Veneer Furniture

Wood stool with leather upholstered seat. Customizations available. Please inquire for prices and information. Handmade to order in Los Angeles, CA.

An extraordinary fine English victorian marquetry Sycamore, Amboyna, burr-walnut and ormolu-mounted circular tulipwood crossbanding tip-top center table with inlaid decorations depicting wicker baskets full of flowers, vines, butterflies and hummingbirds, in the manner and attributed to Edward Holmes Baldock (1777-1845) after a design by Richard Bridgens, circa London, 1840. Measures: Height: 29 1/4 inches (74.3 cm). Diameter: 53 1/2 inches (135.9 cm). Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a 'dealer in China and glass' and by 1821 as ' an antique furniture and ornamental furniture dealer'. By 1826 the various facets of the business included 'buying and selling, exchanging and valuing China, cabinets, screens, bronzes etc' Baldock's business seems to have largely involved trading in foreign items and from 1832-1837 he was the purveyor of earthenware and glass to William IV and later purveyor of china to Queen Victoria from 1838 until his death. He is known to have repaired, re-modelled and adapted furniture...

Booleanos Dresser 3 Drawers, Chest of Drawers in Warm Wood Veneer, Joel Escalona Each piece of the Booleanos collection recreates an optical illusion that blurs the line between two...

Modernist ultra-thin table made of chrome-plated steel and veneered wood, customizable. Production time: 10-12 weeks.

Swedish 19th century 5 drawer chest of drawers circa 1870. Fine quality Scandinavian chest of drawers made in mahogany.  Stepped top with ...

FREE WORLDWIDE SHIPPING Vanity Box by Mappin & Webb in Coromandel with Sterling Silver dated 1854. The vanity box is of rectangular form extensively veneered in exotic coromandel and edged throughout with brass, incorporating double brass stringing to both the lid and front with a raised escutcheon to the centre. Opening the vanity box reveals a complete fitted interior comprising seventeen glass bottles topped with engraved sterling silver lids hallmarked for James Vickery, London, 1854. The quality of silver mounted fittings reflects the mid nineteenth century standard expected from a luxury retailer such as Mappin & Webb. The front panel folds down to reveal wing compartments which pivot outward through 180 degrees. Within sits a comprehensive mother of pearl handled tool pad incorporating a shoehorn, penknife, thread hook, multiple pairs of scissors, tweezers, file, needle and pricker. Beneath the tool pad is a concealed compartment accessed by depressing the retailer’s plaque positioned along the rear edge of the case. The retailer’s plaque reads: Mappin & Webb, Sheffield 158 to 162 Oxford Street & Mansion House Buildings London. With the wings extended, additional concealed drawers can be accessed by removing the rectangular jars positioned to the rear and depressing the back edge of each compartment base, activating a spring loaded latch mechanism. The underside of the lid houses a removable mirror bordered with gold tooling, designed to stand independently on its bracket. Behind the mirror is a further concealed compartment suitable for storing correspondence or documents. A fully fitted mid nineteenth century coromandel vanity box...

Modern Zambujeiro Bedside Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Zambujeiro bedside table channels the enduring strength and quiet presence of...

The Momentum Chaise Lounge White is a contemporary sculptural statement that merges timeless global design influences with refined 21st-century aesthetics. Conceived to transcend tre...

A Georgian Tunbridge Ware sewing box dating to circa 1840. The rectangular rosewood box is extensively decorated with geometric Tunbridge Ware mosaic inlay across the exterior and st...

19th century German style small Bedermeier armoire/wardrobe with burl wood cherry. One long drawer at the top. Interior has shaves and three drawers. Sits on top of carved legs with ...

Dimensions - H: 29 1/4 in W: 38 1/4 in D: 25 1/2 in A masterwork of nineteenth-century French cabinetmaking, this French Louis XVI style bronze ormolu mounted mahogany writing desk...

MYDNA is a chic and contemporary storage system inspired by the DNA concept: both by its sophisticated double helix shape, and by the metaphorical statement that everything you place...

Stylish pair of Mid-Century Modern nightstands manufactured by American of Martinsville. Well-built frame with walnut veneer exterior. A nice addition to any modern interior. Please ...

A striking statement piece clad in richly veined terracotta marble, this vintage coffee table showcases warm hues of rust, blush pink, cream, and white. Its bold, architectural silho...

A fine quality George II period walnut Lowboy of compact proportions. The quarter veneered book-matched top with herringbone banding and outer walnut banding, above an arrangement of...

Kaid nightstand is a functional and eye-catching furniture piece that is sure to add a modern and unique touch to your living space. The contrast be...

An Italian walnut quarter-veneered side table from the late 18th century, with single drawer and cabriole legs. Born in the later years of the 18th century, this Italian walnut table...

French Empire Chest of Drawers, France, 1810 – A Timeless Antique Masterpiece This exquisite French Empire chest of drawers, crafted in France circa 1810, showcases the elegance and ...

Coffee Table Warren Set of 2 composed with 2 built-in coffee table: A/ With structure in solid mindi wood and covered with dark grey oak veneer. B/ With base structure in solid mindi...

Unusual mid century amoeba form console table, design reminiscent of the classic T.H. Robjsjohn - Gibbings pieces, construction suggestive of the Widdicomb Furniture Company, unsign...

Bring home the timeless elegance of Michigan's Mastercraft Furniture with this genuinely stunning credenza made of marble, brass, and burl. Seamlessly blending the classic elements o...

Charming, old restored 19th century Biedermeier chest of drawers/ buffet from the early period around 1830 in Austria. This lovely three drawer commode impresses with its thick cherr...

Go sideboard is a high quality product by Mambo Unlimited Ideas, crafted in wood veneer structure, lacquered mdf doors and plywood veneer applications on doors. It features three dim...

A striking example of 1970s American design, this vintage dresser or cabinet is crafted in beautifully figured burled wood and signed by John Stuart. The clean-lined rectangular form...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry - Inlaid - Two-Drawer Com...

Inspired by the elegant geometry of 1940s Art Deco, the Geller console transforms this timeless aesthetic into a sleek and versatile design. A Lustrous finish marble top, with natur...

Unique Mid-Century Modern two-tier step table with cantilever floating top design, features copper tray inserts on both shelves which are useful as a pl...

This elegant Biedermeier wall mirror embodies the restrained sophistication that defines early 19th-century Austrian design. Crafted around 1820, the mirror features beautifully figu...

Empire secretary featuring four drawers and a flat fall-front writing surface. The piece stands on ebonized and gold-patinated paw feet and is flanked by pilasters carved with wooden...

A refined Art Deco side table distinguished by its sculptural form and beautifully figured walnut veneer. The circular top rests above a dramatic curved pedestal base, where sweeping...

Furniture for living area; unique piece, privately commissionated, composed of a wainscouting with retractable shelfs, bar furniture with glass made sliding doors, brass pillar with ...

Joaquim Albuquerque Tenreiro was born in 1906 in the small village of Melo, Portugal, which at the time had 1500 inhabitants. His father and grandfather were woodworkers, and some ac...

Backgammon Aranka Red with structure in wood in walnut veneered and covered with fabric with novel pattern. Dimensions closed: L49xD31xH7cm. Dimensions open: L49xD63xH3,5cm.

19th century burr elm octagonal side table. Circa 1880. Octagonal burr elm top, with central strung circle and border around the outside shape. Barley twist and turned stem, raised ...

A carefully crafted table made of fir and jacaranda, with exotic jacaranda veneers, the working surface rests on a solid, slightly detailed frame of solid jacaranda. The clean design...

Art Deco Halden Lounge Chair Set of 2 , Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Halden lounge chair is a tribute to the elegance of the 1930s, drawing ...

Kanyon is an authentic cocktail table which combines functionality and sculptural posture with simplicity, beautiful materials and exquisite craftsmanship. Inspired by the topograp...

A robust and spacious dining table designed by Cantu, measuring approximately 3.5 meters in length, this piece is ideal for large gatherings and expansive interiors, combining presen...

This is the 1930s Swedish Grace cabinet made from elm and birch in nearly excellent condition. It comes with a tall elegant leg structure with s...

A handsome pair of Bernhardt Furniture Company “Soho Luxe” cube side drinks tables, constructed of burlwood and polished stainless steel. Each table features a substantial cube body...

A strikingly elegant and unusual Art Deco period Mahogany Egyptian revival glazed display cabinet. Of tapering form, having classical gilded ormolu motif decoration to the mouldings....

Truly the work of a master-level woodworker from Southern Germany, this four-drawer commode has a unique serpentine shape. Hand-carved (circa 1750) with a sinuous front, the chest of...

Modern Windy Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Windy quartz dining table captures the effortless movement of a gentle...

A teak chest of drawers from G Plan Featuring 4 drawers

Vintage Mid-Century / Hollywood Regency Burl Wood Side Table by Mastercraft Furniture. Circa Mid 1960s . Features a medium size square shape with a beautiful olive burl wood veneer f...

Single sconce made from natural ash veneered plywood (clear coated) and brushed aluminium tube (first image). This discounted listing is for this material / colour combination only a...

A shagreen veneered Art Deco lamp with recessed distressed mirror glass and silvered beading. Please note we are currently working to a 30-36 week lead time and that this item is ma...

Mid-Century Modern Grand Dining Chair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Grand dining chair is a versatile piece that combines elegance with func...

Having a rectangular top above a conforming case with 4 doors and two drawers, the interior with storage areas, the far right door folding forward, retaining original round brass key...

This is the Swedish Modern 1930s Cabinet with detailed Mjölby Intarsia-decor from Vingåkers Möbelfabrik. It comes in very good condition, made of birc...

One of a kind and superb condition Art Deco desk from the late 1920’s. This sizable and timeless desk is one of the best specimens from the European Art Deco era that we have ever ...

Biedermeier roll-top secretary raised on block-mounted square legs and fitted with three drawers in the lower section. Above is a pull-out writing surface concealed by a quarter-cyli...

Art Deco Style Fontaine Marble Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine marble dining tab...

This unique game table dates back to the early phase of the Biedermeier period. It comes from Southern Germany. The game table has a beautiful walnut root veneer on top and apron. ...

Empire period commode with detached columns in walnut and walnut veneer, mounted on a very high-quality solid oak and fir frame. Functional key and locks. Original black marble...

A Fine and Grand Late 19th Century Transitional Style Gilt Bronze Mounted Vitrine/Bookcase By Paul Sormani Paul Sormani A long marble top above a bronze frieze with two glass cente...

Remarkable late 18th Century halfcabinet or so-called "Trumeau" commode from the "Josephinism" period in Austria. (called after Joseph II, holy Roman emperor in which he was the sole...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine - display case, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Large oblong serving tray made from rosewood veneer (East Indian Type). Suitable as a bed serving tray due to its size and raised edges. It was made i...

A very elegant Art Deco chair finished with a lacquered doucine base polish and elegant yellow vinyl. An exemplar set of Art Deco style for the perfect and timeless decor. We also...