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Organic Material Paintings

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Material: Organic Material
Richard Hirsch Encaustic Painting of Nothing #9, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Large Green, Pink, & White Abstract Acrylic Painting on Canvas by John Link
Located in Greensboro, NC
Large Vibrant Green, Pink, & White Abstract Acrylic and Alkyd Resin Painting on Canvas by John Link titled "Precession" 2007. Painting on canvas by the La...
Category

Early 2000s North American Modern Organic Material Paintings

Materials

Canvas, Resin, Acrylic

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this striking piece envelops the viewer in a velvety spectrum of sepia tones, where ink and resin fuse into a fluid, meditative form. The artwork emanate...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this piece unfurls in deep, earthen hues that seem to pulse from within. A sepia core radiates outwards, dissolving into muted creams and soft shadows, l...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Richard Hirsch Encaustic Painting of Nothing #72, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this monochromatic composition offers a haunting serenity, unfolding in smoky layers of grey and soft black. Created with ink and resin on canvas, its or...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Pair Of Baroque Paintings Of Christ, 17th Century, Italy
Located in Lisbon, PT
A pair of Italian baroque paintings of Jesus Christ: - An 18th Century painting that depicts the Holy Family, Child Jesus, the Virgin Mary and the elderly Saint Joseph, with the An...
Category

17th Century Italian Baroque Antique Organic Material Paintings

Materials

Copper

Original Large Red Poppy Painting by Avi Ben Simhon - Oil and Resin on Canvas
By Avi Ben Simhon 1
Located in West Palm Beach, US
Large Red Poppy Painting by Avi Ben Simhon - Oil and Resin on Canvas This impressive large painting by renowned Israeli artist Avi Ben Simhon features a vibrant composition of red p...
Category

Late 20th Century Israeli Mid-Century Modern Organic Material Paintings

Materials

Resin, Wood, Paint

"You So Sweet" 2023 Large Black, Multicolor Abstract Painting By Lowell Boyers
Located in New York, NY
"You So Sweet" (2023) by Lowell Boyers is a luminous, high-energy composition-an explosion of color that feels both intimate and cosmic. Against an inky black ground, bursts of hot ...
Category

2010s American Modern Organic Material Paintings

Materials

Resin, Acrylic

Midcentury Decorative Painting with a Bouquet of Flowers Painted in Oil on Wood
Located in Mombuey, Zamora
Midcentury decorative painting with a bouquet of flowers painted in oil on wood Framed with wood and resin frame. Flowers ,english country, victorian style, roses, English countrys...
Category

Mid-20th Century French Victorian Organic Material Paintings

Materials

Resin, Wood

Richard Hirsch Encaustic Painting of Nothing Series, circa 2010 - 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic "Paintings of Nothing Series" #14, #16, #22 and #23 are made of ceramic raw materials, dry pigment and wax. Hirsch app...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Oil Miniature by José de Roxas – 19th Century Spanish Lady
Located in Madrid, ES
Exquisite oil miniature depicting an elegantly dressed Spanish lady, created by the renowned 19th-century painter José de Roxas, known for his exquisite miniature portraits. The fema...
Category

Early 19th Century Spanish Romantic Antique Organic Material Paintings

Materials

Organic Material

Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

"Miniature Avec Portrait d'Un Gentilhomme Espagnol – XIXe Siècle" Élégante minia
Located in Madrid, ES
An elegant hand-painted miniature depicting the portrait of a 19th-century Spanish gentleman, dressed in the characteristic attire of the period. The subject appears distinguished, p...
Category

19th Century Spanish Romantic Antique Organic Material Paintings

Materials

Organic Material

Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Painting "Tryptique des sanctuaires aux oiseaux" 1969, by Catherine Val
Located in Saint-Ouen, FR
Various Technique, resin and stone on the exterior shutters, signed and dated "69". Measures: Width 40 cm (close) - 80.5 cm (open).
Category

20th Century French Organic Material Paintings

Materials

Resin, Paint

Richard Hirsch Encaustic Painting of Nothing #60, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #5, 2010
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Prototype Encaustic Paintings of Nothing Series, 2009
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic "Paintings of Nothing Series" #1, #3, #4, #5, #6 and #7 are made of ceramic raw materials, dry pigment and wax. These ...
Category

21st Century and Contemporary American Organic Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Large, Blue, Red, Abstract Painting by Late American Artist John Link
Located in Greensboro, NC
Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...
Category

Early 2000s North American Post-Modern Organic Material Paintings

Materials

Resin, Acrylic

Large Multi-Colored Abtract Painting "Color In Space" by John Link
Located in Greensboro, NC
A large acrylic and alkyd colorfield painting by Late artist John Link (1942-2021) titled" Color in Space", 2007 Framed in the artist's chosen wooden frame, the title describes the ...
Category

Early 2000s North American Post-Modern Organic Material Paintings

Materials

Resin, Acrylic, Wood

Californian Lorraine Stelzer Resin 3D Panel Sculpture Painting, 1969
By Lorraine Stelzer
Located in Atlanta, GA
Californian artist Lorraine Stelzer created this mesmerizing psychedelic Pop Art composition in 1969. This mid-century modern dimensional wall sculpture panel is in resin and feature...
Category

1960s American Mid-Century Modern Vintage Organic Material Paintings

Materials

Resin

Midcentury Decorative Painting with a Bouquet of Flowers Painted in Oil on Wood
Located in Mombuey, Zamora
Midcentury decorative painting with a bouquet of flowers painted in oil on wood Beautiful bouquet of flowers framed in a spectacular gilded Rococo or French Baroque frame. A very dec...
Category

Mid-20th Century French Victorian Organic Material Paintings

Materials

Resin

Large Italian Gilt wood Frames
Located in Douglas Manor, NY
1-128 large Italian frames with elaborate cast detailing. Overall size 40 x 34 x 1" Inside rabbit 30 x 24"  
Category

1940s Italian Vintage Organic Material Paintings

Materials

Resin, Hardwood

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this artwork bathes the canvas in soft, sand-washed hues that flow from a warm center of sienna and chestnut. The ink and resin blend effortlessly, formi...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Antique Church Drawing, Lovely Wall Decoration Painting Signed Frans Vanderveken
Located in Wembley, GB
This stunning vintage painting of a Belgian church located in Gent, 3 Torens Belgium Baudelostraat 9B/9b - is a one-of-a-kind piece that will add beauty and elegance to any space. Cr...
Category

1950s Belgian Art Deco Vintage Organic Material Paintings

Materials

Organic Material, Paint, Paper, Parchment Paper

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this work captures a moment suspended between materiality and dissolution. A deep violet form pools at the base, anchoring the composition with weight an...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this artwork radiates with a luminous warmth, where golden caramel and burnt amber unfold in gentle waves of ink and resin. The composition emerges from ...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
A whisper of darkness suspended in stillness, “e·the·re·al” invites a moment of profound contemplation. Crafted with a delicate interplay of ink and resin on canvas, its surface capt...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this artwork flows in deep amber and clay hues, gently curling into a vortex of soft translucency. Created with ink and resin on canvas, the composition ...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Richard Hirsch Encaustic Painting of Nothing #70, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Original Abstract Painting by Listed Artists Tom Belloni
By Tom Belloni
Located in Palm Springs, CA
A beautiful 1976 abstract mixed-media painting by America artists Tom Belloni. The painting has orange, browns and gold colors. The painting is hand signed Belloni and dated 1976 on ...
Category

1970s American Modern Vintage Organic Material Paintings

Materials

Resin, Acrylic

Large Abstract Resin Painting by Noted Artist Anita Weschler
By Anita Weschler
Located in New York, NY
Large and impressive abstract art work by noted artist Anita Weschler. This piece is from her series of resin pieces done in the mid 20th C., it is in v...
Category

Mid-20th Century American Mid-Century Modern Organic Material Paintings

Materials

Resin

19th Century French Miniature – Portrait of a Gentleman
Located in Madrid, ES
An elegant 19th-century French miniature depicting a French gentleman dressed in typical period clothing, possibly belonging to the upper middle class or nobility. The piece features...
Category

19th Century French Romantic Antique Organic Material Paintings

Materials

Organic Material

Religious Oil on Cooper, Baroque Holy Family, 18th Century
Located in Lisbon, PT
This 18th-century Baroque painting presents a tender depiction of The Holy Family with an Angel. Rendered in oil on copper panel, a common technique of that period for its durability...
Category

18th Century Italian Baroque Antique Organic Material Paintings

Materials

Copper

Super Silver Oscar by Mauro Oliveira
Located in Los Angeles, CA
Super silver oscar by Mauro Oliveira, signed. Acrylic paint with automobile vinyl tapes, covered with resin on wood frame. Measures: Height: 81.5 inches / width: 34.5 inches / depth:...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Resin, Acrylic, Wood

Super Silver Oscar by Mauro Oliveira
Super Silver Oscar by Mauro Oliveira
$4,800 Sale Price
40% Off
Mike Adamo Painting
Located in New York, NY
New York Artist Michael Adamo painting titled "Hello From Another World" 2017 Mixed-media on canvas having many layers of application, acrylic composit...
Category

21st Century and Contemporary American Organic Material Paintings

Materials

Epoxy Resin, Acrylic

Modern Resin Art by Andreas Anastasis
Located in West Hollywood, CA
From the series e·the·re·al, this artwork immerses the viewer in a wash of soft, smoky sepia—a palette that whispers warmth, intimacy, and calm. Ink and resin flow together on canvas...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Canvas, Epoxy Resin

Colorado by Mauro Oliveira
Located in Los Angeles, CA
Colorado by Mauro Oliveira, signed. Markers, acrylic paint covered with resin on wood frame. Height: 20 inches / Width: 20 inches / Depth: 0.75 inches 1 in stock in Los Angeles Order...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Resin, Acrylic, Wood

Colorado by Mauro Oliveira
Colorado by Mauro Oliveira
$540 Sale Price
40% Off
Early 20th Century Painting on Celluloid of Older and Younger Woman in Conversat
Located in Miami Beach, FL
Early 20th century painting on celluloid of the women by the water having a deep conversation. It looks as if the older one is advising the younger one. The painting is set is a gilt...
Category

Early 20th Century Organic Material Paintings

Materials

Velvet, Resin, Giltwood

Richard Hirsch Encaustic Painting of Nothing #14M, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #14M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #73, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Lovely Set of 3 French Romantic Antique Paintings on Polymer
Located in Hopewell, NJ
Lovely set of 3 French romantic antique paintings on polymer, matted in plush orange velvet and fancy giltwood frames. Subjects are 18th century romantic rendezvous including shepherd and shpherdesss signed Geffie; lady and Gentleman of the court signed Pemia, and an oval miniature...
Category

Early 1900s French Antique Organic Material Paintings

Materials

Resin

Spanish Miniature Portrait – 19th Century
Located in Madrid, ES
A delicate 19th-century miniature portrait of a Spanish lady, painted with great precision and detail. The work reflects the Romantic aesthetic of the period, with particular attenti...
Category

19th Century Spanish Romantic Antique Organic Material Paintings

Materials

Organic Material

Ray Geary Contemporary Poured Resin Abstract Titled "Space Face"
Located in Queens, NY
Contemporary abstract resin pour on wood titled, "Space Face," with amoebic shapes against a light blue background, (Signed and dated, RAY GEARY 2020)
Category

20th Century Unknown Modern Organic Material Paintings

Materials

Resin

Jessica Dunegan Contemporary "Daydreaming" Resin and Acrylic Painting of a Perso
Located in Queens, NY
Contemporary resin and acrylic on panel painting titled "Daydreaming" by Jessica Dunegan, depicting an underwater perspective of a person floating with their face breaching the surfa...
Category

20th Century Unknown Modern Organic Material Paintings

Materials

Resin

Jessica Dunegan "Sydney" Panel
Located in Queens, NY
Jessica Dunegan "Sydney", 2013 Resin & Acrylic on Panel Signed & Dated Verso
Category

21st Century and Contemporary American Post-Modern Organic Material Paintings

Materials

Resin, Acrylic

Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Markus Linnenbrink Drill Painting, "How Many Holes" 2003 'Signed'
By Markus Linnenbrink
Located in New York, NY
Beautiful and complex Drill Painting, "HOW MANY HOLES", by Markus Linnenbrink, American 2003 (signed, titled and dated on verso with gallery label). This is a...
Category

Early 2000s American Modern Organic Material Paintings

Materials

Metal

Richard Hirsch Encaustic Painting of Nothing #29, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #29 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category

21st Century and Contemporary American Modern Organic Material Paintings

Materials

Clay, Organic Material

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