Serbian Side Tables

The Gisèle side table, in onyx and travertine, features two types of natural stones renowned for their unique beauty and durable properties. The Gisèle side table embodies the combi...

Casa Ceramic Side Table Designed by Project 213A in 2023 Hand-sculpted ceramic side table with a textured petal finish made in Project 213A's in-house ceramic workshop and finished ...

Handmade stoneware side table manufactured at the workshop of Xavier Mañosa in Barcelona. Different clay bodys are mixed with natural fibers like corn, straw, or heather straw. The p...

Eye-catching elephant table in off-white glazed ceramic. Spain, 1960s This elephant shaped end table stand was beautifully constructed. Its design combines Colonial Revival and Holl...

Klaus Wettergren design. Console table, one of a kind. Chromed brass legs. Table top in American walnut. Designed and manufactured in own workshop in the year 2000.   

The Mars Side Table is a handcrafted piece of furniture that combines solid wood and liquid bronze for a unique appearance. The table is made using traditional techniques such as han...

This handcrafted side table combines a sculptural ceramic base with a solid oak top, balancing artisanal craftsmanship with modern design. Designed for use as a side table or compact...

Alwa one white black side table by Pulpo. Dimensions: D38 x H44 cm. Materials: casted glass; powder coated steel. Also available in different finishes. Normally, glass is r...

Side table heaven brown made in Handcrafted black ceramic. Also available in black ceramic.

One of a kind Midcentury side table designed by Alexander Girard. handmade terrazzo table with inlay on steel frame legs. Features Girards early signature ( triangle, square, circle)...

SMALL CERAMIC SIDE TABLE, designed in 2023. Hand-sculpted ceramic side table with an organic shape made in Project 213A's in-house ceramic workshop. Finished in a contemporary custo...

Codex or Códice means in latin a chunk of wood, it’s also used to refer to hand written manuscripts. Mayan and Mexica Codices were written in wood bark, mostly in pictorial Glyphs, but also using a numerical system that consists of dots and dashes and a special symbol for zero. In this series we wanted to translate and abstract this idea of the knowledge and essence of a Códice; the importance of communication and its evolution through time, through the wood carvings both in its geometrical and systematic patterned repetition of its drawer in contrast with the organic and random carvings made by the artisanal technique of “conchitas, hand chiseled by master artisans in Antigua guatemala.