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Material: Cement
Boston Modern Fresco of Angel on Concrete by Jean Wechsler Knapp
By Jean Wechsler Knapp
Located in Hanover, MA
Boston Expressionist fresco painting of an angel playing a curved horn within a key pattern on a cast concrete slab by Jean Wechsler Knapp, 1927-1993. Signed lower right. Deaccessioned from the DeCordova Museum and Sculpture Park, Lincoln, Massachusetts. Previously exhibited at the School of the Museum of Fine Arts, Boston, Massachusetts. Verso retains museum exhibition labels. Would make a nice top for a table base. Ref: Boston Modern: Figurative Expressionism as Alternative Modernism (Revisiting New England) by Judith Bookbinder Jean Wechsler Knapp was born:: September 19, 1927, Chestnut Hill, Newton, MA Died: April 18, 1993, Cambridge, MA (Caroline Knapp's mother) Wife of Dr. Peter H...
Category

1950s American Expressionist Vintage Cement Paintings

Materials

Cement

Prairie, USA
Located in New York, NY
Brooklyn based Stefan Rurak’s unique vision and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work...
Category

2010s American Cement Paintings

Materials

Concrete, Cement, Sheet Metal

Console Diptych, USA
Located in New York, NY
Stefan Rurak’s credenza diptych typifies his unique approach to design. Rurak has translated his truism, denouncing the distinction between art and design, into a literal representat...
Category

2010s American Cement Paintings

Materials

Concrete, Cement, Steel

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Previously Available Items
Construction by Laddie John Dill
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Construction by Laddie John Dill
Construction by Laddie John Dill
H 32 in W 48 in D 2 in
Laddie John Dill, A Sculptural Construction in Cement, Glass and Natural Oxides
Located in Peabody, MA
A sculptural construction in cement, glass and natural oxides by the important Los Angeles sculptor and artist Laddie John Dill, ca. 1970s. Dill was a founding member of the fascinating “Light and Space” movement, which was related to op art, minimalism and geometric abstraction, but originating in Southern California in the 1960s. The term "Light and Space" derives from a 1971 exhibition at the UCLA University Art Gallery, titled Transparency, Reflection, Light, Space. It reflected the uniquely West Coast ideals of sun, cars, surf, and sand and these young artists eagerly experimented with many of the latest technologies developed for the Southern California based aviation engineering and aerospace industries. Their work was recognizable for a hard edged brutalist aesthetic which incorporated geometric themes in glass, neon, fluorescent tubes, poured resins and cast acrylic as common materials. Dill was a close friend of the artist Robert Rauschenberg and the two staged a joint exhibition in 1970 titled “The Light Show”. Rauschenberg arranged a solo show for the younger artist at the famed Ileana Sonnabend Gallery in New York, making Dill the first Light and Space artist...
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Harry Bouras Sculpted Painting, 1974
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1970s Vintage Cement Paintings

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Harry Bouras Sculpted Painting, 1974
Harry Bouras Sculpted Painting, 1974
H 61.5 in W 49.5 in D 3 in
"Possible Text IX, Deeds Forever Known." Mixed-Media Painting by Harry Bouras
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Eugene Bavinger 1964 "Aspen" Abstract Painting
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1960s American Mid-Century Modern Vintage Cement Paintings

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Cement

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