century Italian centre table.This table is wonderfully decorated in red lacquer with gilt chinoiserie highlighted scenes in the form of people, buildings and fol...