Teak Gueridon

This Italian gueridon from the 1970s is a beautiful statement piece signed by Alberto Orlandi. With its sleek look, it feels inspired by the Art Deco era, André Arbus and Jean-Michel...

A charming and elegant brass gueridon or center table measuring 30" diameter and 29" high. Stylized hoof feet, smoked glass top.

Jules Leleu Gueridon, Made with mahogany and plated brass, circa 1930, France. Classic Art Deco design Sunburst table top 4 Art Deco designed Legs positioned on a pedestal base with bronze details Signed Good vintage condition. Jules Leleu (June 17, 1883–1961) was a French furniture designer. Born in Boulogne-sur-Mer, France, Leleu studied decorative painting and at the age of 26 succeeded his father in the family painting business. With his brother he began work in the Decorating field. After World War I, Leleu specialized in furniture making. He opened a Paris gallery, Maison Leleu, in 1924 and exhibited at the 1925 Exposition Industrielle et Arts Decoratifs, winning a grand prize at the exposition. Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations as well as the ocean liners SS Ile de France...

Pair of Exquisite French Directoire Style Brass and Marble Gueridon Tables, circa 1960s This sophisticated pair of French Directoire style gueridon or end tables from the 1960s perf...

Neoclassical Gueridon foundry in zinc Origin France circa 1900 perfect condition.

19th century French Gueridon. Bleached mahogany with a 3 sided pedestal base raised on decorative, stylised lion paw feet and topped with grey figured marble top.

A very elegant 19thc, Ebonised, Empire Gueridon. With bronze Caryatid mounts topping faux, Siena marble tapered columns. The table has triform ebonised base and a speckled, grey marb...

A fine quality French Louis XVI-style brass round Gueridon end table with 3 legs supporting an inset black marble top and shelf with a bottom stretcher. Dimensions:30 inches I diamet...

A Swedish vintage birch wood gueridon or small pedestal table with the top made in carved birch root. These 20th Century folk art objects were typical in the region of "Dalsland" in ...

Martini Table // Gueridon // Side Table // End Table // Drink Table // Floor Ashtray Elegant hand-hammered iron drinks end table /floor ashtray standing on tripod base. Spain, 1950...

Elegant round steel occasional table with gold accents and variegated brown marble top. Attributed to Jansen.

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...