Empire Revival Prints

Pair of hand colored botanical engravings of flowers.

Two framed hand colored stipple engravings of parrots by Jacques Barraband published 1801-05. In beautifully matted and gilded frames. From Judy Cormier. One print with some foxing.

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

Enchanting pair of 19th century hand-colored stipple engravings of parakeets by French illustrator Jacques Barraband (French 1767-1809). Each print is mounted and framed with a giltw...

The Crocodilus biporcatus, also known as the "Crocodile à deux arêtes," refers to the species scientifically recognized as the Cuban Crocodile (Crocody...

Nicely framed with marbled double matting and gilded and painted frames.

Napoleonic Carabinier 1805, Imperial Guard Heavy Cavalry Print Description: This original hand-coloured 19th-century engraving depicts a Carabinier of the French heavy cavalry during the Napoleonic Wars, dated 1805, at the height of Napoleon Bonaparte’s imperial power. Shown standing beside his horse in full service uniform, the figure represents one of the most elite and physically imposing cavalry units of the Grande Armée. The tall bearskin headdress, red epaulettes, long sword, and carefully detailed equipment emphasize the prestige and battlefield authority of the Carabiniers. The Carabiniers were renowned for their strength, discipline, and shock tactics, serving as heavy cavalry alongside the cuirassiers during Napoleon’s major campaigns, including Austerlitz. Unlike lighter cavalry units, they were intended to break enemy lines through sheer force and momentum, a role reflected in the solid stance of the soldier and the powerful build of the horse. The composition balances military precision with quiet authority, reinforcing the elite status of this corps within Napoleon’s army. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843, with illustrations after designs by Horace Vernet. Vernet was the foremost military art...

Three French Hand-Colored Botanical Prints, Each titled and with descriptive text, in parcel gilt ebonized frames. Overall, 19 by 12.5 in. Condition Report Some minor discoloration.

A pair of hand-colored engravings depicting Imperial Russian cavalry, each titled in French with a Russian manuscript caption beneath, 1817. One plate, Trompette de Chasseurs à Chev...

Commanding Tradition: Handcolored Print of the Swiss Guard General, Plate 38, 1862 This stunning handcolored lithograph, Commanding Tradition, is Plate 38 from the 1862 second edi...

Napoleonic Imperial Guard Grenadiers, Officer and Soldier – French Prints Description: This fine pair of hand-colored 19th-century prints depicts members of Napoleon Bonaparte’s elite Imperial Guard Grenadiers, one of the most prestigious and recognizable units of the Napoleonic army. On the left, an officer and a soldier of the Guard are shown standing and conversing, their uniforms rendered with careful attention to rank, posture, and insignia. On the right, a fusilier grenadier of the Imperial Guard is depicted in full dress (grande tenue), standing alone in a composed, almost ceremonial stance. The Grenadiers of the Imperial Guard were the embodiment of Napoleonic military prestige. Selected for their experience, discipline, and physical stature, they served both as an elite fighting force and as a visual symbol of imperial authority. These prints emphasize uniform details such as the bearskin-style headgear with plumes, cross-belts, muskets, gaiters, and the distinctive color palette of the Guard, making them valuable visual documents for historians, collectors, and military uniform specialists. The prints originate from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843, with illustrations after designs by Horace Vernet. Vernet was the foremost visual chronicler of Napoleonic France, and his imagery played a key role in shaping the 19th-century perception of Napoleon’s army, balancing historical accuracy with heroic idealization. These works were intended not only as book illustrations but also as standalone images suitable for framing, which explains their refined execution and enduring decorative appeal. Offered together, this pair forms a coherent and highly attractive set, ideal for collectors of Napoleonic history, French military art...

Decorate a office or study with this set of antique lithographs. Hand painted in France circa 1920 by E. Guerin, each print is set in the original gilt wood frame adding a touch of elegance and preserving the artwork. These framed illustrations showcasing detailed and vibrant depictions of birds perched on branches. The lithographs are expertly crafted, highlighting the intricate details of the birds and surrounding foliage. Guerin's work is known for its accuracy and artistic finesse, often used in botanical and ornithological studies of the time. These pieces reflect the era's appreciation for nature and artistry, making them valuable collectibles for enthusiasts of vintage illustrations and natural history. Ernest Pierre Guerin (1887-1952) was a French artist born in Brittany; he educated at the Rennes School of Fine Arts, where he studied under Félix Lafond and Jules Ronsin. His work vividly depicted the customs and harsh realities of Breton life, drawing inspiration from the region’s landscapes, religious festivals, and traditional culture. Influenced by the Pre-Raphaelite movement and medieval illumination...