Parquetry Furniture

A radiant gueridon table from early 20th century France, in the Directoire taste, it features an impressive inlay of oak parquetry that wraps the top and sides with alternating squar...

Rococo 18th century yew and elm bureau desk circa 1750. Stunning swedish rococo period bombe shaped bureau.   Beautifully made from yew wood and elm, using various techniques such a...

Modern Walnut Dining Table Designed by Greg Sheres. The “Angles” table top features a geometric design. Fully extended with leaves, this dining table opens up to 114-inches, giving...

A unique piece of the utmost quality from our Collection. Touching this throw will give you a unique sensation of softness and warmth, being chinchilla hair one of the thinnest and...

Late 19th century French carved parquet top draw-leaf dining table. Handsome with cabriole legs ending in escargot feet. Great carving at the knees and undulating aprons. Thumb molde...

A wool and cashmere throw blanket hemmed with natural Gold Cross Fox fur. Thanks to its front Prince of Wales design and its back, black and white, Pied de Poule design, livens up th...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

Fully Restored 1901 Steinway & Sons Model B Louis XV Baroque Rococo Grand Piano – Serial Number 99151, Full 88 key keyboard. The most exquisitely d...

Modern Wenge Oak Dining Table Designed by Greg Sheres. The “Angles” table top features a geometric design. Fully extended with leaves, this dining table opens up to 114-inches, giv...

The bed runner made of pure wool and Fox fur adds style to the room, lighting it up with its natural brightness. The alternation of fox fur with wool creates a raised pattern that d...

A 20th Century, large vintage Mid-Century modern Italian credenza with a slanted top, made of hand crafted polished Rosewood and Walnut, designed and produced by Consorzio Esposizion...

An incredibly refined design piece. A sheared, dark blue Mink throw blanket with a beige Cashmere, Wool and Alpaca lining and hem. This throw blanke...

This is an impressive and rare antique French Régence wood and ormolu mounted commode, circa 1720 in date. The stunning breche violette marble top ...

An elegant country French Louis XV style carved oak expandable dining table from the early/mid 20th century. This Louis XV draw-leaf table features two pullout leaves that rest und...

Chest of Drawers / commode hand-made in Italy in the late 1700s using poplar and walnut. The commode features three inset drawers with beautiful, hand-carved dovetail joints. The han...

A vintage French Provincial walnut and oak semainier chest of drawers. Handcrafted in France in the Mid-20th Century, high quality solid wood construction, finished in elegantly s...

Beautiful antique parquetry table from circa 1880-1900. Some people call the technique of these, amazingly inlaid cubical motifs parquetry and...

Antique Louis XV Style, solid carved wood end tables with decorative parquetry veneer Cast metal corner hardware, handles and feet in a gilt g...

George III Mahogany Demilune Pier Table, parquetry inlay design lines, apparently unmarked. 29" H x 45" W x 21.5" D.

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à cylindre, is among the most celebrated masterpieces of 18th century furniture design—an unparalleled example of French craftsmanship and regal opulence. Originally commissioned by King Louis XV in 1760, the project was entrusted to ébéniste du roi Jean-François Oeben (1721–1763). However, Oeben passed away before its completion and his successor, Jean-Henri Riesener (1734-1806), finalised the desk in 1769. During the 19th century, several master cabinetmakers sought to replicate this extraordinary creation, including the esteemed Emmanuel Alfred Beurdeley (1847–1919). The present example, produced circa 1890, was exhibited at the 1893 Chicago World’s Fair, where it garnered admiration for its exceptional artistry. Following the exhibition, it was acquired by financier George Jay Gould I (1864–1923) and later photographed in the Lakewood, New Jersey residence of his wife, actress Edith Kingdon Gould (1864–1921). This magnificent desk is crowned with a decorative clock, draped in festoons and accompanied by two playful putti and a finely sculpted dog. Twin ormolu urns rest atop an openwork gallery, leading to additional flower-filled ormolu vases. Flanking the central roll-top panel are finely cast ormolu figures of Apollo and Calliope, each supporting a twin-light scrolling acanthus candelabrum. With a turn of a key, the roll-top slides open to reveal an exquisite arrangement of three pull-out shelves and three drawers, each front panel adorned with delicate ormolu banding and intricate floral trellis parquetry. A gilt-tooled leather writing surface unfolds, featuring a pop-up central panel that lifts to reveal a folding folio stand alongside three additional storage compartments. Below, a central kneehole drawer, embellished with an ormolu bow, is flanked by twin-divided drawers, all decorated with finely detailed floral marquetry. Every aspect of this Bureau du Roi is a testament to superior craftsmanship, featuring elaborate marquetry and parquetry designs. The upper section consists of three panels, with the tambour roll-top inlaid with intricate mythological motifs. Two side medallions bear Latin inscriptions drawn from Cesare Ripa’s Iconologia (1555–1622): NON. NISI. GRANDIA. CANTO. / IRRIDENS. CUSPIDE. FIGO. and BREVI. COMPLECTOR. SINGULA. CANO / PASTORUM. CARMINA. LUDO. These decorative elements, along with the marquetry on the roll-top and upper surfaces, celebrate the arts, literature, and architecture. The bombé sides of the desk are richly decorated with marquetry panels depicting symbols of both naval and terrestrial warfare, framed by elegant ormolu laurel swags. These ornamental details complement a series of exquisite blue and white Wedgwood Jasperware medallions...

Jean-Michel Frank Inspired Exquisitely Crafted Parquetry cabinet - 20th century.

Alfonso Marina Fine Monumental Italianate Style Armoire ,Marquetry Inlay Offered for sale is an Alfonso Marina fine inlay monumental Italianate style two-door armoire wardrobe with ...

A rare and exceptionally inlaid antique slant-front drafting desk. circa 1900 Hand-crafted in the early 20th century, likely French, one piece desk on frame form, having a sloped fr...

Century Furniture four door credenza with parquet door fronts. The left doors contain three pocket drawers while the right doors have cabinet space with ...

A Fine and Impressive French 19th Century Louis XV Style Ormolu-Mounted Mahogany and Parquetry Commode a Vantaux, after the model Antoine Gaudreaux's 'Commode Médallier du Roi Louis ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

PRESENTING AN ABSOLUTELY OUTSTANDING 19C French Empire Style Style Complete Bedroom Suite/Set. HIGHLY, IMPORTANT AND UNIQUE Empire Style Bedroom Suite or Set from circa 1880. The Suite/Set is almost completely original, save the bed, which was originally twin size, but professionally commissioned to be customized and converted into a Euro King Size for modern practicality. The quality of the conversion matches the quality of the suite/set. All pieces have gilt bronze mounted fittings; beautiful patina, beautiful parquetry; beautiful carrara marble tops, simply stunning! About 10 years ago, I saw the ‘identical twin’ of the Commode in an Antique Store on Central Park in New York, however it had a less desirable green marble top (IMHO), and they were looking for 30k USD for the Commode, on its OWN! This Suite/Set is SO GOOD that it is the main exhibit in our rear Showroom. Not marked but under the marble top of the commode there are 2 signatures in pencil (1) M. Le Youters (?) and (2) M. Daneels. You will NOT find another complete suite/set like this ANYWHERE! AS A BONUS: We have curated and sourced (recently) a Pair of Monumental French Empire Wall Sconces which are a ‘PERFECT’ match for this bedroom set! (See pics) These sconces are being sold separately BUT they really COMPLETE the entire bedroom! The Suite/Set includes: European King Size Bed (Headboard, Baseboard, side panels and central support bracket). 2 Matching Bedside...

Impressive Louis XVI style bureau secretary with quality rich in age, charm, and character with its elegant design. This secretary has two secret drawers features parquerty design, g...

Designed by eccentric woodworker and designer Don Shoemaker, this trinket box was made by Senal in Mexico. It employs a cacophany of exotic woods, including cocobolo, jacaranda, and ...

A 19th Century, antique German Biedermeier tall secretaire with a writing flap made of hand crafted shellac polished, partly veneered Cherrywood and Burlwood, in good condition. The ...

A scarce antique American Renaissance Revival style carved walnut extension table by Seng, Chicago, Illinois. circa 1920/1930 Born in the United States in the early 20th century, featuring a rare and unusual form and extension mechanism. Slightly lift the rectangular top and the slide the mechanical horizontal draw-leaf style extensions to expand the the width of the top, morphing the library table / sofa console into a kitchen table / dining table. Having a bookmatched burl wood, oak and walnut banded, parquetry inlay top, molded apron with dovetailed frieze drawer, rising on turned urn baluster-form standards, over shaped stretcher joined trestle base with twist ornamentation, resting on bun feet, signed, stamp to frame under top. Dimensions: (approx) 31" High, 54" Wide, 23.5" Deep Extended: 37.5" Deep Provenance / Acquisition: John Phifer Marrs collection. Important auction house J. Garrett Auctioneers, Dallas, Texas, May 2021 catalog, presented a special curated collection from John Phifer Marrs, premier Southern interior designer known for an elegant, fresh and inviting design method, often called The New Southern Style...

A late 19th Century, antique French Versaille coffee or sofa table made of hand crafted Oakwood, in good condition. The detailed parquetry wooden top is resting on four sculptural wr...

French Louis XV style ormolu-mounted kingwood and satinwood parquetry dressing table or coiffeuse, late 19th century. Incredibly luxurious petite dressing table...

A magnificent period Italian Art Deco Moderne elaborately inlaid table. circa 1930 Finely hand-crafted in Italy, most likely the Sorrento - Naples region of Southern Italy, featuri...

A rare and exceptional large French speckled plum pudding mahogany rosewood marble ormolu flip-top mirrored gentleman's bureau dressing table / writing desk (poudreuse coiffeuse de t...

Regency Mahogany Games Table, with Leather top Turned tapering & collared Mahogany legs, set on Mahogany frieze with geometric inlay, with a brass mount on an ebonized background b...

Outstanding Italian 18' century walnut, parquetry bureau cabinet fruitwood inlaid with scrolling foliage, The upper section with a shaped carved cresting centered by a cartouche-sha...

Antique Flemish / Dutch walnut marquetry Royal Manuscript cabinet, circa 1680. The cabinet possessing a stepped cornice with a carved frieze of frui...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

Early and important Tomaso Buzzi dining room server cabinet embellished with ornately detailed marquetry depicting the entrance to the ‘Bosphorus Straits’. The artwork is an imaginative rendition of one of the most economically and geopolitically important locations on the planet, namely, the vital trade route between East and West through the ancient city port of Constantinople or modern-day Istanbul. The piece reflects the influences of various historic Empires in the region, including Egypt in North Africa to the North West, and The Greek and Roman Empires to the North East, and the Turks to the East. The scene portrays a time when countless battles occurred in these provinces in order to control the flow of Maritime trade between the Continents of the Northeastern Hemisphere and The Orient or the Far East, along the ‘silk road’. The illustration includes numerous architectural icons including the Pyramids of Giza, Roman Colosseums, Roman Aqueducts, Greek Acropolis style buildings, The Galata Tower, The Obelisk of Theodosius, Rumelifeneri Castle, and The Blue Mosque of Istanbul amongst others. A variety of seafaring vessels, marine life, and geological landmarks are also included in the panorama. This masterwork was executed by Buzzi during his tenure at the school of arts and crafts in Sao Paulo Brazil in the late 1920s. This was during the time he joined the "Novecento Milanese" Group and began to collaborate with Gio Ponti on the newly developed Design Magazine, Domus. The cabinet was showcased as a centerpiece in the 8th Triennale of Modern Decorative Arts in Monza, Italy in 1930. It is well documented and retains the original brass plaque from the Institutional Authority of the Arts in Brazil. A copy of a promotional postcard from the exhibition signed by Buzzi and featuring this cabinet is part of the Buzzi Archive. Crafted from indigenous Brazilian...

A very fine pair of French 19th century Louis XVI satinwood marble top demilunes with fine gilt bronze mounts. Marquetry inlay in various woods on the center doors . Parquetry panels...

Large ceruse oak dining or library table, France circa 1940's This stunning large ceruse oak dining or library table, sourced in France circa the 1940s, combines elegance and history...

With inlaid parquetry top and parquetry inlaid front corner stiles. Very pretty patina and polish. Perfect bed size chest. The front façade in a shallow bow typical of Regence style...

Shown here in salvaged Mahogany with a "Curved" profile featuring defined edges and sharp corners. The beauty of Richard’s signature STACKED style is based entirely in the process. ...

A fine French antique, circa 1900, Transitional Louis XV - XVI style marble-top chest of drawers commode. Hand-crafted in France in the early 20th century, exceptionally executed in 18th century Regence taste, of excellent quality, craftsmanship and solid wood construction, featuring stunning matched veneer and banded serpentine shaped case, fitted with three graduated dovetailed drawers. Each drawer affixed with original patinated gilt brass Rocaille pulls flanking ornate complimentary escutcheons, over chiseled gilt bronze mounted scalloped apron, rising on tapered French transition legs, ending in sabots. Topped with the original rouge red marble...

Let’s talk custom. It could be as simple as tailoring the scale of this Scalloped Mirror to fit a specific environment, or designing something entirely ne...

A fine pair of Louis XV style kingwood shaped pedestals with conforming marble tops, beautifully detailed foliate marquetry inlay on two sides, complimented with parquetry and scroll...

LOUIS XVI STYLE PARQUETRY-INLAID ORMOLU MOUNTED ONE-DOOR ARMOIRE Paris, France circa 1880 lock stamped "B & P Paris", back of one mount stamped "L.P." Item # 403BDA14P This exquisite Louis XVI style armoire is a picture of the high precision cabinetwork the French ébénistes of the 19th century were capable of producing. Crafted in Paris in the last years of the 19th century, the cabinet is finished on the top with an original marble top shaped to conform to the cabinet profile. This is raised by a thin crown of egg-and-dart molding over a repeating greek-key border executed in solid brass. The front door is a brilliant display of parquetry inlay work, an extraordinarily complicated arrangement that comes together flawlessly: the kingwood veneer ground is set diagonally while being bookmatched down the center to create symmetry - a form that is more fully developed in the sides of the case where these diagonal veneers are set into rectilinear and square panels for greater effect. This surrounds a rosewood and stringer-inlaid border encasing a latticework of rosewood astragals over squared lighter hue woods. The application of the veneers is so convincingly executed - note the curves of the rosewood inlays where the grain of the wood twists to create spirals that appear to layer upon one another. In the center of the door is a large ormolu mount of a Neoclassical urn with bacchus masks on either side raised over a pierced footer embellished by foliage. This door opens using only a key, as there is no knob or pull hardware to allow access to the space. The interior is a very spacious and simple arrangement that allows clothing to be hung while valuables and smalls are stored in the cupboard at the top. No keys are presently available for the door or the interior cupboard, but if locking the armoire is important than having keys fabricated is never terribly difficult and can be done by our shop upon request. The lock is marked on the inside by the fabricator "B & P Paris", while one fo the rosette mounts on the corners of the cabinet is marked "L.P." A magnificent example of Parisian craftsmanship from the late 19th century, this is a very fine armoire of ideal dimensions for both function and aesthetically. Unlike so many armoires and wardrobes...

This STACKED Mirror is shown here in salvaged Walnut, with a "Curved" profile. The beauty of Richard’s signature STACKED style is based entirely in the process. Each STACKED object ...

Gorgeous Early 1900's Antique English, Carved Oak, Parquetry, Glazed Door, Corner Cabinet! Display Antique Corner Cabinet, English, Carved Oak, Parquetry, Glazed Door, Early 1900s, 20th Century! This antique corner cabinet is a unique piece of furniture that exudes timeless beauty. It is crafted from oak wood and features intricate carvings that add to its overall elegance. The cabinet has a glazed door that showcases its stunning parquetry design, making it a perfect addition to any room in your home. With a height of approximately 73.75 inches, a length of 31 inches, and a width of 21 inches, this unit is the perfect size for any corner. It is a single unit that comes with doors and is perfect for storing your precious items. This antique cabinet is a valuable addition to your collection and adds character to any space. English oak corner cabinet...

A pair of Conant Ball Mid-Century modern Oak Parquet Checquered single drawer side tables. Measure 20" in width, 26" in depth and stands 20" tall. Drawer measures 13.25" in width, 19...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Art Deco walnut and parquetry folding side table. Franz Seifert design for Kunst-Mobel, Germany. Art Deco modern folding snake table with beautiful...

Louis XV Style Marquetry And Parquetry Kingwood and Satinwood Corner Cupboard / Cabinet. Features two shelves lined with felt clothes and a bottom drawer. Comes with key. Measures 31...

This is a beautiful antique French Louis Revival parquetry and ormolu mounted breakront vitrine, circa 1860 in date. This beautiful cabinet has exquisite parquetry and crossbanded ...

American Federal Inlaid Mahogany Serpentine Card Table, circa 1800, Baltimore of Philadelphia, with flip over top and gate leg extension. Extended: 28.25" H x 40.25" W x 36" D. Prove...