Parquetry Furniture

A wool and cashmere throw blanket hemmed with natural Gold Cross Fox fur. Thanks to its front Prince of Wales design and its back, black and white, Pied de Poule design, livens up th...

The bed runner made of pure wool and Fox fur adds style to the room, lighting it up with its natural brightness. The alternation of fox fur with wool creates a raised pattern that d...

Modern Wenge Oak Dining Table Designed by Greg Sheres. The “Angles” table top features a geometric design. Fully extended with leaves, this dining table opens up to 114-inches, giv...

A unique piece of the utmost quality from our Collection. Touching this throw will give you a unique sensation of softness and warmth, being chinchilla hair one of the thinnest and...

Fully Restored 1901 Steinway & Sons Model B Louis XV Baroque Rococo Grand Piano – Serial Number 99151, Full 88 key keyboard. The most exquisitely d...

A bespoke, one of a kind, custom table designed and built by History Never Repeat's master craftsman A. Saxton in the United States. A commanding, yet elegant table that will anchor ...

Modern Walnut Dining Table Designed by Greg Sheres. The “Angles” table top features a geometric design. Fully extended with leaves, this dining table opens up to 114-inches, giving...

A 19th Century, antique German Biedermeier tall secretaire with a writing flap made of hand crafted shellac polished, partly veneered Cherrywood and Burlwood, in good condition. The ...

A contemporary French console table, Acacia, by R & Y Augousti. This sculptural console table features a tessellated shell veneer top and a cast bronze base — a distinctive combinati...

A late 19th Century, antique French Versaille coffee or sofa table made of hand crafted Oakwood, in good condition. The detailed parquetry wooden top is resting on four sculptural wr...

A elegant vintage Italian Louis XV style kingwood tulipwood inlaid cocktail table by Fratelli Cattaneo (Northern Italy; 1947-present) circa 1960s Originating in the historic Provinc...

French Louis XV style ormolu-mounted kingwood and satinwood parquetry dressing table or coiffeuse, late 19th century. Incredibly luxurious petite dressing table...

A lovely French armoire in walnut with arched bonnet, fluted astragal between the two paneled doors with parquetry decorating the middle panel of each, and resting on carved escargot...

A large and very well made French style Cabinet with fine form and function. With an elaborately carved shaped case with foliate scrolled decoration, recessed sides with doors and es...

This exceptional 20th-century French parquetry coffee table exudes elegance and sophistication, making it a refined addition to any living space. Expertly crafted, the table boasts a...

Primarily of tulipwood and kingwood with heavy gilded drawer mounts . Sturdy . Presents very well . The drawers reflecting the fabled tulip by the gilt rosettes. The veneers laid in...

An elegant country French Louis XV style carved oak expandable dining table from the early/mid 20th century. This Louis XV draw-leaf table features two pullout leaves that rest und...

This is an impressive and rare antique French Régence wood and ormolu mounted commode, circa 1720 in date. The stunning breche violette marble top ...

A 1960s Lane Furniture Oak Parquetry Coffee Table with scroll forged iron base painted black. Measurs 56" in width, 21" in depth and stands 15.25" t...

Antique Louis XV Style, solid carved wood end tables with decorative parquetry veneer Cast metal corner hardware, handles and feet in a gilt g...

This chic Italian writing desk has feminine curves, with a modern edge! This traditional, classic design is offset with sleek details – both desktop and drawer are flush, seamlessly...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

A fine antique French Louis XV style bibliotheque (bookcase), or display cabinet made by master ébéniste Schmit & Cie. Hand-crafted of exotic kingwood veneers, matched and cross-band...

Jean-Michel Frank Inspired Exquisitely Crafted Parquetry cabinet - 20th century.

Antique chest of drawers from aristocratic property with trompe-l'œil marquetry Southwest Germany Walnut and others around 1770 Dimensions: H × W × D: 87 × 124 × 66 cm Description...

Regency Style Mahogany Display Table, with parquetry inlay details and glass paneled lift top opening to blue velvet lined interior above four tapered legs conjoined by X-form stretc...

A French Louis XV style dining set includes an oak table with parquetry draw top and raised on cabriole legs terminating in scroll form feet; four chairs are upholstered with tall ba...

This is a beautiful pair of antique French Louis Revival wood and parquetry occasional tables, late 19th Century in date.   The ormolu banded round Rouge Griote marble table tops sur...

A Fine and Impressive French 19th Century Louis XV Style Ormolu-Mounted Mahogany and Parquetry Commode a Vantaux, after the model Antoine Gaudreaux's 'Commode Médallier du Roi Louis ...

A rare and exceptionally inlaid antique slant-front drafting desk. circa 1900 Hand-crafted in the early 20th century, likely French, one piece desk on frame form, having a sloped fr...

Exquisite William IV Style bedstead in solid rosewood and kingwood with amazing Marquetry And Parquetry work. On wheels Full size Bedstead. Measures 61inches in width, 84 inches long. Headboard is 65" high, footboard is 39" high. These are outside dimensions. Fit regular full size bed mattress...

A Louis XV Style Satinwood Inlaid Mahogany Parquetry and Marquetry Corner Cabinet. Lock and key present and functional. Measures 28" in width, 23" in depth and 57" in height.

A scarce antique American Renaissance Revival style carved walnut extension table by Seng, Chicago, Illinois. circa 1920/1930 Born in the United States in the early 20th century, featuring a rare and unusual form and extension mechanism. Slightly lift the rectangular top and the slide the mechanical horizontal draw-leaf style extensions to expand the the width of the top, morphing the library table / sofa console into a kitchen table / dining table. Having a bookmatched burl wood, oak and walnut banded, parquetry inlay top, molded apron with dovetailed frieze drawer, rising on turned urn baluster-form standards, over shaped stretcher joined trestle base with twist ornamentation, resting on bun feet, signed, stamp to frame under top. Dimensions: (approx) 31" High, 54" Wide, 23.5" Deep Extended: 37.5" Deep Provenance / Acquisition: John Phifer Marrs collection. Important auction house J. Garrett Auctioneers, Dallas, Texas, May 2021 catalog, presented a special curated collection from John Phifer Marrs, premier Southern interior designer known for an elegant, fresh and inviting design method, often called The New Southern Style...

An incredibly refined design piece. A sheared, dark blue Mink throw blanket with a beige Cashmere, Wool and Alpaca lining and hem. This throw blanke...

Art Deco Bamboo Side Table / End Table - Parquetry Inlaid Tabletop - France Circa 1930 Nice woodwork on the tabletop with parquetry inlays. The table is made entirely of bamboo : ...

Amazing Art Deco table made in Sweden during the so-called Swedish Grace 1920s period. Most likely by Carl Malmsten. Great quality and in a fine vintage condition. Freestanding, ...

An outstanding French Art Deco / Mid Century Modern tall cabinet. with N.F. Ameublement seal. The armoire features stunning Macassar ebony in a geometric parquetry inlaid pattern with dots of decorative mother of pearl inlay. The case rests on elegant, tapered ebonized legs capped by nickeled bronze tall sabots. The exterior wood grain is all in the original high gloss lacquer finish. and is in very good original condition, with minor wear consistent with age. This unique piece offers an interior refinished in beautiful cedar with ample storage supporting two interior shelves behind the double doors. A unique blend of Art Deco and Mid-Century Modern design pervades this cabinet and showcases an overall exquisite cubist, stark and simple design. The original label is present, and is stamped 1973. Label by Ameublement NF...

A rare early François Linke bureau plat (c.1889, a masterwork of the Belle Époque by France’s most celebrated ébéniste. Originally from the Estelle D...

An elegant pair of antique French mahogany and ormolu mounted parquetry bedside chests, circa 1870 in date.   The rectangular cabinets are free standing and surmounted with grey vein...

A richly ornamented Louis XV style parquetry commode after Charles Cressent, topped with a serpentine brèche d’Alep marble top. The bombé front encloses two drawers veneered in fine ...

A French early 19th century walnut drop leaf dining table with mahogany parquetry banding and round fluted legs. This versatile table was once an extension dining table that was lon...

PRESENTING AN ABSOLUTELY OUTSTANDING 19C French Empire Style Style Complete Bedroom Suite/Set. HIGHLY, IMPORTANT AND UNIQUE Empire Style Bedroom Suite or Set from circa 1880. The Suite/Set is almost completely original, save the bed, which was originally twin size, but professionally commissioned to be customized and converted into a Euro King Size for modern practicality. The quality of the conversion matches the quality of the suite/set. All pieces have gilt bronze mounted fittings; beautiful patina, beautiful parquetry; beautiful carrara marble tops, simply stunning! About 10 years ago, I saw the ‘identical twin’ of the Commode in an Antique Store on Central Park in New York, however it had a less desirable green marble top (IMHO), and they were looking for 30k USD for the Commode, on its OWN! This Suite/Set is SO GOOD that it is the main exhibit in our rear Showroom. Not marked but under the marble top of the commode there are 2 signatures in pencil (1) M. Le Youters (?) and (2) M. Daneels. You will NOT find another complete suite/set like this ANYWHERE! AS A BONUS: We have curated and sourced (recently) a Pair of Monumental French Empire Wall Sconces which are a ‘PERFECT’ match for this bedroom set! (See pics) These sconces are being sold separately BUT they really COMPLETE the entire bedroom! The Suite/Set includes: European King Size Bed (Headboard, Baseboard, side panels and central support bracket). 2 Matching Bedside...

A stylish, superbly handcrafted French rosewood inlaid bedside cabinet or end table from the second quarter of the 20th century. The fine vintage piece, circa 1940s, features beautif...

This armoire is made in the Louis XVI style. Its made of walnut. Its has finely done Urns and botanicals inlaid on the front doors. The side doors are done in a parquetry and have he...

18th Century Italian Wooden Center table. Table features a hexagonal top, double bands of parquetry string inlay and a molded edge. Rococo design features splayed legs adorned with i...

An English George III mahogany demi-lune gate leg game table with a lovely old patina and color. This small scaled demi-lune is a perfect cosole i...

George III Mahogany Demilune Pier Table, parquetry inlay design lines, apparently unmarked. 29" H x 45" W x 21.5" D.

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

Add sophistication and versatility to a salon, library, or game room with this elegant folding card table. Crafted in France circa 1930 and built of solid mahogany, the square table ...

This exceptional pair of Italian Louis XVI nightstands, originating from the skilled workshops of Tuscany circa 1780, represents a refined example of 18th-century Italian craftsmansh...

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à cylindre, is among the most celebrated masterpieces of 18th century furniture design—an unparalleled example of French craftsmanship and regal opulence. Originally commissioned by King Louis XV in 1760, the project was entrusted to ébéniste du roi Jean-François Oeben (1721–1763). However, Oeben passed away before its completion and his successor, Jean-Henri Riesener (1734-1806), finalised the desk in 1769. During the 19th century, several master cabinetmakers sought to replicate this extraordinary creation, including the esteemed Emmanuel Alfred Beurdeley (1847–1919). The present example, produced circa 1890, was exhibited at the 1893 Chicago World’s Fair, where it garnered admiration for its exceptional artistry. Following the exhibition, it was acquired by financier George Jay Gould I (1864–1923) and later photographed in the Lakewood, New Jersey residence of his wife, actress Edith Kingdon Gould (1864–1921). This magnificent desk is crowned with a decorative clock, draped in festoons and accompanied by two playful putti and a finely sculpted dog. Twin ormolu urns rest atop an openwork gallery, leading to additional flower-filled ormolu vases. Flanking the central roll-top panel are finely cast ormolu figures of Apollo and Calliope, each supporting a twin-light scrolling acanthus candelabrum. With a turn of a key, the roll-top slides open to reveal an exquisite arrangement of three pull-out shelves and three drawers, each front panel adorned with delicate ormolu banding and intricate floral trellis parquetry. A gilt-tooled leather writing surface unfolds, featuring a pop-up central panel that lifts to reveal a folding folio stand alongside three additional storage compartments. Below, a central kneehole drawer, embellished with an ormolu bow, is flanked by twin-divided drawers, all decorated with finely detailed floral marquetry. Every aspect of this Bureau du Roi is a testament to superior craftsmanship, featuring elaborate marquetry and parquetry designs. The upper section consists of three panels, with the tambour roll-top inlaid with intricate mythological motifs. Two side medallions bear Latin inscriptions drawn from Cesare Ripa’s Iconologia (1555–1622): NON. NISI. GRANDIA. CANTO. / IRRIDENS. CUSPIDE. FIGO. and BREVI. COMPLECTOR. SINGULA. CANO / PASTORUM. CARMINA. LUDO. These decorative elements, along with the marquetry on the roll-top and upper surfaces, celebrate the arts, literature, and architecture. The bombé sides of the desk are richly decorated with marquetry panels depicting symbols of both naval and terrestrial warfare, framed by elegant ormolu laurel swags. These ornamental details complement a series of exquisite blue and white Wedgwood Jasperware medallions...

Mid 19th century Tunbridge ware stationery box by Edmund Nye, manufacturer. The dome-shaped top is inlaid with a specimen parquetry panel, crossbanded with boxwood and stringing and...

Milo Baughman dining table features burled walnut parquet design top with chrome-plated pedestal base. The table includes 2 leaves. Measures 44" deep x 29" high x 66" long without th...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A pair of incredible bow glass sided show cases from one of the exclusive ladies fashion shops in the Newbury Street area of Boston,Ma. These spectacularly designed glass show cases...

Distinctive country Italian round oak dining table or center table featuring a parquetry inlay top. The thick circular top showcases traditional marquetry techniques with intricate g...

A refined French sideboard designed in the elegant modernist tradition attributed to Jules Leleu. The rectangular top above a case fitted with two pairs of doors, each finely decorat...

The Nine Skies Bar Cabinet is a captivating piece that combines perfect function and exquisite design details. Crafted meticulously in premium Ceylon Teak, fine Italian leather, marb...

A 20th Century, large vintage Mid-Century modern Italian credenza with a slanted top, made of hand crafted polished Rosewood and Walnut, designed and produced by Consorzio Esposizion...

A charming scarce Spanish Colonial era parquetry inlaid cedar legged storage chest (large table box / small trunk) with nicely aged warm rich dark patina. circa 1790 Rustic handmade...