Charles X Drawings

This ethereal drawing by Dunbar Beck demonstrates his mastery of the human figure, with antecedents in Renaissance and Pre-Raphaelite paintings. Beck was one of America's most accomp...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Two panoramic engravings of Italian cityscapes by ports.

French academic drawing of a classical Roman. This handsome framed French drawing of a classical Roman figure was created by a talented artist ...

An authentic, perfect and bright, originally hand-colored, illustration of 2 Parrots and 2 Parakeets: L' Ara Rouge, La Perruche a face bleue, L' Ara Verd and La Perruche Tabuan. Draw...

Pair of 18th century hand-colored armorial engravings in giltwood frames.

Drawing of a column base from the Constantine Baptistry in Rome, with description 'base qui esa au Baptistaire Constantin'. Framed H. 27.5" W. 31.5" Sheet Size: H. 17" W. 20".

A stunning late 20th-century academic graphite-on-paper male figure drawing showcasing a skillful attention to musculature, highlights and shadows,...

academic drawing, March 15, 1870

A charming and decorative collection of nine Italian hand-colored bird engravings, beautifully presented in matching frames with newly added mats. Each engraving features delicately ...

19th century framed sepia toned drawing with some watercolor of a Venice scene of gondolas in the river and houses surrounding. Appears unsigned. G...

Moutaineous Landscape with Bridge over a River Signed lower right by Jean-Baptiste Gabriel Langlace (1786-1864) Brown wash on paper.